Form and Meaning in Valéry's Le Cimetière Marin PDF Download
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Author: James R. Lawler
Publisher: [Carlton] : Melbourne University Press
ISBN:
Category : French poetry
Languages : en
Pages : 56
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Book Description
The poem, set in the cemetery at Sète (where Valéry himself is now buried), is a meditation on death. At first the narrator observes the calm sea under the blazing noontime sun and accepts the inevitability of death. But as the wind begins to stir and waves start forming on the sea, a sign of the energy beneath the surface, the narrator proclaims the necessity of choosing life by choosing eternal change over contemplation.Valéry approached the composition of the poem as if it were a musical form, with the rhythm of the verse mimicking the movement of the sea.
Author: James R. Lawler
Publisher: [Carlton] : Melbourne University Press
ISBN:
Category : French poetry
Languages : en
Pages : 56
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Book Description
The poem, set in the cemetery at Sète (where Valéry himself is now buried), is a meditation on death. At first the narrator observes the calm sea under the blazing noontime sun and accepts the inevitability of death. But as the wind begins to stir and waves start forming on the sea, a sign of the energy beneath the surface, the narrator proclaims the necessity of choosing life by choosing eternal change over contemplation.Valéry approached the composition of the poem as if it were a musical form, with the rhythm of the verse mimicking the movement of the sea.
Author: Hugh P. McGrath
Publisher: Peter Lang
ISBN: 9781433113345
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
On the basis of the French text and a translation that is at once accurate and poetical, this book provides an introduction to the poem, Le Cimetière marin, and thereby to the complex intellectual world of Valéry. A valuable resource for scholars, Valéry's Graveyard is accessible to all serious readers. As it does not require a knowledge of French, the book is suitable for study in any course on modern literature.
Author: Paul Valéry
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 116
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Book Description
Author: Theodore Ziolkowski
Publisher: ReadHowYouWant.com
ISBN: 1459627377
Category : Religion
Languages : en
Pages : 554
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Book Description
In the decades surrounding World War I, religious belief receded in the face of radical new ideas such as Marxism, modern science, Nietzschean philosophy, and critical theology. Modes of Faith addresses both this decline of religious belief and the new modes of secular faith that took religion's place in the minds of many writers and poets. Theodore Ziolkowski here examines the motives for this embrace of the secular, locating new modes of faith in art, escapist travel, socialism, politicized myth, and utopian visions. James Joyce, he reveals, turned to art as an escape while Hermann Hesse made a pilgrimage to India in search of enlightenment. Other writers, such as Roger Martin du Gard and Thomas Mann, sought temporary solace in communism or myth. And H. G. Wells, Ziolkowski argues, took refuge in utopian dreams projected in another dimension altogether. Rooted in innovative and careful comparative reading of the work of writers from France, England, Germany, Italy, and Russia, Modes of Faith is a critical masterpiece by a distinguished literary scholar that offers an abundance of insight to anyone interested in the human compulsion to believe in forces that transcend the individual.
Author: Carl Abraham Daniel Fehrman
Publisher: U of Minnesota Press
ISBN: 0816608997
Category : Creation (Literary, artistic, etc.).
Languages : en
Pages : 241
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Book Description
Author: Kurt Weinberg
Publisher: Princeton University Press
ISBN: 1400871689
Category : Drama
Languages : en
Pages : 275
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Book Description
This book interprets Mon Faust and explores the differences between Valéry's and Goethe's treatments of the Faust figure. The author shows by close analysis how Valéry opposes a Cartesian, anti-Pascalian Faust to Goethe's romantically flawed hero. The title of the project conceived by Valéry's Faust, The Mind's Body-part autobiography, part metaphysical treatise-embodies the Cartesian dilemma ironically illustrated by the Mon Faust fragments: the misfortunes of the thinking essence, the cogito, in its subjugation to the body. The first three chapters examine the Cartesian character of a Faust engaged in superhuman but vain attempts to reconcile the intellect and the libido. A fourth chapter discusses the differences between Goethe's and Valéry's protagonists and as well between Goethe and his Faust. Throughout the book the author explores Valéry's linguistic experimentation, which, through charades, paranomasia, onomastics, and etymological puns, brings into full play the mystifying and mythologizing aspects of language. To resolve the stylistic problems associated with this fragmentary work the author adapts the tone of his exegesis to the diverse stylistic levels of Mon Faust. His analysis illuminates the Cartesian potential inherent in Valéry's protagonist. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Elizabeth R. Jackson
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311134245X
Category : Language Arts & Disciplines
Languages : en
Pages : 268
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Book Description
Author: Graham Dunstan Martin
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
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Book Description
Author: Paul Valéry
Publisher: Farrar, Straus and Giroux
ISBN: 0374713952
Category : Poetry
Languages : en
Pages : 341
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Book Description
A fresh look into the monumental work of Paul Valéry, one of the major French literary figures of the twentieth century. Heir to Mallarmé and the symbolists, godfather to the modernists, Paul Valéry was a poet with thousands of readers and few followers, great resonance and little echo. Along with Rilke and Eliot, he stands as a bridge between the tradition of the nineteenth century and the novelty of the twentieth. His reputation as a poet rests on three slim volumes published in a span of only ten years. Yet these poems, it turns out, are inseparable from another, much vaster intellectual and artistic enterprise: the Notebooks. Behind the published works, behind the uneventful life of the almost forgotten and then exceedingly famous poet, there hides another story, a private life of the mind, that has its record in 28,000 pages of notes revealed in their entirety only after his death. Their existence had been hinted at, evoked in rumors and literary asides; but once made public it took years for their significance to be fully appreciated. It turned out that the prose fragments published in Valéry’s lifetime were not the after-the-fact musings of an accomplished poet, nor his occasional sketchbook, nor excerpts from his private journal. They were a disfigured glimpse of a vast and fragmentary “exercise of thought,” a restless intellectual quest as unguided and yet as persistent, as rigorous, and as uncontainable as the sea that is so often their subject. The Idea of Perfection shows both sides of Valéry: the craftsman of sublimely refined verse, and the fervent investigator of the limits of human intellect and expression. It intersperses his three essential poetic works—Album of Early Verse, The Young Fate, and Charms—with incisive selections from the Notebooks and finishes with the prose poem “The Angel.” Masterfully translated by Nathaniel Rudavsky-Brody, with careful attention to form and a natural yet metrical contemporary poetic voice, The Idea of Perfection breathes new life into poems that are among the most beautiful in the French language and the most influential of the twentieth century.
Author: Angus Cleghorn
Publisher: Springer Nature
ISBN: 3030331806
Category : Literary Criticism
Languages : en
Pages : 129
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Book Description
Elizabeth Bishop and the Music of Literature brings together the latest understandings of how central music was to Bishop’s writing. This collection considers Bishop’s reworking of metrical and rhythmic forms of poetry; the increasing presence of prosaic utterances into speech-soundscapes; how musical poetry intones new modes of thinking through aural vision; how Bishop transforms traditionally distasteful tones of violence, banality, and commerce into innovative poetry; how her diverse, lifelong musical education (North American, European, Brazilian) affects her work; and also how her diverse musical settings have inspired global contemporary composers. The essays flesh out the missing elements of music, sound, and voice in previous research that are crucial to understanding how Bishop’s writing continues to dazzle readers and inspire artists in surprising ways.
