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Author: Zakes Mda
Publisher: Wits University Press
ISBN: 1868143775
Category : Drama
Languages : en
Pages : 184
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Book Description
Cupidity, corruption and conciliation are the themes of the three plays in this collection from one of South Africa’s leading writes. The Mother of all Eating, a one-hander, with its central character a corrupt Lesotho official, is a grinding satire on materialism in which the protagonist gets his come-uppance. You Fool, How Can the Sky Fall? is an unbridled study in grotesquerie, reflecting a belief, traceable throughout Mda’s work, that government by those who inherit a revolution is almost inevitably, in the first decade or two, hijacked by the smart operators. The Bells of Amersfoort, with its graphic portrayal of the isolation imposed by exile, picks up on the themes of the other two plays but adds to them the concept of ‘healing’, both of the soul and of the land, in a lyrical work which holds out more hope than do its companions in this volume. The plays are introduced by Rob Amato, who directed much of Mda’s earlier work.
Author: Zakes Mda
Publisher: Wits University Press
ISBN: 1868143775
Category : Drama
Languages : en
Pages : 184
Get Book Here
Book Description
Cupidity, corruption and conciliation are the themes of the three plays in this collection from one of South Africa’s leading writes. The Mother of all Eating, a one-hander, with its central character a corrupt Lesotho official, is a grinding satire on materialism in which the protagonist gets his come-uppance. You Fool, How Can the Sky Fall? is an unbridled study in grotesquerie, reflecting a belief, traceable throughout Mda’s work, that government by those who inherit a revolution is almost inevitably, in the first decade or two, hijacked by the smart operators. The Bells of Amersfoort, with its graphic portrayal of the isolation imposed by exile, picks up on the themes of the other two plays but adds to them the concept of ‘healing’, both of the soul and of the land, in a lyrical work which holds out more hope than do its companions in this volume. The plays are introduced by Rob Amato, who directed much of Mda’s earlier work.
Author: Zakes Mda
Publisher:
ISBN:
Category : Africa, Southern
Languages : en
Pages : 161
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Book Description
Author: Martin Middeke
Publisher: Bloomsbury Publishing
ISBN: 1408176718
Category : Performing Arts
Languages : en
Pages : 393
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Book Description
South Africa has a uniquely rich and diverse theatre tradition which has responded energetically to the country's remarkable transition, helping to define the challenges and contradictions of this young democracy. This volume considers the variety of theatre forms, and the work of the major playwrights and theatre makers producing work in democratic South Africa. It offers an overview of theatre pioneers and theatre forms in Part One, before concentrating on the work of individual playwrights in Part Two. Through its wide-ranging survey of indigenous drama written predominantly in the English language and the analysis of more than 100 plays, a detailed account is provided of post-apartheid South African theatre and its engagement with the country's recent history. Part One offers six overview chapters on South African theatre pioneers and theatre forms. These include consideration of the work of artists such as Barney Simon, Mbongeni Ngema, Phyllis Klotz; the collaborations of William Kentridge and the Handspring Puppet Company; the work of Magnet Theatre, and of physical and popular community theatre forms. Part Two features chapters on twelve major playwrights, including Athol Fugard, Reza de Wet, Lara Foot, Zakes Mda, Yaël Farber, Mpumelelo Paul Grootboom, Mike van Graan and Brett Bailey. It includes a survey of emerging playwrights and significant plays, and the book closes with an interview with Aubrey Sekhabi, the Artistic Director of the South African State Theatre in Pretoria. Written by a team of over twenty leading international scholars, The Methuen Drama Guide to Contemporary South African Theatre is a unique resource that will be invaluable to students and scholars from a range of different disciplines, as well as theatre practitioners.
Author: Stefan Helgesson
Publisher: Rodopi
ISBN: 9042032529
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
Preliminary Material -- Some Thoughts on the Idea of Exit: in Recent African Narratives of Childhood /Richard K. Priebe -- Generation and Complicity: in Zoë Wicomb's Playing in the Light /Maria Olaussen -- “Let Me Tell You About Bekolo's Latest Film, Les Saignantes, But First . . . ” /Kenneth W. Harrow -- Tradition and Creativity: in Zakes Mda's Cion /David Bell -- Paton's Discovery, Soyinka's Invention /Bernth Lindfors -- Writing Out Imperialism?: A Note on Nationalism and Political Identity in the African-Owned Newspapers of Colonial Ghana /Stephanie Newell -- After Exit: Exile, Creativity, and the Risk of Translation /Stefan Helgesson -- African Presences and Representations: in the Principality/Markgrafschaft of Bayreuth /Eckhard Breitinger -- Taking Flight: and the Libertarian Crow-Scarer /Gerald Porter -- “In my end is my beginning”: The Death of Virginia Woolf /Catherine Sandbach-Dahlström -- Following the Race Track?: Swedish, Chinese, Scottish, Irish, Canadian in Diamond Grill by Fred Wah /Elisabeth Mårald -- Literature and Scripture: An Impossible Filiation /J. Hillis Miller -- “Gazing into the future”: Beginnings, Endings, and Midpoints in Paul Muldoon's Why Brownlee Left /Lars-Håkan Svensson -- Exiting the Environmental Trap: Knowledge Regimes and the Third Phase of Environmental Policy /Sverker Sörlin -- The End of the “Earth” /Willy Bach -- Myself as a Puff of Dust: A Ghost Story /Jane Bryce -- TIXE YLNO: or Redefining Identities /Janice Kulyk Keefer -- Contributors.
Author: Emmanuel Kwaku Akyeampong
Publisher:
ISBN: 0195382072
Category : Biography & Autobiography
Languages : en
Pages : 3382
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Book Description
From the Pharaohs to Fanon, Dictionary of African Biography provides a comprehensive overview of the lives of the men and women who shaped Africa's history. Unprecedented in scale, DAB covers the whole continent from Tunisia to South Africa, from Sierra Leone to Somalia. It also encompasses the full scope of history from Queen Hatsheput of Egypt (1490-1468 BC) and Hannibal, the military commander and strategist of Carthage (243-183 BC), to Kwame Nkrumah of Ghana (1909-1972), Miriam Makeba and Nelson Mandela of South Africa (1918 -).
Author: Jason D. Price
Publisher: Springer
ISBN: 3319567268
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
This book considers the political potential of affective experiences of desire as reflected in contemporary South African literature. Jason Price argues that definitions of desire deployed by capitalist and colonial culture maintain social inequality by managing relations to ensure a steady flow of capital and pleasure for the dominant classes, whereas affective encounters with animals reveal the nonhuman nature of desire, a biopower that, in its unpredictability, can frustrate regimes of management and control. Price wonders how animals’ different desires might enable new modes of thought to positively transform and resist the status quo. This book contends that South African literary works employ nonhuman desire and certain indigenous notions of desire to imagine a South Africa that can be markedly different from the past.
Author: Zakes Mda
Publisher: Macmillan + ORM
ISBN: 1429949937
Category : Biography & Autobiography
Languages : en
Pages : 692
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Book Description
A New York Times Notable Book of the Year South African novelist and playwright Zakes Mda's remarkable life story of growing up in South Africa, Lesotho, and America, told with style and gusto. Zakes Mda is the most acclaimed South African writer of the independence era. His novels tell stories that venture far beyond the conventional narratives of a people's struggle against apartheid. In this memoir, he tells the story of a life that intersects with the political life of his country but that at its heart is the classic adventure story of an artist, lover, father, teacher, and bon vivant. Zanemvula Mda was born in 1948 into a family of lawyers and grew up in Soweto's ambitious educated black class. At age fifteen he crossed the Telle River from South Africa into Basutoland (Lesotho), exiled like his father, a "founding spirit" of the Pan Africanist Congress. Exile was hard, but it was just another chapter in Mda's coming-of-age. He served as an altar boy (and was preyed on by priests), flirted with shebeen girls, feared the racist Boers, read comic books alongside the literature of the PAC, fell for the music of Dvorák and Coltrane, wrote his first stories—and felt the void at the heart of things that makes him an outsider wherever he goes. The Soweto uprisings called him to politics; playwriting brought him back to South Africa, where he became writer in residence at the famed Market Theatre; three marriages led him hither and yon; acclaim brought him to America, where he began writing the novels that are so thick with the life of his country. In all this, Mda struggled to remain his own man, and with Sometimes There Is a Void he shows that independence opened the way for the stories of individual South Africans in all their variety.
Author: Gail Fincham
Publisher: Ohio University Press
ISBN: 082144414X
Category : Literary Collections
Languages : en
Pages : 225
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Book Description
In recent years, the work of Zakes Mda—novelist, painter, composer, theater director and filmmaker—has attracted worldwide critical attention. Gail Fincham’s book examines the five novels Mda has written since South Africa’s transition to democracy: Ways of Dying (1995), The Heart of Redness (2000), The Madonna of Excelsior (2002), The Whale Caller (2005), and Cion (2007). Dance of Life explores how refigured identity is rooted in Mda’s strongly painterly imagination that creates changed spaces in memory and culture. Through a combination of magic realism, African orature, and intertextuality with the Western canon, Mda rejects dualistic thinking of the past and the present, the human and the nonhuman, the living and the dead, the rural and the urban. He imbues his fictional characters with the power to orchestrate a reconfigured subjectivity that is simultaneously political, social, and aesthetic.
Author: Megan E. Geigner
Publisher: Routledge
ISBN: 0429768494
Category : Performing Arts
Languages : en
Pages : 253
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Book Description
Emphasizing the resilience of theatre arts in the midst of significant political change, Theatre After Empire spotlights the emergence of new performance styles in the wake of collapsed political systems. Centering on theatrical works from the late nineteenth century to the present, twelve original essays written by prominent theatre scholars showcase the development of new work after social revolutions, independence campaigns, the overthrow of monarchies, and world wars. Global in scope, this book features performances occurring across Africa, the Americas, Asia, Europe, and the Middle East. The essays attend to a range of live events—theatre, dance, and performance art—that stage subaltern experiences and reveal societies in the midst of cultural, political, and geographic transition. This collection is an engaging resource for students and scholars of theatre and performance; world history; and those interested in postcolonialism, multiculturalism, and transnationalism. The Introduction ("Framing Latine Theatre and Performance") of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.
Author: Shane Graham
Publisher: Macmillan
ISBN: 9780230615373
Category : Fiction
Languages : en
Pages : 256
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Book Description
In the wake of apartheid, South African culture conveys the sense of being lost in time and space. The Truth Commission provided an opportunity for South Africans to find their bearings in a nation changing at a bewildering pace; the TRC also marked the beginning of a long process of remapping space, place, and memory. In this groundbreaking book, Shane Graham investigates how post-apartheid theatre-makers and writers of fiction, poetry, and memoir have taken this project forward, using their art to come to terms with South Africa’s violent past and rapidly changing present.
