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Author: John Dover Wilson
Publisher: Cambridge University Press
ISBN: 9780521092463
Category : Drama
Languages : en
Pages : 160
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Book Description
Dr Dover Wilson examines Falstaff's role in the two parts of Henry IV and his relationship to the Prince. Like most other Shakespearean scholars he had accepted, Bradley's portrait as shown in The Rejection of Falstaff, until (as he writes) he 'began checking it with yet another portrait - that which I found in the pages of Shakespeare himself. As the result of much recent work on the two parts of Henry IV, a new Falstaff stands before me, as fascinating as Bradley's, certainly quite as human, but different; and beside him stands a still more unexpected Prince Hal. The discovery throws all my previous ideas out of focus.' As the reviewer in the Times Literary Supplement wrote, Falstaff 'is no hero, as the romantics have tried to make him out, nor is he merely a typical and traditional stage-butt. But he is Falstaff riding for a fall; and when he takes his toss he is up again in still unconquerable effrontery and humour ... The Prince as we watch him through Dr Dover Wilson's eyes growing in grace, first in chivalry and then in justice, we do more than observe the making of a hero-king. We get to know a very lovable, faulty, generous, noble-minded young man; and a character in the play whose scenes are so far from being mere padding between Falstaff's that the whole is seen as a masterpiece of construction.'
Author: John Dover Wilson
Publisher: Cambridge University Press
ISBN: 9780521092463
Category : Drama
Languages : en
Pages : 160
Get Book Here
Book Description
Dr Dover Wilson examines Falstaff's role in the two parts of Henry IV and his relationship to the Prince. Like most other Shakespearean scholars he had accepted, Bradley's portrait as shown in The Rejection of Falstaff, until (as he writes) he 'began checking it with yet another portrait - that which I found in the pages of Shakespeare himself. As the result of much recent work on the two parts of Henry IV, a new Falstaff stands before me, as fascinating as Bradley's, certainly quite as human, but different; and beside him stands a still more unexpected Prince Hal. The discovery throws all my previous ideas out of focus.' As the reviewer in the Times Literary Supplement wrote, Falstaff 'is no hero, as the romantics have tried to make him out, nor is he merely a typical and traditional stage-butt. But he is Falstaff riding for a fall; and when he takes his toss he is up again in still unconquerable effrontery and humour ... The Prince as we watch him through Dr Dover Wilson's eyes growing in grace, first in chivalry and then in justice, we do more than observe the making of a hero-king. We get to know a very lovable, faulty, generous, noble-minded young man; and a character in the play whose scenes are so far from being mere padding between Falstaff's that the whole is seen as a masterpiece of construction.'
Author: Michael W. Shurgot
Publisher: University of Delaware Press
ISBN: 9780874136142
Category : Drama
Languages : en
Pages : 284
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Book Description
Rather than arguing for a "unified response" among spectators, as many scholars do, the book argues that when the plays are performed on thrust stages, the audience's reactions are actually seminal to the plays' intended dramatic effects.
Author: Stephen Cooper
Publisher: Casemate Publishers
ISBN: 1844687740
Category : Biography & Autobiography
Languages : en
Pages : 333
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Book Description
This historical study examines the life and military accomplishments of the medieval knight who inspired one of Shakespeare’s most beloved characters. One of the most famous English knights of the Hundred Years War, Sir John Fastolf is widely thought to be a model for Shakespeare’s immortal character, Sir John Falstaff. In The Real Falstaff, historian Stephen Cooper examines the link in full, shedding light on his story as well as the declining English fortunes during the last phase of the Hundred Years War. Witnessing both the triumphs of Henry V, and the disasters of the 1450s, Fastolf was one of the last of the brave but often brutal English soldiers who made their careers waging war in France. Cooper retraces the entire course of Fastolf’s long life, putting special focus on his many campaigns. A vivid picture of the old soldier emerges and of the French wars in which he played such a prominent part. But the author also explores Fastolf’s legacy, his connection to the Paston family—famous for the Paston letters—and the use Shakespeare made of Fastolf’s name, career, and character when he created Sir John Falstaff.
Author: Stephen Longstaffe
Publisher: Bloomsbury Publishing
ISBN: 1441170421
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
An introduction to Shakespeare's I Henry IV - introducing its critical and performance history, current critical landscape and new directions in research on the play.
Author: Robert Barnabas Brough
Publisher:
ISBN:
Category : Etching, British
Languages : en
Pages : 306
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Book Description
"The plan of this work [is] ... to illustrate the life of Sir John Falstaff exclusively from the most striking passages in his career, as invented by Shakespeare"--Preface
Author: G. Wilson Knight
Publisher: Routledge
ISBN: 1317833740
Category : Literary Collections
Languages : en
Pages : 348
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Book Description
First published in 2002. This book is a collection of essays on the interpretation of Shakespeare's final plays and includes works on Pericles, A Winter's Tale; Cymbeline, The Tempest and Henry VIII.
Author:
Publisher:
ISBN:
Category : English philology
Languages : en
Pages : 616
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Book Description
Author: George Wilson Knight
Publisher: Taylor & Francis
ISBN: 9780415290722
Category : Drama
Languages : en
Pages : 348
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Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Herbert B. Rothschild Jr.
Publisher: Xlibris Corporation
ISBN: 1465314458
Category : Drama
Languages : en
Pages : 508
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Book Description
Profoundly Entertaining offers the general reader a chance to think about Shakespeares artistry in a sustained way. Entertaining as Shakespeares plays are, that quality by itself wouldnt justify the effort required to overcome the difficulty their language poses. Their enduring popularity suggests that, to varying degrees, their audiences sense their profundity even if they cannot confidently articulate their experience. Without any overarching argument to makemerely with admiration for the most intelligent, honest, courageous, and sustained confrontation of human life of which we have written recordthe book invites its readers to accompany Shakespeare on his journey of exploration into the human condition unobscured by prevailing orthodoxies and comforting illusions.
Author: J. Dover Wilson
Publisher: Cambridge University Press
ISBN: 9780521068307
Category : Literary Criticism
Languages : en
Pages : 152
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Book Description
Dr Dover Wilson examines Falstaff's role in the two parts of Henry IV and his relationship to the Prince. Like most other Shakespearean scholars he had accepted, Bradley's portrait as shown in The Rejection of Falstaff, until (as he writes) he 'began checking it with yet another portrait - that which I found in the pages of Shakespeare himself. As the result of much recent work on the two parts of Henry IV, a new Falstaff stands before me, as fascinating as Bradley's, certainly quite as human, but different; and beside him stands a still more unexpected Prince Hal. The discovery throws all my previous ideas out of focus.' As the reviewer in the Times Literary Supplement wrote, Falstaff 'is no hero, as the romantics have tried to make him out, nor is he merely a typical and traditional stage-butt. But he is Falstaff riding for a fall; and when he takes his toss he is up again in still unconquerable effrontery and humour ... The Prince as we watch him through Dr Dover Wilson's eyes growing in grace, first in chivalry and then in justice, we do more than observe the making of a hero-king. We get to know a very lovable, faulty, generous, noble-minded young man; and a character in the play whose scenes are so far from being mere padding between Falstaff's that the whole is seen as a masterpiece of construction.'
