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Author: John Dover Wilson
Publisher:
ISBN:
Category : Shakespeare, William, 1564-1616
Languages : en
Pages : 160
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Book Description
Author: John Dover Wilson
Publisher: Cambridge University Press
ISBN: 9780521092463
Category : Drama
Languages : en
Pages : 160
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Book Description
Dr Dover Wilson examines Falstaff's role in the two parts of Henry IV and his relationship to the Prince. Like most other Shakespearean scholars he had accepted, Bradley's portrait as shown in The Rejection of Falstaff, until (as he writes) he 'began checking it with yet another portrait - that which I found in the pages of Shakespeare himself. As the result of much recent work on the two parts of Henry IV, a new Falstaff stands before me, as fascinating as Bradley's, certainly quite as human, but different; and beside him stands a still more unexpected Prince Hal. The discovery throws all my previous ideas out of focus.' As the reviewer in the Times Literary Supplement wrote, Falstaff 'is no hero, as the romantics have tried to make him out, nor is he merely a typical and traditional stage-butt. But he is Falstaff riding for a fall; and when he takes his toss he is up again in still unconquerable effrontery and humour ... The Prince as we watch him through Dr Dover Wilson's eyes growing in grace, first in chivalry and then in justice, we do more than observe the making of a hero-king. We get to know a very lovable, faulty, generous, noble-minded young man; and a character in the play whose scenes are so far from being mere padding between Falstaff's that the whole is seen as a masterpiece of construction.'
Author: John Dover Wilson
Publisher:
ISBN:
Category : Shakespeare, William, 1564-1616
Languages : en
Pages : 160
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Book Description
Author: John Dover Wilson
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: J. Dover Wilson
Publisher: Cambridge University Press
ISBN: 9780521068307
Category : Literary Criticism
Languages : en
Pages : 152
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Book Description
Dr Dover Wilson examines Falstaff's role in the two parts of Henry IV and his relationship to the Prince. Like most other Shakespearean scholars he had accepted, Bradley's portrait as shown in The Rejection of Falstaff, until (as he writes) he 'began checking it with yet another portrait - that which I found in the pages of Shakespeare himself. As the result of much recent work on the two parts of Henry IV, a new Falstaff stands before me, as fascinating as Bradley's, certainly quite as human, but different; and beside him stands a still more unexpected Prince Hal. The discovery throws all my previous ideas out of focus.' As the reviewer in the Times Literary Supplement wrote, Falstaff 'is no hero, as the romantics have tried to make him out, nor is he merely a typical and traditional stage-butt. But he is Falstaff riding for a fall; and when he takes his toss he is up again in still unconquerable effrontery and humour ... The Prince as we watch him through Dr Dover Wilson's eyes growing in grace, first in chivalry and then in justice, we do more than observe the making of a hero-king. We get to know a very lovable, faulty, generous, noble-minded young man; and a character in the play whose scenes are so far from being mere padding between Falstaff's that the whole is seen as a masterpiece of construction.'
Author: Dover John Wilson
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: John Dover 1881- Wilson
Publisher: Hassell Street Press
ISBN: 9781013410833
Category :
Languages : en
Pages : 164
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: John Dover Wilson
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: John Dover Wilson
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Stephen Cooper
Publisher: Casemate Publishers
ISBN: 1844687740
Category : Biography & Autobiography
Languages : en
Pages : 333
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Book Description
This historical study examines the life and military accomplishments of the medieval knight who inspired one of Shakespeare’s most beloved characters. One of the most famous English knights of the Hundred Years War, Sir John Fastolf is widely thought to be a model for Shakespeare’s immortal character, Sir John Falstaff. In The Real Falstaff, historian Stephen Cooper examines the link in full, shedding light on his story as well as the declining English fortunes during the last phase of the Hundred Years War. Witnessing both the triumphs of Henry V, and the disasters of the 1450s, Fastolf was one of the last of the brave but often brutal English soldiers who made their careers waging war in France. Cooper retraces the entire course of Fastolf’s long life, putting special focus on his many campaigns. A vivid picture of the old soldier emerges and of the French wars in which he played such a prominent part. But the author also explores Fastolf’s legacy, his connection to the Paston family—famous for the Paston letters—and the use Shakespeare made of Fastolf’s name, career, and character when he created Sir John Falstaff.
Author: Michael Whitaker
Publisher:
ISBN: 9781797575377
Category :
Languages : en
Pages : 69
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Book Description
'The Falstaff Chronicles' weaves together various scenes from 'Henry IV parts 1 and 2', 'The Merry Wives of Windsor' and 'Henry V' and, with the aid of some additional material, creates a sensitive adaptation of the original plays to make a 'new' Shakespearian comedy combining farce and wit but with a tragic ending.
