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Author: Trevor Field
Publisher: Springer
ISBN: 1349102091
Category : Fiction
Languages : en
Pages : 209
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Book Description
A study of novels written in the form of diaries. Some 75 fictional diarists are followed, with examples ranging from light-hearted works to those of Nobel prize-winners like Sartre and Golding, which the author uses to illustrate the versatility of this literary form.
Author: Trevor Field
Publisher: Springer
ISBN: 1349102091
Category : Fiction
Languages : en
Pages : 209
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Book Description
A study of novels written in the form of diaries. Some 75 fictional diarists are followed, with examples ranging from light-hearted works to those of Nobel prize-winners like Sartre and Golding, which the author uses to illustrate the versatility of this literary form.
Author: Giancarlo Lombardi
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638538
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
In tracing the individual struggles encountered by each single diarist, Lombardi presents, as a result of the juxtaposition of so many different texts, a wider portrayal of women's struggles across five decades and four different national cultures."--BOOK JACKET.
Author: Catherine Delafield
Publisher: Routledge
ISBN: 1317201337
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
First published in 2009, this book investigates the cultural significance of nineteenth-century women’s writing and reading practices. Beginning with an examination of non-fictional diaries and the practice of diary writing, it assesses the interaction between the fictional diary and other forms of literary production such as epistolary narrative, the periodical, the factual document and sensation fiction. The discrepancies between the private diary and its use as a narrative device are explored through the writings of Frances Burney, Elizabeth Gaskell, Anne Brontë, Dinah Craik, Wilkie Collins and Bram Stoker. It also considers women as writers, readers and subjects and demonstrates ways in which women could become performers of their own story through a narrative method which was authorized by their femininity and at the same time allowed them to challenge the myth of domestic womanhood. This book will be of interest to those studying 19th century literature and women in literature.
Author: Jessica M. Natale
Publisher: Universal-Publishers
ISBN: 1581121113
Category : Education
Languages : en
Pages : 50
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Book Description
There is a genre of literature in which the work is purposely written within the diary format; this type of writings known as diary fiction. Diary novels traditionally reflect what the authors think real diaries are or are written as a parody of the diary as a negative model. The authors of diary novels choose the diary form because its artistic quality expresses a greater sense of immediacy to the reader than other forms of literature. The diary novel emphasizes the time of writing rather than the time that it is written about, so the diarist usually writes about events of the immediate past - events that occur between one entry and the next - or records his momentary ideas, reflections, or emotions. Turgenev's "Diary of a Superfluous Man" represents the marriage of a memoir and a diary, resulting in a work with more contemporaneous content than recounting of memories: a diary novel. Dostoevsky's Notes from Underground presents an interesting variation of the diary novel, which is devoid of any dated entries. Instead, it is divided into two parts. In the first part the narrator describes his present life and philosophical ideas. In the second half, he recounts the past. Therefore, like Turgenev's work, Notes from Underground combines aspects of the memoir and diary novel genre, but the overriding existence of real or present time writing, supports the sole diary novel classification.
Author: Jane Tolmie
Publisher: Univ. Press of Mississippi
ISBN: 1496839811
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
Contributions by Frederick Luis Aldama, Melissa Burgess, Susan Kirtley, Rachel Luria, Ursula Murray Husted, Mark O’Connor, Allan Pero, Davida Pines, Tara Prescott-Johnson, Jane Tolmie, Rachel Trousdale, Elaine Claire Villacorta, and Glenn Willmott Lynda Barry (b. 1956) is best known for her distinctive style and unique voice, first popularized in her underground weekly comic Ernie Pook’s Comeek. Since then, she has published prolifically, including numerous comics, illustrated novels, and nonfiction books exploring the creative process. Barry’s work is genre- and form-bending, often using collage to create what she calls “word with drawing” vignettes. Her art, imaginative and self-reflective, allows her to discuss gender, race, relationships, memory, and her personal, everyday lived experience. It is through this experience that Barry examines the creative process and offers to readers ways to record and examine their own lives. The essays in Contagious Imagination: The Work and Art of Lynda Barry, edited by Jane Tolmie, study the pedagogy of Barry’s work and its application academically and practically. Examining Barry’s career and work from the point of view of research-creation, Contagious Imagination applies Barry’s unique mixture of teaching, art, learning, and creativity to the very form of the volume, exploring Barry’s imaginative praxis and offering readers their own. With a foreword by Frederick Luis Aldama and an afterword by Glenn Willmott, this volume explores the impact of Barry’s work in and out of the classroom. Divided into four sections—Teaching and Learning, which focuses on critical pedagogy; Comics and Autobiography, which targets various practices of rememorying; Cruddy, a self-explanatory category that offers two extraordinary critical interventions into Barry criticism around a challenging text; and Research-Creation, which offers two creative, synthetic artistic pieces that embody and enact Barry’s own mixed academic and creative investments—this book offers numerous inroads into Barry’s idiosyncratic imagination and what it can teach us about ourselves.
