Flemish Tapestry from the 15th to the 18th Century PDF Download
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Author: Guy Delmarcel
Publisher: Lannoo Uitgeverij
ISBN: 9789020938869
Category : Crafts & Hobbies
Languages : en
Pages : 392
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Book Description
Author: Guy Delmarcel
Publisher: Lannoo Uitgeverij
ISBN: 9789020938869
Category : Crafts & Hobbies
Languages : en
Pages : 392
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Book Description
Author: Roger Adolf d'. Hulst
Publisher:
ISBN:
Category : Tapestry
Languages : en
Pages : 324
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Book Description
Author: Guy Delmarcel
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 392
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Book Description
Flemish ranks the most luxurious tapestry among and skillful textile traditions in the world. At the height of their popularity, these sumptuous decorative panels were in overwhelming demand from wealthy and royal patrons for whom the tapestries represented the height of luxury and prestige. This lush volume is the first to provide a comprehensive overview of Flemish tapestry history, spanning the 15th century to shortly before the French Revolution. Guy Delmarcel, a Belgian expert in Flemish textiles, covers every aspect of the design and production of these treasures. The wealth of illustrations includes famous and never-before-published tapestries and many close-up details, as well as a number of complete sets of tapestry panels. An impeccably researched reference work that will be of enormous value to tapestry collectors, dealers, and scholars, this gorgeous, volume will also provide hours upon hours of browsing pleasure for art lovers.
Author: Guy Delmarcel
Publisher: Leuven University Press
ISBN: 9789058672216
Category : Art
Languages : en
Pages : 284
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Book Description
Thirteen specialists on the history of tapestry offer a detailed survey of the lives and works of the Flemish weavers and of their relations with foreign patrons and artists.
Author: Thomas P. Campbell
Publisher: Metropolitan Museum of Art
ISBN: 1588392309
Category : Design
Languages : en
Pages : 575
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Book Description
Author: Thomas P. Campbell
Publisher: Metropolitan Museum of Art
ISBN: 1588390225
Category : Tapestry, Renaissance
Languages : en
Pages : 606
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Book Description
Tapestries--the art form of kings--were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these & beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.
Author: Helen Churchill Candee
Publisher:
ISBN:
Category : Tapestry
Languages : en
Pages : 426
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Book Description
Author: Margarita Russell
Publisher: BRILL
ISBN: 9004617574
Category : History
Languages : en
Pages : 240
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Book Description
Author: Carol M. Richardson
Publisher: Yale University Press
ISBN: 0300121881
Category : Art
Languages : en
Pages : 494
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Book Description
Renaissance art history is traditionally identified with Italian centers of production, and Florence in particular. Instead, this book explores the dynamic interchange between European artistic centers and artists and the trade in works of art. It also considers the impact of differing locations on art and artists and some of the economic, political, and cultural factors crucial to the emergence of an artistic center. During c.1420-1520, no city or court could succeed in isolation and so artists operated within a network of interests and local and international identities. The case studies presented in this book portray the Renaissance as an exciting international phenomenon, with cities and courts inextricably bound together in a web of economic and political interests.
Author: ToddM. Richardson
Publisher: Routledge
ISBN: 1351554026
Category : Art
Languages : en
Pages : 269
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Book Description
Pieter Bruegel the Elder: Art Discourse in the Sixteenth-Century Netherlands examines the later images by Bruegel in the context of two contemporary discourses - art theoretical and convivial. The first concerns the purely visual interactions between artists and artistic practices that unfold in pictures, which often transgress the categorical boundaries modern scholars place on their work, such as sacred and profane, antique and modern, and Italian and Northern. In this context, the images themselves - those of Bruegel, his contemporaries and predecessors - make up the primary source material from which the author argues. The second deals with the dialogue that occurred between viewers in front of pictures and the way in which pictorial strategies facilitated their visual experience and challenged their analytical capabilities. In this regard, the author expands his base of primary sources to include convivial texts, dialogues and correspondences, and texts by rhetoricians and Northern humanists addressing art theoretical issues. Challenging the conventional wisdom that the artist eschewed Italianate influences, this study demonstrates how Bruegel's later peasant paintings reveal a complicated artistic dialogue in which visual concepts and pictorial motifs from Italian and classical ideas are employed for a subject that was increasingly recognized in the sixteenth century as a specifically Northern phenomenon. Similar to the Dutch rhetorician societies and French Pl?de poets who cultivated the vernacular language using classical Latin, the function of this interpictorial discourse, the author argues, was not simply to imitate international trends, a common practice during the period, but to use it to cultivate his own visual vernacular language. Although the focus is primarily on Bruegel's later work, the author's conclusions are applied to sketch a broader understanding of both the artist himself and the vibrant artistic dialogue occurring in the Netherl
