Florence, Berlin and Beyond: Late Nineteenth-Century Art Markets and their Social Networks PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Florence, Berlin and Beyond: Late Nineteenth-Century Art Markets and their Social Networks PDF full book. Access full book title Florence, Berlin and Beyond: Late Nineteenth-Century Art Markets and their Social Networks by . Download full books in PDF and EPUB format.
Author:
Publisher: BRILL
ISBN: 9004431047
Category : Art
Languages : en
Pages : 596
Get Book Here
Book Description
Recent and increasing interest in art market studies—the dealers, mediators, advisors, taste makers, artists, etc.—indicate that the transaction of art and decorative art is anything but linear. Taking as its point of departure two of the most active agents of the late nineteenth century, Wilhelm von Bode and Stefano Bardini, the essays in this volume also look beyond, to other art market individuals and their vast and frequently interconnected, social and professional networks. Newly told history taken from rich business, epistolary and photographic archives, these essays examine the art market, within a broader and more complex context. In doing so, they offer new areas of inquiry for mapping of works of art as they were exchanged over time and place.
Author:
Publisher: BRILL
ISBN: 9004431047
Category : Art
Languages : en
Pages : 596
Get Book Here
Book Description
Recent and increasing interest in art market studies—the dealers, mediators, advisors, taste makers, artists, etc.—indicate that the transaction of art and decorative art is anything but linear. Taking as its point of departure two of the most active agents of the late nineteenth century, Wilhelm von Bode and Stefano Bardini, the essays in this volume also look beyond, to other art market individuals and their vast and frequently interconnected, social and professional networks. Newly told history taken from rich business, epistolary and photographic archives, these essays examine the art market, within a broader and more complex context. In doing so, they offer new areas of inquiry for mapping of works of art as they were exchanged over time and place.
Author:
Publisher: BRILL
ISBN: 9004680446
Category : Art
Languages : en
Pages : 501
Get Book Here
Book Description
In the late nineteenth and early twentieth centuries, Italian Renaissance art, objects, and even the idea of Italy itself figured heavily both in the dynamic international art market and in the eyes of the general public. The alternative objects that were actively dispersed and collected -- authentic works, pastiches, Renaissance-inspired counterfeits, and reproductions -- in the diverse media of paint, plaster, terracotta, and photography, had a tremendous impact on visual culture across social strata. These essays examine less studied aspects of this market through the lens of just a few of the countless successful sales of objects out of Italy.
Author:
Publisher: BRILL
ISBN: 9004532455
Category : Art
Languages : en
Pages : 308
Get Book Here
Book Description
The volume exposes the modus operandi of Wilhelm Bode’s strategic involvement in the art market and the formation and dissolution of public and private collections, showcasing his complex agency within the art marketplace of the late nineteenth and early twentieth centuries.
Author: Michaela Watrelot
Publisher: Taylor & Francis
ISBN: 1003825400
Category : Art
Languages : en
Pages : 338
Get Book Here
Book Description
Based on an extensive and very meticulous study of different archives and the evaluation of original, previously unpublished, archival material, this book highlights the key aspects and trends of the European and American art markets in the late nineteenth and early twentieth centuries. In particular, the book focuses on how these markets influenced each other from the viewpoint of one of the most prominent museum directors of this period, Wilhelm von Bode (1845–1929). Given the complexity of the topic, the book is structured into two parts. The first part focuses on Bode’s interactions with the German banker and dedicated art collector based in Paris, Rudolphe Kann (1845–1905). The second part follows the sale of the Kann Collection to the dealer Joseph Duveen and follows on the relationship between Bode, Duveen and the American collectors. The book will be of interest to scholars working in art history, museum studies, and the art market.
Author: Iain Robertson
Publisher: Taylor & Francis
ISBN: 1040256961
Category : Art
Languages : en
Pages : 323
Get Book Here
Book Description
The art market is worth billions globally, despite the effects of the Covid-19 health pandemic. This book brings together a strong cast of contributors to explore contemporary and historical themes. Readers of the book will gain awareness of how historical foundations of arts markets continue to impact on contemporary global developments, while transformational digital technology shakes up the art world. With new insights into emerging arts markets, the book also covers themes and phenomena such as NFTs, secrecy, platforms, and financialization in the arts. The result is a book that will prove valuable reading for scholars involved in art markets studies.
Author: Gail Feigenbaum
Publisher: Getty Publications
ISBN: 160606892X
Category : Art
Languages : en
Pages : 386
Get Book Here
Book Description
This volume explores the crucial role of art dealers in creating a transatlantic art market in the late nineteenth and early twentieth centuries. “There was money in the air, ever so much money,” wrote Henry James in 1907, reflecting on the American appetite for art acquisitions. Indeed, collectors such as Henry Clay Frick and Andrew W. Mellon are credited with bringing noteworthy European art to the United States, with their collections forming the backbone of major American museums today. But what of the dealers, who possessed the expertise in art and recognized the potential of developing a new market model on both sides of the Atlantic? Money in the Air investigates the often-overlooked role of these dealers in creating an international art world. Contributors examine the histories of well-known international firms like Duveen Brothers, M. Knoedler & Co., and Goupil & Cie and their relationships with American clients, as well as accounts of other remarkable dealers active in the transatlantic art market. Drawing on dealer archives, scholars reveal compelling findings, including previously unknown partnerships and systems of cooperation. This volume offers new perspectives on the development of art collections that formed the core of American art museums, such as the National Gallery of Art, the Metropolitan Museum of Art, and the Frick Collection.
Author: Lisandra Estevez
Publisher: Cambridge Scholars Publishing
ISBN: 1527568199
Category : Art
Languages : en
Pages : 234
Get Book Here
Book Description
This volume gathers together recent research from leading scholars specializing in the history of collecting. American Southern art collections, both public and private, contain rich and representative holdings of Renaissance and Baroque art which remain understudied, compared to the collections bracketing the east and west coasts of the United States. This anthology considers how these works of art were acquired for both prominent public and private collections, how they have been curated and displayed in exhibitions, and how they have also been preserved historically. Individual essays address a variety of art media representative of the early modern period in Europe and the Americas. Case studies of specific works of art, collections, and collectors address the broad geographic scope of Southern collections, inclusive of Washington, DC, the Carolinas, Georgia, Alabama, Louisiana, Arkansas, and Texas.
Author: Alison Clarke
Publisher: BRILL
ISBN: 9004518908
Category : Art
Languages : en
Pages : 352
Get Book Here
Book Description
Spaces of Connoisseurship explores the ‘who’, ‘where’ and ‘how’ of judging Old Master paintings in the nineteenth-century British art trade, via a comparison of family art dealers Thomas Agnew & Sons (“Agnew’s) and London’s National Gallery.
Author: Julia Bolton Holloway
Publisher: Cambridge Scholars Publishing
ISBN: 1036413780
Category : Art
Languages : en
Pages : 934
Get Book Here
Book Description
This book is a reflection of the author’s research and restoration of the formerly abandoned Victorian Swiss-owned so-called English Cemetery in Florence. It presents a control group of burials, documented in marble and on paper, of foreign non-Catholics (English, Swiss, American, Russian, Scandinavian, etc.), between 1827-1877 in one Florentine piazza, giving their stories. The book documents the burials of writers, artists, abolitionists, slaves, serfs, and servants who lie alongside industrialists, noblemen and royalty, death being a democracy. Some notable burials covered in the book include Elizabeth Barrett Browning, Frances Trollope, Walter Savage Landor, Arthur Hugh Clough, Thomas Southwood Smith, Hiram Powers, Theodore Parker, Jean Pierre Vieusseux, 14 participants against Napoleon at Trafalgar, Waterloo and the Peninsula, and Nadezhda de Santis, a slave brought to Florence at 15 from Nubia. The book also details the cemetery's sculptors (Lorenzo Bartolini, Odoardo Fantacchiotti, William Holman Hunt, Frederic, Lord Leighton, Francesco Jerace, Emilio Zocchi, Launt Thompson, Hiram and Preston Powers, and William Wetmore Story) and visitors (King Frederick William IV of Prussia and the ex-American slave, Frederick Douglass). The book will be of interest to historians in general, and in particular historians of medicine, genealogists, sociologists, and those studying the history of global immigration, imperialism and slavery.
Author: Peter Wehrle
Publisher: Ernest Rathenau Verlag
ISBN: 3946476171
Category : Art
Languages : en
Pages : 180
Get Book Here
Book Description
Provenance research in the art trade? It does exist, that much is known, but what is taking place in essence? What is or was subject of research, by whom, for what purpose and what are the results? To date, only a few ‘insiders’ have had the opportunity to obtain answers to these questions. This is largely because research results from the art trade are only published to a very limited extent: they are mentioned in the catalog with just a few lines. The efforts behind the in-depth research are hard to recognize for outsiders. This is the first publication of an ‘inside view’ from the provenance research department at a major German auction house, with the aim of making research into previously unknown Jewish collections and dealers accessible to an academic community. At the same time, this publication also wants to demonstrate how provenance research is or can be carried out in the auction trade. Renowned guest authors from research institutions, museums, the international restitution system, private archives and the art trade pro- vide a framework and superstructure for the specific case studies. The articles address the often uneasy relationship between the art trade and the academic world. However, they also illustrate the opportunities that a close exchange in the field of provenance research can and should offer. Thus, 25 years after the adoption of the Washington Principles, which provided guidelines for public handling of Nazi plunder, but by no means for the private and commercial sector, this publication is also an appeal: for transparency, for cooperation, and for a common goal. The original German version of this book was published in 2023 under the title ‘Provenienzforschung und Kunsthandel’ to mark the 25th anniversary of the Washington Principles.
