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Author: Pennsylvania Academy of the Fine Arts
Publisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 444
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Book Description
Author: Pennsylvania Academy of the Fine Arts
Publisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 444
Get Book Here
Book Description
Author: Pennsylvania Academy of the Fine Arts
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 74
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Book Description
Author: Robert Crump
Publisher: Minnesota Historical Society
ISBN: 9780873516358
Category : Art
Languages : en
Pages : 220
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Book Description
A definitive survey of Minnesota's vibrant printmaking scene in the first half of the twentieth century that features almost two hundred artists.
Author: Brooklyn Museum
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 28
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 794
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Book Description
Author: School of American Research (Santa Fe, N.M.)
Publisher:
ISBN:
Category : America
Languages : en
Pages : 634
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Book Description
Author: Richard H. Love
Publisher: University Rochester Press
ISBN: 9781580460248
Category : Art
Languages : en
Pages : 960
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Book Description
Throughout his life Peters depicted the ordinary places and people of America. From Rochester to Rockport, Peters made an amazingly coherent group of fascinating, masterful American pictures.
Author: Corcoran Gallery of Art
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 244
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Book Description
Author: Avery Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 980
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Book Description
Author: Annmarie Chandler
Publisher: MIT Press
ISBN: 9780262033282
Category : Art
Languages : en
Pages : 516
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Book Description
The theory and practice of networked art and activism, including mail art, sound art, telematic art, fax art, Fluxus, and assemblings. Networked collaborations of artists did not begin on the Internet. In this multidisciplinary look at the practice of art that takes place across a distance--geographical, temporal, or emotional--theorists and practitioners examine the ways that art, activism, and media fundamentally reconfigured each other in experimental networked projects of the 1970s and 1980s. By providing a context for this work--showing that it was shaped by varying mixes of social relations, cultural strategies, and political and aesthetic concerns-- At a Distance effectively refutes the widely accepted idea that networked art is technologically determined. Doing so, it provides the historical grounding needed for a more complete understanding of today's practices of Internet art and activism and suggests the possibilities inherent in networked practice. At a Distance traces the history and theory of such experimental art projects as Mail Art, sound and radio art, telematic art, assemblings, and Fluxus. Although the projects differed, a conceptual questioning of the "art object," combined with a political undermining of dominant art institutional practices, animated most distance art. After a section that sets this work in historical and critical perspective, the book presents artists and others involved in this art "re-viewing" their work--including experiments in "mini-FM," telerobotics, networked psychoanalysis, and interactive book construction. Finally, the book recasts the history of networks from the perspectives of politics, aesthetics, economics, and cross-cultural analysis.
