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Author: Lucia Nigri
Publisher: Routledge
ISBN: 1351967541
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
This collection examines the widespread phenomenon of hypocrisy in literary, theological, political, and social circles in England during the years after the Reformation and up to the Restoration. Bringing together current critical work on early modern subjectivity, performance, print history, and private and public identities and space, the collection provides readers with a way into the complexity of the term, by offering an overview of different forms of hypocrisy, including educational practice, social transaction, dramatic technique, distorted worship, female deceit, print controversy, and the performance of demonic possession. Together these approaches present an interdisciplinary examination of a term whose meanings have always been assumed, yet never fully outlined, despite the proliferation of publications on aspects of hypocrisy such as self-fashioning and disguise. Questions the chapters collectively pose include: how did hypocritical discourse conceal concerns relating to social status, gender roles, religious doctrine, and print culture? How was hypocrisy manifest materially? How did different literary genres engage with hypocrisy?
Author: Lucia Nigri
Publisher: Routledge
ISBN: 1351967541
Category : Literary Criticism
Languages : en
Pages : 278
Get Book Here
Book Description
This collection examines the widespread phenomenon of hypocrisy in literary, theological, political, and social circles in England during the years after the Reformation and up to the Restoration. Bringing together current critical work on early modern subjectivity, performance, print history, and private and public identities and space, the collection provides readers with a way into the complexity of the term, by offering an overview of different forms of hypocrisy, including educational practice, social transaction, dramatic technique, distorted worship, female deceit, print controversy, and the performance of demonic possession. Together these approaches present an interdisciplinary examination of a term whose meanings have always been assumed, yet never fully outlined, despite the proliferation of publications on aspects of hypocrisy such as self-fashioning and disguise. Questions the chapters collectively pose include: how did hypocritical discourse conceal concerns relating to social status, gender roles, religious doctrine, and print culture? How was hypocrisy manifest materially? How did different literary genres engage with hypocrisy?
Author: Caroline Bowden
Publisher: Manchester University Press
ISBN: 1526149222
Category : History
Languages : en
Pages : 242
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Book Description
Religion and life cycles in early modern England assembles scholars working in the fields of history, English literature and art history to further our understanding of the intersection between religion and the life course in the period c. 1550–1800. Featuring chapters on Catholic, Protestant and Jewish communities, it encourages cross-confessional comparison between life stages and rites of passage that were of religious significance to all faiths in early modern England. The book considers biological processes such as birth and death, aspects of the social life cycle including schooling, coming of age and marriage and understandings of religious transition points such as spiritual awakenings and conversion. Through this inclusive and interdisciplinary approach, it seeks to show that the life cycle was not something fixed or predetermined and that early modern individuals experienced multiple, overlapping life cycles.
Author: Melissa M. Caldwell
Publisher: Routledge
ISBN: 1317054547
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
The central thesis of this book is that skepticism was instrumental to the defense of orthodox religion and the development of the identity of the Church of England. Examining the presence of skepticism in non-fiction prose literature at four transitional moments in English Protestant history during which orthodoxy was challenged and revised, Melissa Caldwell argues that a skeptical mode of thinking is embedded in the literary and rhetorical choices made by English writers who straddle the project of reform and the maintenance of orthodoxy after the Reformation in England. Far from being a radical belief simply indicative of an emerging secularism, she demonstrates the varied and complex appropriations of skeptical thought in early modern England. By examining a selection of various kinds of literature-including religious polemic, dialogue, pamphlets, sermons, and treatises-produced at key moments in early modern England’s religious history, Caldwell shows how the writers under consideration capitalized on the unscripted moral space that emerged in the wake of the Reformation. The result was a new kind of discourse--and a new form of orthodoxy--that sought both to exploit and to contain the skepticism unearthed by the Reformation.
