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Author: Fundación Juan March
Publisher: Fundacion Juan March
ISBN: 9788470756252
Category : Art
Languages : en
Pages : 0
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Book Description
Y focusing on the life and work of Fortunato Depero (Fondo, Trento, 1892 – Rovereto, 1960) it will aim to offer a new assessment of what has been termed "the Avant-garde of avant-gardes": Italian Futurism.0This visual and literary movement, which was launched with the Manifesto published by Filippo Tommaso Marinetti on 20 February 1909 in the French newspaper Le Figaro, has found its place in history due to the radical nature of its ideas: abolishing all references to the art of the past (considered to be pure "passatismo"), exalting dynamism, the machine, speed and war, freeing words from grammatical structure and multiplying viewpoints in order to express the dynamic interaction of the material with the surrounding space. 0During its most active years, between 1909 and 1915, Futurism made an innovative and dynamic contribution to European visual art and literature. The outbreak of World War I resulted in a break in its activities with many of the Futurists participating in the combat and the death of Boccioni. Prior to this, in 1913, Fortunato Depero went to Rome where he met Marinetti and visited the exhibition on Boccioni at the Galleria Sprovieri. His encounter there with the work of Boccioni and Balla led to a transformation in his artistic output as he assimilated Boccioni’s visual dynamism and Balla’s sense of tension deriving from the abstraction of forms. In the spring of 1915 Depero joined the Futurist movement.0Exhibition: Fundación Juan March, Madrid, Spain (10.10.2014-18.01.2015).
Author: Fundación Juan March
Publisher: Fundacion Juan March
ISBN: 9788470756252
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Y focusing on the life and work of Fortunato Depero (Fondo, Trento, 1892 – Rovereto, 1960) it will aim to offer a new assessment of what has been termed "the Avant-garde of avant-gardes": Italian Futurism.0This visual and literary movement, which was launched with the Manifesto published by Filippo Tommaso Marinetti on 20 February 1909 in the French newspaper Le Figaro, has found its place in history due to the radical nature of its ideas: abolishing all references to the art of the past (considered to be pure "passatismo"), exalting dynamism, the machine, speed and war, freeing words from grammatical structure and multiplying viewpoints in order to express the dynamic interaction of the material with the surrounding space. 0During its most active years, between 1909 and 1915, Futurism made an innovative and dynamic contribution to European visual art and literature. The outbreak of World War I resulted in a break in its activities with many of the Futurists participating in the combat and the death of Boccioni. Prior to this, in 1913, Fortunato Depero went to Rome where he met Marinetti and visited the exhibition on Boccioni at the Galleria Sprovieri. His encounter there with the work of Boccioni and Balla led to a transformation in his artistic output as he assimilated Boccioni’s visual dynamism and Balla’s sense of tension deriving from the abstraction of forms. In the spring of 1915 Depero joined the Futurist movement.0Exhibition: Fundación Juan March, Madrid, Spain (10.10.2014-18.01.2015).
Author: Roberta Cremoncini
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 60
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Book Description
"This book has been designed to show Depero's work to best effect, allowing its visual effects full rein through its presentation. Roberta Cremoncini's text guides the reader through the different elements of Depero's work. We see him as Futurist theoretician, as painter, as craftsman and as graphic designer. Finally, the author describes his two attempts to establish himself in America: both were to fail, yet they have left us with much of his best design work in the form of striking covers for Vogue and Vanity fair, and with complex and dramatic paintings incorporating American imagery."--BOOK JACKET.
Author: Gianluca Camillini
Publisher: Rubbettino
ISBN: 9788849868364
Category : Art
Languages : en
Pages : 320
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Book Description
Author: Solomon R. Guggenheim Museum
Publisher: Guggenheim Museum
ISBN: 9780892074990
Category : Art, Italian
Languages : en
Pages : 0
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Book Description
February 21-September 1, 2014 The first comprehensive overview of Italian Futurism to be presented in the United States, this multidisciplinary exhibition examines the historical sweep of the movement from its inception with F.T. Marinetti's Futurist manifesto in 1909 through its demise at the end of World War II. Presenting over 300 works executed between 1909 and 1944, the chronological exhibition encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater, and performance. To convey the myriad artistic languages employed by the Futurists as they evolved over a 35-year period, the exhibition integrates multiple disciplines in each section. Italian Futurism is organized by Vivien Greene, Curator, 19th- and Early 20th-Century Art, Solomon R. Guggenheim Museum. In addition, a distinguished international advisory committee has been assembled to provide expertise and guidance.
Author: Flavio Fergonzi
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 456
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Book Description
Since the 1940s Gianni Mattioli's collection of modern art has been a touchstone of the history of 20th century collecting. The pieces reproduced in this volume have been listed under Italian law since 1939 to protect the nation's cultural heritage.
Author: Anthony White
Publisher: Routledge
ISBN: 0429515448
Category : Art
Languages : en
Pages : 263
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Book Description
This book examines the work of several modern artists, including Fortunato Depero, Scipione, and Mario Radice, who were working in Italy during the time of Benito Mussolini’s rise and fall. It provides a new history of the relationship between modern art and fascism. The study begins from the premise that Italian artists belonging to avant-garde art movements, such as futurism, expressionism, and abstraction, could produce works that were perfectly amenable to the ideologies of Mussolini’s regime. A particular focus of the book is the precise relationship between ideas of history and modernity encountered in the art and politics of the time and how compatible these truly were.
Author: Raffaele Bedarida
Publisher: Taylor & Francis
ISBN: 1000595803
Category : Art
Languages : en
Pages : 320
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Book Description
This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more nuanced transnational approach. The central thesis is that, beyond the immediate aims of political propaganda and conquering a new market for Italian art, these art exhibitions, publications, and the critical discourse aimed at American audiences all reflected back on their makers: they forced and helped Italians define their own modernity in relation to the world’s new dominant cultural and economic power. The book will be of interest to scholars working in art history, social history, exhibition history, and Italian studies.
Author: Fortunato Depero
Publisher:
ISBN:
Category : Arts, European
Languages : en
Pages : 250
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Book Description
Author: Nicoletta Boschiero
Publisher: Silvana Editoriale
ISBN: 9788836650316
Category : Art
Languages : en
Pages : 256
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Book Description
The word new in the title of this volume represents Fortunato Depero's predisposition to innovation and the continuous transformation of his ideas, but also the influence he was able to offer both to designers of the eighties - above all Ettore Sottsass and Alessandro Mendini - and to New Futurist artists - Abate, Innocente, Lodola, Postal and Plumcake - who wisely mix Futurism, Pop Art and Kitsch.0The Depero effect can also be seen in artists such as Ugo Nespolo and Matteo Thun, who give life to effective Deperian advertising reworkings for the merchandising of the Campari company, as well as in avant-garde comics with designers such as Echaurren, Giacon, Carpinteri, who starting from the eighties have resumed - often ironically - the stylistic features of Depero.0In the 2000s, interest in films and videos grew - often centered on the exemplary life of the artist from Rovereto, which has been reconstructed thanks to the documents kept in the Depero collection - which allow in-depth research work, as in the case of Il sogno di Alberto (2011), a video installation on four screens directed by N! 03, Depero, Rovereto, New York e altre storie (2015) by Nello Correale, and finally New York film vissuto from 2020, conceived by the Istituto Barlumen specifically for the exhibition. 00Exhibition: Mart, Rovereto, Italy (21.10.2021 - 13.02.2022).
Author: Katia Pizzi
Publisher:
ISBN: 9780719097096
Category : ART
Languages : en
Pages : 320
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Book Description
Exploring literature, the visual and performing arts, photography, music, and film, the author uses the lens of European machine culture to elucidate the work of a broad set of artists and practitioners, including Censi, Depero, Marinetti, Munari, and Prampolini. The machine emerges here as an archaeology of technology in modernity: the time machine of futurism.
