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Author: Gustave Flaubert
Publisher: Oxford University Press, USA
ISBN: 9780192836311
Category : Fiction
Languages : en
Pages : 148
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Book Description
Acclaimed by Italo Calvino as "one of the most extraordinary spirtual journeys ever accomplished outside any religion," Three Tales (1877) was the last of Flaubert's works published during his lifetime. The ambitious range of the stories -- "A Simple Heart," "The Legend of Saint Julian the Hospitaller," and "Herodias" -- reaches from the author's own century back to the Middle Ages and to ancient Israel. "A Simple Heart," in Flaubert's own words, "is just the account of an obscure life, that of Felicite a poor country girl, pious but mystical, quietly devoted, and as tender as fresh bread... I want to arouse people's pity, to make sensitive souls weep, since I am one myself." The middle story, "The Legend of Saint Julian the Hospitaller," tells of a bloodthirsty hunter and warrior whose attempts to escape a dire prophecy ultimately lead to a state of grace. "Herodias," the final tale, is based on the legends surrounding King Herod, Salome, and John the Baptist. It served as the inspiration for later interpretations, including Oscar Wilde's Salome and Jules Massenet's opera Herodiade. "To any modern writer, in whatever language," remarked Anthony Burgess of Three Tales, "these are recommended as a fundamental textbook of style." Book jacket.
Author: Gustave Flaubert
Publisher: Oxford University Press, USA
ISBN: 9780192836311
Category : Fiction
Languages : en
Pages : 148
Get Book Here
Book Description
Acclaimed by Italo Calvino as "one of the most extraordinary spirtual journeys ever accomplished outside any religion," Three Tales (1877) was the last of Flaubert's works published during his lifetime. The ambitious range of the stories -- "A Simple Heart," "The Legend of Saint Julian the Hospitaller," and "Herodias" -- reaches from the author's own century back to the Middle Ages and to ancient Israel. "A Simple Heart," in Flaubert's own words, "is just the account of an obscure life, that of Felicite a poor country girl, pious but mystical, quietly devoted, and as tender as fresh bread... I want to arouse people's pity, to make sensitive souls weep, since I am one myself." The middle story, "The Legend of Saint Julian the Hospitaller," tells of a bloodthirsty hunter and warrior whose attempts to escape a dire prophecy ultimately lead to a state of grace. "Herodias," the final tale, is based on the legends surrounding King Herod, Salome, and John the Baptist. It served as the inspiration for later interpretations, including Oscar Wilde's Salome and Jules Massenet's opera Herodiade. "To any modern writer, in whatever language," remarked Anthony Burgess of Three Tales, "these are recommended as a fundamental textbook of style." Book jacket.
Author: Gustave Flaubert
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6057876113
Category : Fiction
Languages : en
Pages : 56
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Book Description
For half a century the housewives of Pont-l'Eveque had envied Madame Aubain her servant Felicite. For a hundred francs a year, she cooked and did the housework, washed, ironed, mended, harnessed the horse, fattened the poultry, made the butter and remained faithful to her mistress—although the latter was by no means an agreeable person. Madame Aubain had married a comely youth without any money, who died in the beginning of 1809, leaving her with two young children and a number of debts. She sold all her property excepting the farm of Toucques and the farm of Geffosses, the income of which barely amounted to 5,000 francs; then she left her house in Saint-Melaine, and moved into a less pretentious one which had belonged to her ancestors and stood back of the market-place. This house, with its slate-covered roof, was built between a passage-way and a narrow street that led to the river. The interior was so unevenly graded that it caused people to stumble. A narrow hall separated the kitchen from the parlour, where Madame Aubain sat all day in a straw armchair near the window. Eight mahogany chairs stood in a row against the white wainscoting. An old piano, standing beneath a barometer, was covered with a pyramid of old books and boxes. On either side of the yellow marble mantelpiece, in Louis XV. style, stood a tapestry armchair. The clock represented a temple of Vesta; and the whole room smelled musty, as it was on a lower level than the garden.
Author: Alan William Raitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 100
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Book Description
Author: Gustave Flaubert
Publisher: Legare Street Press
ISBN: 9781020817922
Category :
Languages : en
Pages : 0
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Book Description
In this travelogue, Flaubert recounts his journey through the picturesque region of Brittany, observing the customs and character of its people, and providing vivid descriptions of its landscapes and seascapes. Through his sharp observations and fluid prose, Flaubert captures the essence of this unique region of France. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Gustave Flaubert
Publisher:
ISBN:
Category :
Languages : fr
Pages : 77
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Book Description
Author: Kathryn Oliver Mills
Publisher: Lexington Books
ISBN: 1611493951
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
In Formal Revolution in the Work of Baudelaire and Flaubert, Kathryn Oliver Mills argues that despite the enduring celebrity of Baudelaire and Flaubert, their significance to modern art has been miscast and misunderstood. To date, literary criticism has paid insufficient attention to these authors' literary form and their socio-cultural context. In addition, critical literature has not always adequately integrated individual works to each author’s broader oeuvre: on the one hand critics do not often maintain rigorous distinctions among texts when discussing Baudelaire and Flaubert, and on the other hand scholars of Baudelaire and Flaubert have not consistently considered the relationship of individual texts to either writer’s corpus. Furthermore, critical focus has been on the modernity of Les Fleurs du mal, Madame Bovary, and L'Education Sentimentale. Addressing these lacunae in scholarship, Mills puts forth the argument that Baudelaire's collection of prose poems, Le Spleen de Paris, and Flaubert's short, poetic tales, Trois contes, best embody the modern aesthetic that Baudelaire develops in Le Peintre de la vie moderne and that Flaubert elaborates in his correspondence. Formal Revolution places these relatively less well-known but last published works in relationship with the artistic goals of their authors, showing that Baudelaire and Flaubert were both acutely aware of the need to launch a new form of literature in order to literally “come to terms with” the dramatic changes transforming the nineteenth-century into the Modern Age. More specifically, Formal Revolution demonstrates that for Baudelaire and Flaubert the formal project of fusing prose with poetry—as poetic prose in the case of Flaubert, as poetry in prose in the case of Baudelaire—was crucial to their mission of “painting modern life.” This work concludes that experimentation with literary form represents these two seminal writers’ major legacy to modernity; suggests that the twentieth-century might have gone too far down that road; and speculates about the future direction of literature. The modernity of Baudelaire and Flaubert, still relevant today but often taken for granted, needs to be reexamined in light of the cultural, formal, and contextual considerations that inform Formal Revolution in the Work of Baudelaire and Flaubert.
Author: Julian Barnes
Publisher: Vintage
ISBN: 0307797856
Category : Fiction
Languages : en
Pages : 214
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Book Description
BOOKER PRIZE NOMINEE • From the internationally bestselling author of The Sense of an Ending comes a literary detective story of a retired doctor obsessed with the 19th century French author Flaubert—and with tracking down the stuffed parrot that once inspired him. • “A high literary entertainment carried off with great brio.” —The New York Times Book Review Julian Barnes playfully combines a detective story with a character study of its detective, embedded in a brilliant riff on literary genius. A compelling weave of fiction and imaginatively ordered fact, Flaubert's Parrot is by turns moving and entertaining, witty and scholarly, and a tour de force of seductive originality.
Author: Gustave Flaubert
Publisher: Oxford Paperbacks
ISBN: 0199555869
Category : Fiction
Languages : en
Pages : 145
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Book Description
Three Tales offers an excellent introduction to the work of one of the world's greatest novelists. A Simple Heart is set in the Normandy of Flaubert's childhood, while Saint Julian and Herodias draw on medieval myth and the biblical story of John the Baptist for their inspiration. Each of the tales invites comparison with one or other of Flaubert's novels, but they also reveal a fresh and distinctive side to the writers's genius. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Author: Gustave Flaubert
Publisher: Penguin
ISBN: 9780140435825
Category : Travel
Languages : en
Pages : 244
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Book Description
Flaubert's unforgettable memoirs of travels abroad At once a classic of travel literature and a penetrating portrait of a “sensibility on tour,” Flaubert in Egypt wonderfully captures the young writer’s impressions during his 1849 voyages. Using diaries, letters, travel notes, and the evidence of Flaubert’s traveling companion, Maxime Du Camp, Francis Steegmuller reconstructs his journey through the bazaars and brothels of Cairo and down the Nile to the Red Sea. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: Gustave Flaubert
Publisher: The Floating Press
ISBN: 1775417670
Category : Fiction
Languages : en
Pages : 115
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Book Description
The three works in this book are each strikingly different. Death, Satan and Nero (the fifth Roman emperor) converse in a prose poem; a Medieval saint encounters trial and struggle before attaining divinity; the life of a selfless maid in 19th-century France shows the horror of true altruism.
