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Author: John Ford
Publisher: Routledge
ISBN: 1134944489
Category : Literary Criticism
Languages : en
Pages : 167
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Book Description
The last decade has seen a revival of interest in John Ford and especially 'Tis Pity She's a Whore, his tragedy of religious scepticism, incestuous love, and revenge. This text in particular has provided a focus for scholarship as well as being the subject of a number of major theatrical productions. Simon Barker guides the reader through the full range of previous interpretations of the play; moving from an overview of traditional readings he goes on to enlarge upon new questions that have arisen as a consequence of critical and cultural theory.
Author: John Ford
Publisher: Routledge
ISBN: 1134944489
Category : Literary Criticism
Languages : en
Pages : 167
Get Book Here
Book Description
The last decade has seen a revival of interest in John Ford and especially 'Tis Pity She's a Whore, his tragedy of religious scepticism, incestuous love, and revenge. This text in particular has provided a focus for scholarship as well as being the subject of a number of major theatrical productions. Simon Barker guides the reader through the full range of previous interpretations of the play; moving from an overview of traditional readings he goes on to enlarge upon new questions that have arisen as a consequence of critical and cultural theory.
Author: John Ford
Publisher: Oxford University Press, USA
ISBN: 9780192834492
Category : Incest
Languages : en
Pages : 420
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Book Description
Ford's tragedy, originally printed in 1633, was the first major English play to take as its theme fulfilled incest between brother and sister.
Author: John Ford
Publisher: Manchester University Press
ISBN: 9780719015335
Category : Drama
Languages : en
Pages : 186
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Book Description
Author: John Ford
Publisher: U of Nebraska Press
ISBN: 9780803252615
Category : Drama
Languages : en
Pages : 136
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Book Description
The central situation of 'Tis Pity She's a Whore is an incestuous love between brother and sister, and it is hardly surprising that critics have differed widely in their interpretation of the exact meaning and significance of the play. . . . All the love affairs in the play end in disaster . . . it would even be possible to read the play as a series of warnings against the destructive effects of passion."--N. W. Bawcutt
Author: John Ford
Publisher: Bloomsbury Publishing
ISBN: 140814431X
Category : Drama
Languages : en
Pages : 173
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Book Description
Like Shakespeare's Juliet, Annabella, accompanied by her down-to-earth nurse, is introduced to a series of suitors to her hand. Like Juliet, she finds all of them unsatisfactory - and rightly so, for the audience know that the nastiest of them is having an affair with her domineering aunt. Like Juliet, Annabella is wooed by a sensitive and passionate young man whose love she returns - but this young man happens to be her own brother, Giovanni. When they consummate their love and she, to avoid the scandal of extramarital pregnancy, agrees to marry her aunt's lover, the tragic outcome is inevitable. John Ford, writing his psychologically powerful and intellectually challenging tragedies in the early years of King Charles I's reign, is a playwright of the first rank, as 20th-century directors have shown both in the theatre and on film.
Author: Emma Josephine Smith
Publisher: Cambridge University Press
ISBN: 0521519373
Category : Drama
Languages : en
Pages : 293
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Book Description
Introducing the reader to important topics in English Renaissance tragedy, this Companion presents fresh readings of key texts.
Author: John Ford
Publisher:
ISBN:
Category :
Languages : en
Pages : 448
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Book Description
Author: John Ford
Publisher:
ISBN:
Category :
Languages : en
Pages : 86
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Book Description
Author: Ingo Berensmeyer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110436086
Category : Literary Criticism
Languages : en
Pages : 1003
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Book Description
This handbook of English Renaissance literature serves as a reference for both students and scholars, introducing recent debates and developments in early modern studies. Using new theoretical perspectives and methodological tools, the volume offers exemplary close readings of canonical and less well-known texts from all significant genres between c. 1480 and 1660. Its systematic chapters address questions about editing Renaissance texts, the role of translation, theatre and drama, life-writing, science, travel and migration, and women as writers, readers and patrons. The book will be of particular interest to those wishing to expand their knowledge of the early modern period beyond Shakespeare.
Author: John Ford
Publisher: Penguin UK
ISBN: 014139224X
Category : Drama
Languages : en
Pages : 640
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Book Description
These four plays, written during the reigns of James I and Charles I, took revenge tragedy in dark and ambiguous new directions. In The Duchess of Malfi and The White Devil, John Webster explores the role of women and the problems of power, sex and corruption in the Italian court, creating two unforgettable anti-heroines. In The Broken Heart, John Ford questions the value of emotional repression as his characters attempt to subdue their desires and hatreds in ancient Greece. Finally, Ford's masterpiece 'Tis Pity She's a Whore explores the taboo theme of incest and forbidden lust in a daring reworking of Romeo and Juliet. Jane Kingsley-Smith has edited the plays from the earliest quartos and added invaluable editorial material, including explanatory glosses and a new introduction that discusses how the playwrights explored issues around women, sex, power and violence. JOHN WEBSTER was born in about 1578 in London. He studied law at the Middle Temple before embarking on a career in the theatre, collaborating on many plays with contemporary dramatists. But it was his two solo-authored tragedies, The White Devil (1612) and The Duchess of Malfi (1614), which sealed his reputation. He died in the 1630s. JOHN FORD was born in 1586 in Devon. His early career was wholly concerned with poetry and philosophical works, and it was not until the 1620s that he began collaborating on stage plays. In the late 1620s, he began writing alone, producing the eight plays on which his reputation would be based, including The Broken Heart (1620) and 'Tis Pity She's a Whore (c.1630). Nothing more is known of Ford after the performance of his last play in 1638. JANE KINGSLEY-SMITH completed her PhD at the Shakespeare Institute, Stratford-upon-Avon and is the author of two monographs: Shakespeare's Drama of Exile (2003) and Cupid in Early Modern Literature and Culture (2010). She is a Reader at Roehampton University, London, and a regular guest speaker at Shakespeare's Globe.