Author: K. Brindle
Publisher: Springer
ISBN: 1137007168
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
Neo-Victorian writers invoke conflicting viewpoints in diaries, letters, etc. to creatively retrace the past in fragmentary and contradictory ways. This book explores the complex desires involved in epistolary discoveries of 'hidden' Victorians, offering new insight into the creative synthesising of critical thought within the neo-Victorian novel.
Author: Marina Pérez de Mendiola
Publisher: Psychology Press
ISBN: 9780815331940
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Author: David Herman
Publisher: Routledge
ISBN: 1134458398
Category : Literary Criticism
Languages : en
Pages : 1327
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Book Description
The past several decades have seen an explosion of interest in narrative, with this multifaceted object of inquiry becoming a central concern in a wide range of disciplinary fields and research contexts. As accounts of what happened to particular people in particular circumstances and with specific consequences, stories have come to be viewed as a basic human strategy for coming to terms with time, process, and change. However, the very predominance of narrative as a focus of interest across multiple disciplines makes it imperative for scholars, teachers, and students to have access to a comprehensive reference resource.
Author: Adam Parkes
Publisher: A&C Black
ISBN: 0826452310
Category : Literary Criticism
Languages : en
Pages : 94
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Book Description
Continuum Contemporaries will be a wonderful source of ideas and inspiration for members of book clubs and readings groups, as well as for literature students.The aim of the series is to give readers accessible and informative introductions to 30 of the most popular, most acclaimed, and most influential novels of recent years. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.
Author: Rinaldina Russell
Publisher: Bloomsbury Publishing USA
ISBN: 0313033285
Category : Literary Criticism
Languages : en
Pages : 415
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Book Description
Over the last 20 years, there has been an increasing interest in feminist views of the Italian literary tradition. While feminist theory and methodology have been accepted by the academic community in the U.S., the situation is very different in Italy, where such work has been done largely outside the academy. Among nonspecialists, knowledge of feminist approaches to Italian literature, and even of the existence of Italian women writers, remains scant. This reference work, the first of its kind on Italian literature, is a companion volume for all who wish to investigate Italian literary culture and writings, both by women and by men, in light of feminist theory. Included are alphabetically arranged entries for authors, schools, movements, genres and forms, figures and types, and similar topics related to Italian literature from the Middle Ages to the present. Each entry is written by an expert contributor and summarizes feminist thought on the subject. Entries provide brief bibliographies, and the volume concludes with a selected, general bibliography of major studies. This volume covers eight centuries of Italian literature, from the Middle Ages to the present. Included are entries for major canonical male authors, such as Dante, Petrarch, and Boccaccio, as well as for female writers such as Lucrezia Marinella and Gianna Manzini. These entries discuss how the authors have shaped the image of women in Italian literature and how feminist criticism has responded to their works. Entries are also provided for various schools and movements, such as deconstruction, Marxism, and new historicism; for genres and forms, such as the epic, devotional works, and misogynistic literature; for figures and types, such as the enchantress, the witch, and the shepherdess; and for numerous other topics. Each entry is written by an expert contributor, summarizes the relationship of the topic to feminist thought, and includes a brief bibliography. The volume closes with a selected general bibliography of major studies.
