Bulletin de Musique Folklorique Canadienne

Bulletin de Musique Folklorique Canadienne PDF Author:
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 200

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Bulletin de Musique Folklorique Canadienne

Bulletin de Musique Folklorique Canadienne PDF Author:
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 200

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Book Description


Canadiana

Canadiana PDF Author:
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 1166

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Ballades et chansons folkloriques

Ballades et chansons folkloriques PDF Author: International Society for Ethnology and Folklore. Commission for Folk Poetry. International Conference
Publisher: [Ste-Foy, Québec] : CÉLAT
ISBN:
Category : Ballads
Languages : en
Pages : 412

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Canadian Reference Sources

Canadian Reference Sources PDF Author: Mary E. Bond
Publisher: UBC Press
ISBN: 9780774805650
Category : Language Arts & Disciplines
Languages : en
Pages : 1102

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Book Description
In parallel columns of French and English, lists over 4,000 reference works and books on history and the humanities, breaking down the large divisions by subject, genre, type of document, and province or territory. Includes titles of national, provincial, territorial, or regional interest in every subject area when available. The entries describe the core focus of the book, its range of interest, scholarly paraphernalia, and any editions in the other Canadian language. The humanities headings are arts, language and linguistics, literature, performing arts, philosophy, and religion. Indexed by name, title, and French and English subject. Annotation copyrighted by Book News, Inc., Portland, OR

From the chanson française to the canzone d'autore in the 1960s and 1970s

From the chanson française to the canzone d'autore in the 1960s and 1970s PDF Author: Rachel Haworth
Publisher: Routledge
ISBN: 1317131681
Category : Music
Languages : en
Pages : 212

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Book Description
The similarities between the chanson française and the canzone d'autore have been often noted but never fully explored. Both genres are national forms which involve the figure of the singer-songwriter, both experienced their golden age of production in the post-World War II period and both are enduringly popular, still accounting for a large proportion of record sales in their respective countries. Rachel Haworth looks beyond these superficial similarities, and investigates the nature of the relationship between the two genres. Taking a multidisciplinary approach, encompassing textual analysis of song lyrics, cultural history and popular music studies, Haworth considers the different ways in which French and Italian song is thought about, written about and constructed. Through an in-depth study of the discourse surrounding chanson and the canzone d'autore, the volume analyses the development of the genres' rules and rhetoric, identifying the key themes of Authority, Authenticity and Influence. The book finally considers the legacy of major artists, looking at modern perspectives on Georges Brassens, Jacques Brel, Léo Ferré, Fabrizio De André and Giorgio Gaber, ultimately affording a deeper understanding of the notions of quality and value in the context of chanson française and the canzone d'autore.

Postmodern Fairy Tales

Postmodern Fairy Tales PDF Author: Cristina Bacchilega
Publisher: University of Pennsylvania Press
ISBN: 0812200632
Category : Literary Criticism
Languages : en
Pages : 222

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Book Description
Postmodern Fairy Tales seeks to understand the fairy tale not as children's literature but within the broader context of folklore and literary studies. It focuses on the narrative strategies through which women are portrayed in four classic stories: "Snow White," "Little Red Riding Hood," "Beauty and the Beast," and "Bluebeard." Bacchilega traces the oral sources of each tale, offers a provocative interpretation of contemporary versions by Angela Carter, Robert Coover, Donald Barthelme, Margaret Atwood, and Tanith Lee, and explores the ways in which the tales are transformed in film, television, and musicals.

Contemporary Musical Expressions in Canada

Contemporary Musical Expressions in Canada PDF Author: Anna Hoefnagels
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228000157
Category : Music
Languages : en
Pages : 348

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Book Description
Music and dance in Canada today are diverse and expansive, reflecting histories of travel, exchange, and interpretation and challenging conceptions of expressive culture that are bounded and static. Reflecting current trends in ethnomusicology, Contemporary Musical Expressions in Canada examines cultural continuity, disjuncture, intersection, and interplay in music and dance across the country. Essays reconsider conceptual frameworks through which cultural forms are viewed, critique policies meant to encourage crosscultural sharing, and address ways in which traditional forms of expression have changed to reflect new contexts and audiences. From North Indian kathak dance, Chinese lion dance, early Toronto hip hop, and contemporary cantor practices within the Byzantine Ukrainian Church in Canada to folk music performances in twentieth-century Quebec, Gaelic milling songs in Cape Breton, and Mennonite songs in rural Manitoba, this collection offers detailed portraits of contemporary music practices and how they engage with diverse cultural expressions and identities. At a historical moment when identity politics, multiculturalism, diversity, immigration, and border crossings are debated around the world, Contemporary Musical Expressions in Canada demonstrates the many ways that music and dance practices in Canada engage with these broader global processes. Contributors include Rebecca Draisey-Collishaw (Queen's University), Meghan Forsyth (Memorial University of Newfoundland), Monique Giroux (University of Lethbridge), Ian Hayes (Memorial University of Newfoundland), Anna Hoefnagels (Carleton University), Judith Klassen (Canadian Museum of History), Chris McDonald (Cape Breton University), Colin McGuire (University College Cork), Marcia Ostashewski (Cape Breton University), Laura Risk (McGill University), Neil Scobie (University Western Ontario), Gordon Smith (Queen's University), Heather Sparling (Cape Breton University), Jesse Stewart (Carleton University), Janice Esther Tulk (Cape Breton University), Margaret Walker (Queen's University), and Louise Wrazen (York University).

Brass Quintet set of parts "La Bamba"

Brass Quintet set of parts Author: Mexican Traditional
Publisher: Glissato Edizioni Musicali
ISBN: 8835393787
Category : Music
Languages : en
Pages : 23

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Book Description
Experience the vibrant energy of Mexican music with our exciting brass quintet arrangement of "La Bamba." This timeless Mexican traditional piece comes alive in a dynamic setting designed for intermediate-level brass musicians. Multilingual Score Cards: Enhance your performance with our included multilingual score cards, available in English, French, German, Spanish, Portuguese, Italian, Korean, Japanese, and Chinese. These score cards provide valuable insights into the cultural and historical context of "La Bamba," allowing you to connect with the music on a deeper level. Set of Parts (9): Our comprehensive set of parts includes everything you need for a successful performance: 2 Bb Trumpet Horn In F Trombone Tuba Optional parts are included for added flexibility: Eb Horn Bb Tenor Horn (III T.C.) Bb Trombone (IV T.C.) Eb Tuba (T.C.) Separate score vailable in series. Immerse yourself in the rich sounds of "La Bamba" and bring the spirit of Mexico to your brass quintet ensemble. Whether you're performing for an audience or simply enjoying the music, this arrangement will surely captivate and entertain. - partitions pour quintette de cuivres, Noten für Blechbläserquintett, spartiti per quintetto di ottoni, partituras para quinteto de metales, partituras para quinteto de metais, noder til messingkvintet, noter for messingkvintett, noter för mässingskvintett -

A Day for the Hunter, a Day for the Prey

A Day for the Hunter, a Day for the Prey PDF Author: Gage Averill
Publisher: University of Chicago Press
ISBN: 9780226032931
Category : Music
Languages : en
Pages : 306

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Book Description
The history of Haiti throughout the twentieth century has been marked by oppression at the hands of colonial and dictatorial overlords. But set against this "day for the hunter" has been a "day for the prey," a history of resistance, and sometimes of triumph. With keen cultural and historical awareness, Gage Averill shows that Haiti's vibrant and expressive music has been one of the most highly charged instruments in this struggle—one in which power, politics, and resistance are inextricably fused. Averill explores such diverse genres as Haitian jazz, troubadour traditions, Vodou-jazz, konpa, mini-djaz, new generation, and roots music. He examines the complex interaction of music with power in contexts such as honorific rituals, sponsored street celebrations, Carnival, and social movements that span the political spectrum. With firsthand accounts by musicians, photos, song texts, and ethnographic descriptions, this book explores the profound manifestations of power and song in the day-to-day efforts of ordinary Haitians to rise above political repression.

Listening to the Fur Trade

Listening to the Fur Trade PDF Author: Daniel Robert Laxer
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228009812
Category : Social Science
Languages : en
Pages : 368

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Book Description
As fur traders were driven across northern North America by economic motivations, the landscape over which they plied their trade was punctuated by sound: shouting, singing, dancing, gunpowder, rattles, jingles, drums, fiddles, and – very occasionally – bagpipes. Fur trade interactions were, in a word, noisy. Daniel Laxer unearths traces of music, performance, and other intangible cultural phenomena long since silenced, allowing us to hear the fur trade for the first time. Listening to the Fur Trade uses the written record, oral history, and material culture to reveal histories of sound and music in an era before sound recording. The trading post was a noisy nexus, populated by a polyglot crowd of highly mobile people from different national, linguistic, religious, cultural, and class backgrounds. They found ways to interact every time they met, and facilitating material interests and survival went beyond the simple exchange of goods. Trust and good relations often entailed gift-giving: reciprocity was performed with dances, songs, and firearm salutes. Indigenous protocols of ceremony and treaty-making were widely adopted by fur traders, who supplied materials and technologies that sometimes changed how these ceremonies sounded. Within trading companies, masters and servants were on opposite ends of the social ladder but shared songs in the canoes and lively dances during the long winters at the trading posts. While the fur trade was propelled by economic and political interests, Listening to the Fur Trade uncovers the songs and ceremonies of First Nations people, the paddling songs of the voyageurs, and the fiddle music and step-dancing at the trading posts that provided its pulse.