Author: Andrew Rabin
Publisher: Boydell & Brewer
ISBN: 1783277602
Category :
Languages : en
Pages : 311
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Book Description
Valuable new insights into the multi-layered and multi-directional relationship of law, literature, and social regulation in pre-Conquest English society. Pre-Conquest English law was among the most sophisticated in early medieval Europe. Composed largely in the vernacular, it played a crucial role in the evolution of early English identity and exercised a formative influence on the development of the Common Law. However, recent scholarship has also revealed the significant influence of these legal documents and ideas on other cultural domains, both modern and pre-modern. This collection explores the richness of pre-Conquest legal writing by looking beyond its traditional codified form. Drawing on methodologies ranging from traditional philology to legal and literary theory, and from a diverse selection of contributors offering a broad spectrum of disciplines, specialities and perspectives, the essays examine the intersection between traditional juridical texts - from law codes and charters to treatises and religious regulation - and a wide range of literary genres, including hagiography and heroic poetry. In doing so, they demonstrate that the boundary that has traditionally separated "law" from other modes of thought and writing is far more porous than hitherto realized. Overall, the volume yields valuable new insights into the multi-layered and multi-directional relationship of law, literature, and social regulation in pre-Conquest English society.
Author: Jennifer Clement
Publisher: Routledge
ISBN: 1317071174
Category : Literary Criticism
Languages : en
Pages : 166
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Book Description
While humility is not especially valued in modern Western culture, Jennifer Clement argues here, it is central to sixteenth- and seventeenth-century understandings of Christian faith and behavior, and is vital to early modern concepts of the self. As this study shows, early modern literary engagements with humility link it to self-knowledge through the practice of right reading, and make humility foundational to any proper understanding of human agency. Yet humility has received little critical interest, and has often been misunderstood as a false virtue that engenders only self-abjection. This study offers an overview of various ways in which humility is discussed, deployed, or resisted in early modern texts ranging from the explicitly religious and autobiographical prose of Katherine Parr and John Donne, to the more politically motivated prose of Queen Elizabeth I and the seventeenth-century reformer and radical Thomas Tryon. As part of the wider 'turn to religion' in early modern studies, this study seeks to complicate our understanding of a mainstream early modern virtue, and to problematize a mode of critical analysis that assumes agency is always defined by resistance.
Author: Emilia Wilton-Godberfforde
Publisher: Taylor & Francis
ISBN: 1317097424
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
The first book-length study devoted to this topic, Mendacity and the Figure of the Liar in Seventeenth-Century French Comedy offers an important contribution to scholarship on the theatre as well as on early modern attitudes in France, specifically on the subject of lying and deception. Unusually for a scholarly work on seventeenth-century theatre, it is particularly alert to plays as performed pieces and not simply printed texts. The study also distinguishes itself by offering original readings of Molière alongside innovative analyses of other playwrights. The chapters offer fresh insights on well-known plays by Molière and Pierre Corneille but also invite readers to discover lesser-known works of the time (by writers such as Benserade, Thomas Corneille, Dufresny and Rotrou). Through comparative and sustained close readings, including a linguistic and speech act approach, a historical survey of texts with an analysis of different versions and a study of irony, the reader is shown the manifest ways in which different playwrights incorporate the comedic tropes of lying and scheming, confusion and unmasking. Drawing particular attention to the levels of communicative or mis-communicative exchanges on the character-to-character axis and the character-to-audience axis, this work examines the process whereby characters in the comedies construct narratives designed to trick, misdirect, dazzle, confuse or exploit their interlocutors. In the different incarnations of seducer, parasite, cross-dresser, duplicitous narrator/messenger and deluded mythomaniac, the author underscores the way in which the figure of the liar both entertains and troubles, making it a fascinating subject worthy of detailed investigation.
