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Author: Mary Orr
Publisher: Oxford University Press, USA
ISBN: 0199258589
Category : History
Languages : en
Pages : 365
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Book Description
"This is the first comprehensive study in English of Flaubert's least well-known masterpiece, the final version of his Tentation de saint Antoine (1874). By assuming no prior knowledge of the work, its versions, debates, or contexts, Mary Orr opens up new readings of the seven tableaux which comprise it, and new ways of interpreting the whole. Newcomers and specialists are therefore invited to contemplate afresh this central work in Flaubert's oeuvre and in nineteenth-century French studies." "For specialists in nineteenth-century French literature and in Flaubert studies, this book challenges received critical wisdom on a number of fronts. Flaubert's 'realism', 'anti-clericalism', and 'orientalism' are all remapped through the text's unlikely protagonist-visionary speaking to the religious and scientific controversies of nineteenth-century France."--BOOK JACKET.
Author: Mary Orr
Publisher: Oxford University Press, USA
ISBN: 0199258589
Category : History
Languages : en
Pages : 365
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Book Description
"This is the first comprehensive study in English of Flaubert's least well-known masterpiece, the final version of his Tentation de saint Antoine (1874). By assuming no prior knowledge of the work, its versions, debates, or contexts, Mary Orr opens up new readings of the seven tableaux which comprise it, and new ways of interpreting the whole. Newcomers and specialists are therefore invited to contemplate afresh this central work in Flaubert's oeuvre and in nineteenth-century French studies." "For specialists in nineteenth-century French literature and in Flaubert studies, this book challenges received critical wisdom on a number of fronts. Flaubert's 'realism', 'anti-clericalism', and 'orientalism' are all remapped through the text's unlikely protagonist-visionary speaking to the religious and scientific controversies of nineteenth-century France."--BOOK JACKET.
Author: Mary Neiland
Publisher: BRILL
ISBN: 9004486208
Category : Social Science
Languages : en
Pages : 201
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Book Description
This book reveals the extensive and dynamic interplay between Les Tentations de saint Antoine and the rest of Flaubert’s fiction. Mary Neiland combines two critical approaches, genetic and intertextual criticism, in order to trace the development of selected topoi and figures across the three versions of La Tentation and on through Flaubert’s other major works. Each chapter is devoted to one of these centres of interest, namely, the banquet scene, the cityscape, the crowd, the seductive female and the Devil. Detailed study of these five areas exposes a remarkable intimacy between writings that appear at a far remove from each other. The networks of recurring images located demonstrate for the first time the obsessive nature of Flaubert’s writing practice; the pursuit of these networks across his fictional writings exposes his developing technique; and La Tentation is revealed as both a privileged moment of expression and as a place of auto-reflection. This volume will be of interest to students and specialists of Flaubert as well as to those interested in genetic and intertextual criticism.
Author: Kate Rees
Publisher: Peter Lang
ISBN: 9783034301732
Category : Language Arts & Disciplines
Languages : en
Pages : 210
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Book Description
Romanticism and after in France is a series designed to publish research monographs or longer works of high quality whether by established scholars or recent graduates, dealing with French literature in the period from pre-Romanticism to the turn of the twentieth century.
Author: Pratima Prasad
Publisher: University of Delaware Press
ISBN: 9780874139778
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
The essays in Novel Stages examine the myriad intersections between drama and the novel in nineteenth-century France, a period when the two genres were in constant engagement with one another. The collection is unified by common intellectual concerns: the inscription of theatrical esthetics within the novel; the common practice among nineteenth-century novelists of adapting their works for the stage; and the novel's engagement with popular forms of theater. The essays provide insight into a specific aspect of the relationship between the theater and the novel in the nineteenth century. Their distinct perspectives form an overview of the literary landscape of nineteenth-century France, and demonstrate many ways in which all major nineteenth-century French novelists, including Hugo, Flaubert, Sand, and Zola, participated in the theatrical culture of their century.
Author: Jason Cronbach Van Boom
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110694948
Category : Religion
Languages : en
Pages : 300
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Book Description
To what extent can semiotics illuminate key problems in religious studies, given the centrality of symbols, language, and other modes of signification in religion and theology? The volume explores semiotic methodologies for the study of religion, with an emphasis on their critical and creative reconfigurations. The contributors come from different specialties, such as cognitive science, ethnography, linguistics, communication studies, art studies, religious studies, philosophy of religion, and theology. Part One consists of chapters focusing on theoretical perspectives. Part two focuses on applications in texts and case studies while still considering methodological issues. Many specific traditions and perspectives are taken up, such as C. S. Peirce, A. J. Greimas and the Paris School, Juri Lotman’s semiotics of culture, Bruno Latour and material semiotics, linguistic anthropology, social semiotics, cognitive semiotics, embodied and enactive perspectives on language and mind, semiotics of the image and iconicity, multimodality, intertextuality, and semiotics of colors. The book provides readers with a succinct overview of how contemporary semiotics can be useful in understanding a broad array of topics in the study of religion.
Author: Roberto Speziale-Bagliacca
Publisher: Duke University Press
ISBN: 9780822320753
Category : Drama
Languages : en
Pages : 188
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Book Description
This is a psychoanalytic study of Madame Bovary and King Lear that produces radically different and compelling understanding of these works.
Author: A. Pasco
Publisher: Springer
ISBN: 0230117430
Category : Literary Criticism
Languages : en
Pages : 387
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Book Description
Pasco analyzes innovative nineteenth- and twentieth-century French works to suggest a definition of the novel, in all of its variations and difficulties: a relatively long, artistically designed, prose fiction. He permits literary aficionados to reevaluate novels through comparisons with other genres and both recent and former traditions.
Author: Elizabeth Emery
Publisher: McFarland
ISBN: 9780786417698
Category : History
Languages : en
Pages : 262
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Book Description
Legends, tales, and mysteries featuring saints captivated the French at the end of the nineteenth century. As Jean Lorrain pointed out in an 1891 article for the popular weekly Le Courrier Francais, the seemingly simple language of the saints' lives, their noble battles between good and evil and the atmosphere of religious mysticism appealed to many, especially those involved in the visual and performing arts. Ironically The Third Republic (1870-1940), a regime that claimed to reinforce and institute the secular ideas of the French Revolution, was witness to this great popular interest in the saints and religious imagery. The eight essays in this work explore the popularity of the saints from the 1850s to the 1920s. The essays evaluate the role they played in literature, art, music, science, history and politics, examine portrayals of the saints' lives in both low and high culture (from children's literature, shadow plays and the popular press to literature, opera and theological studies), and reveal the prevalence of the saints in fin-de-siecle France.
Author: Peter Rogers
Publisher: BRILL
ISBN: 904202707X
Category : Social Science
Languages : en
Pages : 193
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Book Description
Drawing upon Flaubert’s fictional works, travel writings, correspondence, and notes on his reading of the Bible and interest in iconography, Rogers traces the presence of a liturgical drama, a mystery play, in a text known as iconic of the realist novel. Showing how Flaubert’s use of religious tales, topoi, and imagery extends beyond his retelling of saints’ lives in the Tentation de Saint Antoine and the Trois contes, this study elucidates the biblical and devotional subcurrent in the story of Emma Bovary. Biblical episodes, religious emblems, and discussions of Catholic dogma link the adulterous heroine to the Virgin Mary, who emerges in the course of this subtle reading as the other heroine of the scandalous story. The 19th-century impulse to censor is embodied within the novel by two characters representing the secular and religious poles. The free-thinking pharmacist Homais and the parish priest concur only on the dangers of reading the Bible. When the novel itself was brought to trial for attacking religion, Flaubert’s prosecutor and defense lawyer overlooked this condemnation of scripture. This study invites readers to pay close attention to the religious texts and traditions discussed and restaged in Madame Bovary to gain a new awareness of the narrow bond between theatre and religion in Flaubert’s provinces.
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Languages : en
Pages : 660
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Book Description
