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Author: Victoria Fortuna
Publisher: Oxford University Press, USA
ISBN: 0190627018
Category : Art
Languages : en
Pages : 281
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Book Description
"Moving Otherwise examines how contemporary dance practices in Buenos Aires, Argentina enacted politics within climates of political and economic violence from the late 1960s to the present. From the repression of military dictatorships to the precarity of economic crises, contemporary dancers and audiences consistently responded to and reimagined the everyday choreographies that have accompanied Argentina's volatile political history. The central concept, "moving otherwise," names how concert dance - and its offstage practices and consumption - offer alternatives to, and sometimes critique, the patterns of movement and bodily comportment that shape everyday life in contexts marked by violence. Drawing on archival research, interviews, and the author's embodied experiences as a collaborator and performer, the book analyzes a wide range of practices including concert works, community dance initiatives, and the everyday labor that animates dance. It demonstrates how these diverse practices represent, resist, and remember violence and engender social mobilization on and off the theatrical stage. As the first book length critical study of Argentine contemporary dance, it introduces a breadth of choreographers to an English speaking audience, including Ana Kamien, Susana Zimmermann, Estela Maris, Alejandro Cervera, Renate Schottelius, Susana Tambutti, Silvia Hodgers, and Silvia Vladimivsky. It considers previously undocumented aspects of Argentine dance history, including crossings between contemporary dancers and 1970s leftist political militancy, Argentine dance labor movements, political protest, and the prominence of tango themes in contemporary dance works that address the memory of political violence"--
Author: Victoria Fortuna
Publisher: Oxford University Press, USA
ISBN: 0190627018
Category : Art
Languages : en
Pages : 281
Get Book Here
Book Description
"Moving Otherwise examines how contemporary dance practices in Buenos Aires, Argentina enacted politics within climates of political and economic violence from the late 1960s to the present. From the repression of military dictatorships to the precarity of economic crises, contemporary dancers and audiences consistently responded to and reimagined the everyday choreographies that have accompanied Argentina's volatile political history. The central concept, "moving otherwise," names how concert dance - and its offstage practices and consumption - offer alternatives to, and sometimes critique, the patterns of movement and bodily comportment that shape everyday life in contexts marked by violence. Drawing on archival research, interviews, and the author's embodied experiences as a collaborator and performer, the book analyzes a wide range of practices including concert works, community dance initiatives, and the everyday labor that animates dance. It demonstrates how these diverse practices represent, resist, and remember violence and engender social mobilization on and off the theatrical stage. As the first book length critical study of Argentine contemporary dance, it introduces a breadth of choreographers to an English speaking audience, including Ana Kamien, Susana Zimmermann, Estela Maris, Alejandro Cervera, Renate Schottelius, Susana Tambutti, Silvia Hodgers, and Silvia Vladimivsky. It considers previously undocumented aspects of Argentine dance history, including crossings between contemporary dancers and 1970s leftist political militancy, Argentine dance labor movements, political protest, and the prominence of tango themes in contemporary dance works that address the memory of political violence"--
Author: Alessandra Zanobi
Publisher: A&C Black
ISBN: 1472506081
Category : History
Languages : en
Pages : 247
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Book Description
Pantomime was arguably the most popular dramatic genre during the Roman Empire, but has been relatively neglected by literary critics. Seneca's Tragedies and the Aesthetics of Pantomime adds to our understanding of Seneca's tragic art by demonstrating that elements which have long puzzled scholars can be attributed to the influence of pantomime. The work argues that certain formal features which depart from the conventions of fifth-century Attic drama can be explained by the influence of, and interaction with, this more popular genre. The work includes a detailed and systematic analysis of the specific pantomime-inspired features of Seneca's tragedies: the loose dramatic structure, the presence of “running commentaries” (minute descriptions of characters undergoing emotional strains or performing specific actions), of monologues of self-analysis, and of narrative set-pieces. Relevant to the culture of Roman imperial culture more generally, Seneca's Tragedies and the Aesthetics of Pantomime includes an outline of the general features of pantomime as a genre. The work shows that the influence of sub-literary-genres such as pantomime and mime, the sister art of pantomime, can be traced in several Roman writers whose literary production was antecedent or contemporary with Seneca's. Furthermore, the work sheds light on the interaction between sub-literary genres of a performative nature such as mime and pantomime and more literary ones, an aspect of Latin culture which previous scholarship has tended to overlook. Seneca's Tragedies and the Aesthetics of Pantomime provides an original contribution to the understanding of the impact of pantomime on Roman literary culture and of controversial and little-understood features of Senecan tragedies.
Author: James Nathaniel Holland
Publisher: Createspace Independent Publishing Platform
ISBN: 9781542852593
Category :
Languages : en
Pages : 28
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Book Description
Taken from the ballet, "The Satyricon" this beautiful, small piece evokes middle eastern, Egyptian or Roman ambience. Nice break from full band program or prelude to concert. Perfect for Art exhibitions, theater productions, chamber music or Jewish holidays. Here arranged for woodwinds and percussion. Instrumentation: Fl, Ob, EH, Cl 12, BCl, AS(high F#), TSax12, BarSax, Bsn12, prc (hand claps, tri, bd, tamb), marimba (or pno or guitar: 8va lower). Intermediate Level. Full Score in concert pitch and parts included. YouTube visual presentation (orchestra without repeat): https://www.youtube.com/watch'v=QbfH4hjS80E
Author: Hazel Edwards
Publisher: Hazel Edwards
ISBN: 0987157574
Category : Young Adult Fiction
Languages : en
Pages : 120
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Book Description
On the day of Gran's funeral, teenager Zoe finds Gran's 'not to be opened until after my death' package. So she opens it. Turns out, Gran was not just Madga, she had other names too. And other lives. Together with her hockey-nerd mate Luke, Zoe goes on a digital journey of discovery to find out who her Gran really was.
Author: Lynn Brooks
Publisher: Univ of Wisconsin Press
ISBN: 029922533X
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
Like the history of women, dance has been difficult to capture as a historical subject. Yet in bringing together these two areas of study, the nine internationally renowned scholars in this volume shed new and surprising light on women’s roles as performers of dance, choreographers, shapers of aesthetic trends, and patrons of dance in Italy, France, England, and Germany before 1800. Through dance, women asserted power in spheres largely dominated by men: the court, the theater, and the church. As women’s dance worlds intersected with men’s, their lives and visions were supported or opposed, creating a complex politics of creative, spiritual, and political expression. From a women’s religious order in the thirteenth-century Low Countries that used dance as a spiritual rite of passage to the salon culture of eighteenth-century France where dance became an integral part of women’s cultural influence, the writers in this volume explore the meaning of these women’s stories, performances, and dancing bodies, demonstrating that dance is truly a field across which women have moved with finesse and power for many centuries past.
Author: MK Bell
Publisher: Gavin Academy Press
ISBN:
Category : Fiction
Languages : en
Pages : 185
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Book Description
Madame Fortuna knows your future. When an old fortune telling machine is installed in a retro arcade, the town's inhabitants get more than they bargained for. The machine is giving out accurate fortunes. And it is out for blood. Do you feel lucky? Follow the convoluted path of fate through a series of linked short stories that will have you asking why you ever stepped on FORTUNA'S WHEEL
Author: Karin Schlapbach
Publisher: Oxford University Press
ISBN: 0192534785
Category : Literary Collections
Languages : en
Pages : 352
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Book Description
Within the newly thriving field of ancient Greek and Roman performance and dance studies, The Anatomy of Dance Discourse offers a fresh and original perspective on ancient perceptions of dance. Focusing on the second century CE, it provides an overview of the dance discourse of this period and explores the conceptualization of dance across an array of different texts, from Plutarch and Lucian of Samosata, to the apocryphal Acts of John, Longus, and Apuleius. The volume is divided into two parts: while the second part discusses ekphraseis of dance performance in prose and poetry of the Roman imperial period, the first delves more deeply into an examination of how both philosophical and literary treatments of dance interacted with other areas of cultural expression, whether language and poetry, rhetoric and art, or philosophy and religion. Its distinctive contribution lies in this juxtaposition of ancient theorizations of dance and philosophical analyses of the medium with literary depictions of dance scenes and performances, and it attends not only to the highly encoded genre of pantomime, which dominated the stage in the Roman Empire, but also to acrobatic, non-representational dances. This twofold nature of dance sparked highly sophisticated reflections on the relationship between dance and meaning in the ancient world, and the volume defends the novel claim that in the imperial period it became more and more palpable that dance, unlike painting or sculpture, could be representational or not: a performance of nothing but itself. It argues that dance was understood as a practice in which human beings, whether as dancers or spectators, are confronted with the irreducible reality of their own physical existence, which is constantly changing, and that its way to cognition and action is physical experience.
Author: Gustavo Umpierre
Publisher: Tamesis
ISBN: 9780900411977
Category : Literary Criticism
Languages : en
Pages : 136
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Book Description
Published by Boydell & Brewer Inc.
Author: Walter Laird
Publisher:
ISBN:
Category : Ballroom dancing
Languages : en
Pages : 180
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Book Description
Author: David Fallows
Publisher: Clarendon Press
ISBN:
Category : Music
Languages : en
Pages : 806
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Book Description
A detailed inventory of polyphonic songs from 1415-1480 in any European language, with language subdivisions: English, French, German (including Flemish), Italian, Latin, Spanish, and textless (this last with musical incipits). Each entry includes full details of all sources, facsimiles, modern editions, paraphrases, citations, etc. The aim is to account for everything that survives or is confidently known to have existed. There are approximately 2,000 main entries, derived from some 200 central sources, with another 200 sources that contain only a few pieces, poetic texts, or otherwise related material. The volume also includes brief descriptions of all the main sources as well as biographical entries for all the composers and poets (keyed to the main catalogue) and an extensive bibliography.