Author: Kristen Poole
Publisher: Cambridge University Press
ISBN: 9780521025447
Category : Biography & Autobiography
Languages : en
Pages : 292
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Book Description
The figure of the puritan has long been conceived as dour and repressive in character, an image which has been central to ways of reading sixteenth- and seventeenth-century history and literature. Kristen Poole's original study challenges this perception arguing that, contrary to current critical understanding, radical reformers were most often portrayed in literature of the period as deviant, licentious and transgressive. Through extensive analysis of early modern pamphlets, sermons, poetry and plays, the fictional puritan emerges as a grotesque and carnivalesque figure; puritans are extensively depicted as gluttonous, sexually promiscuous, monstrously procreating, and even as worshipping naked. By recovering this lost alternative satirical image, Poole sheds new light on the role played by anti-puritan rhetoric. Her book contends that such representations served an important social role, providing an imaginative framework for discussing familial, communal and political transformations that resulted from the Reformation.
Author: Daniel Blank
Publisher: Oxford University Press
ISBN: 0192886118
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
Dramatic performances at the universities in early modern England have usually been regarded as insular events, completely removed from the plays of the London stage. Shakespeare and University Drama in Early Modern England challenges that long-held notion, illuminating how an apparently secluded theatrical culture became a major source of inspiration for Shakespeare and his contemporaries. While many university plays featured classical themes, others reflected upon the academic environments in which they were produced, allowing a window into the universities themselves. This window proved especially fruitful for Shakespeare, who, as this book reveals, had a sustained fascination with the universities and their inhabitants. Daniel Blank provides groundbreaking new readings of plays from throughout Shakespeare's career, illustrating how depictions of academic culture in Love's Labour's Lost, Hamlet, and Macbeth were shaped by university plays. Shakespeare was not unique, however. This book also discusses the impact of university drama on professional plays by Christopher Marlowe, Robert Greene, and Ben Jonson, all of whom in various ways facilitated the connection between the university stage and the London commercial stage. Yet this connection, perhaps counterintuitively, is most significant in the works of a playwright who had no formal attachment to Oxford or Cambridge. Shakespeare, this study shows, was at the center of a rich exchange between two seemingly disparate theatrical worlds.
Author: Chanita Goodblatt
Publisher: Routledge
ISBN: 1317111060
Category : Literary Criticism
Languages : en
Pages : 422
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Book Description
English Biblical drama of the sixteenth century resounds with a variety of Jewish and Christian voices. Whether embodied as characters or manifested as exegetical and performative strategies, these voices participate in the central Reformation project of biblical translation. Such translations and dramatic texts are certainly enriched by studying them within the wider context of medieval and early modern biblical scholarship, which is implemented in biblical translations, commentaries and sermons. This approach is one significant contribution of the present project, as it studies the reciprocal illumination of Bible and Drama. Chanita Goodblatt explores the way in which the interpretive cruxes in the biblical text generate the dramatic text and performance, as well as how the drama’s enactment underlines the ethical and theological issues as the heart of the biblical text. By looking at English Reformation biblical drama through a double-edged prism of exegetical and performative perspectives, Goodblatt adds a new dimension to the existing discussion of the historical resonance of these plays. Jewish and Christian Voices in English Reformation Biblical Drama integrates Jewish and Christian exegetical traditions with the study of Reformation biblical drama. In doing so, this book recovers the interpretive and performative powers of both biblical and dramatic texts.
Author: Helen Vella Bonavita
Publisher: Taylor & Francis
ISBN: 1317118936
Category : Literary Criticism
Languages : en
Pages : 207
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Book Description
This study considers the figure of the bastard in the context of analogies of the family and the state in early modern England. The trope of illegitimacy, more than being simply a narrative or character-driven issue, is a vital component in the evolving construction and representation of British national identity in prose and drama of the sixteenth and early seventeenth century. Through close reading of a range of plays and prose texts, the book offers readers new insight into the semiotics of bastardy and concepts of national identity in early modern England, and reflects on contemporary issues of citizenship and identity. The author examines play texts of the period including Bale's King Johan, Peele's The Troublesome Reign of John, and Shakespeare's King John, Richard II, and King Lear in the context of a selection of legal, religious, and polemical texts. In so doing, she illuminates the extent to which the figure of the bastard and, more generally the trope of illegitimacy, existed as a distinct discourse within the wider discursive framework of family and nation.
