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Author: Frederic Antal
Publisher: Belknap Press
ISBN: 9780674729360
Category :
Languages : en
Pages : 416
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Book Description
An eminent art historian gives us here a full account of the history of Florentine art in the fourteenth and early fifteenth centuries as well as a stimulating exploration of questions about the social content of art. Frederick Antal sketches a portrait of Florence in this richly productive period—the economic and social conditions as well as religious tenets and intellectual controversies. He traces the course of painting and sculpture from Giotto to Brunelleschi and Masaccio, and shows how major stylistic developments are related to changing economic and social structures. His analysis is fully illustrated by 210 halftones.
Author: Frederic Antal
Publisher: Belknap Press
ISBN: 9780674729360
Category :
Languages : en
Pages : 416
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Book Description
An eminent art historian gives us here a full account of the history of Florentine art in the fourteenth and early fifteenth centuries as well as a stimulating exploration of questions about the social content of art. Frederick Antal sketches a portrait of Florence in this richly productive period—the economic and social conditions as well as religious tenets and intellectual controversies. He traces the course of painting and sculpture from Giotto to Brunelleschi and Masaccio, and shows how major stylistic developments are related to changing economic and social structures. His analysis is fully illustrated by 210 halftones.
Author: Frederick Antal
Publisher: Taylor & Francis
ISBN: 1000738825
Category : Art
Languages : en
Pages : 306
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Book Description
First published in 1966, Classicism and Romanticism is a collection of important articles originally published in the author's famous book, Florentine Painting and its Social Background. Dr. Antal, a Hungarian by birth, was a man of the wildest culture. He studied art history in the universities of Budapest, Berlin, Paris and Vienna; thereafter, he travelled extensively in Italy, where he devoted himself to pioneering research in the history of mannerist painting. His exceptional sensitivity to the visual arts is apparent in such brilliant stylistic analyses as the essays on Netherlandish mannerism and on Girolamo da Carpi. He is known especially, however, for his application to art history of the sociological method. By returning art to its place in the general history of ideas and relating it to its economic, social, and political environment, he sought to give to the history of art a wider significance ad deeper meaning. This book will be of interest to students of art, history, literature, art history and European studies.
Author: Millard Meiss
Publisher: Princeton University Press
ISBN: 9780691003122
Category : Art
Languages : en
Pages : 300
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Book Description
The first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events.
Author: Judith Testa
Publisher: Northern Illinois University Press
ISBN: 1501756745
Category : Travel
Languages : en
Pages : 279
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Book Description
No city but Florence contains such an intense concentration of art produced in such a short span of time. The sheer number and proximity of works of painting, sculpture, and architecture in Florence can be so overwhelming that Florentine hospitals treat hundreds of visitors each year for symptoms brought on by trying to see them all, an illness famously identified with the French author Stendhal. While most guidebooks offer only brief descriptions of a large number of works, with little discussion of the historical background, Judith Testa gives a fresh perspective on the rich and brilliant art of the Florentine Renaissance in An Art Lover's Guide to Florence. Concentrating on a number of the greatest works, by such masters as Botticelli and Michelangelo, Testa explains each piece in terms of what it meant to the people who produced it and for whom they made it, deftly treating the complex interplay of politics, sex, and religion that were involved in the creation of those works. With Testa as a guide, armchair travelers and tourists alike will delight in the fascinating world of Florentine art and history.
Author: Robert Williams
Publisher: Cambridge University Press
ISBN: 1107131502
Category : Art
Languages : en
Pages : 317
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Book Description
A comprehensive re-assessment of Raphael's artistic achievement and the ways in which it transformed the idea of what art is.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Alison Wright
Publisher: Yale University Press
ISBN: 0300238843
Category : Art
Languages : en
Pages : 354
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Book Description
Frame Work explores how framing devices in the art of Renaissance Italy respond, and appeal, to viewers in their social, religious, and political context.
Author: Julian Gardner
Publisher: Harvard University Press
ISBN: 0674050800
Category : Art
Languages : en
Pages : 273
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Book Description
Political strife and religious faction lacerated fourteenth-century Italy. Giotto's commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto's path-breaking career through works originally created for Franciscan churches: Stigmatization of Saint Francis from San Francesco at Pisa, now in the Louvre, the Bardi Chapel cycle of the Life of St. Francis in Santa Croce at Florence, and the frescoes of the crossing vault above the tomb of Saint Francis in the Lower Church of San Francesco at Assisi.
Author: Niall Atkinson
Publisher: Penn State University Press
ISBN: 9780271071190
Category : Architecture
Languages : en
Pages : 0
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Book Description
"Analyzes how the premodern city, through the example of Renaissance Florence, can be understood as an acoustic phenomenon. Explores how city sounds, such as the ringing of church bells, can be foundational elements in the creation and maintenance of urban communities and the spaces they inhabit"--Provided by publisher.
Author: Peter Humfrey
Publisher: Yale University Press
ISBN: 9780300067156
Category : Art
Languages : en
Pages : 338
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Book Description
The Renaissance was a golden age in the long history of Venetian painting, and the art that came from Venice during that era includes some of the most visually exciting works in the whole of western art. This attractive book - a comprehensive account of painting in Venice from Bellini to Titian to Tintoretto - is an accessible introduction to the paintings of this period. Peter Humfrey surveys the development of a distinctly Venetian artistic tradition from the middle years of the fifteenth century to the end of the sixteenth century. He discusses the work of Jacopo and Giovanni Bellini, Giorgione, Titian, Veronese and Tintoretto as well as the paintings of those less well known - such as the three Vivarini, Cima, Carpaccio, Palma Vecchio, Lorenzo Lotto and Jacopo Bassano. Humfrey analyses these painters' works in terms of their pictorial style, technique, subject matter, patronage and function. He also sets the art against the background of the political, social and religious conditions of Renaissance Venice, as outlined in his Introduction. The book includes an appendix that provides brief biographies of thirty-six of the most important painters active in Renaissance Venice.
