Author: Howard Chandler Robbins Landon
Publisher: Schirmer Trade Books
ISBN:
Category : Music
Languages : en
Pages : 202
Book Description
Music pervades the soul of Venice as surely as its canals penetrate the heart of the city. From Gabrieli, Monteverdi, Vivaldi, and Rossini to Verdi, Wagner, and Stravinsky, this great city has inspired and sheltered genius. Venice is a city in which music has accompanied every aspect of life, from religious and state ceremony to late-night revelry. This lavishly illustrated book examines the unique relationships between the life of Venice and the history of music.
Five Centuries of Music in Venice
Author: Howard Chandler Robbins Landon
Publisher: Schirmer Trade Books
ISBN:
Category : Music
Languages : en
Pages : 202
Book Description
Music pervades the soul of Venice as surely as its canals penetrate the heart of the city. From Gabrieli, Monteverdi, Vivaldi, and Rossini to Verdi, Wagner, and Stravinsky, this great city has inspired and sheltered genius. Venice is a city in which music has accompanied every aspect of life, from religious and state ceremony to late-night revelry. This lavishly illustrated book examines the unique relationships between the life of Venice and the history of music.
Publisher: Schirmer Trade Books
ISBN:
Category : Music
Languages : en
Pages : 202
Book Description
Music pervades the soul of Venice as surely as its canals penetrate the heart of the city. From Gabrieli, Monteverdi, Vivaldi, and Rossini to Verdi, Wagner, and Stravinsky, this great city has inspired and sheltered genius. Venice is a city in which music has accompanied every aspect of life, from religious and state ceremony to late-night revelry. This lavishly illustrated book examines the unique relationships between the life of Venice and the history of music.
Five Centuries of Music in Venice
Author: Howard Chandler Robbins Landon
Publisher: Schirmer Trade Books
ISBN:
Category : Music
Languages : en
Pages : 210
Book Description
Music pervades the soul of Venice as surely as its canals penetrate the heart of the city. From Gabrieli, Monteverdi, Vivaldi, and Rossini to Verdi, Wagner, and Stravinsky, this great city has inspired and sheltered genius. Venice is a city in which music has accompanied every aspect of life, from religious and state ceremony to late-night revelry. This lavishly illustrated book examines the unique relationships between the life of Venice and the history of music.
Publisher: Schirmer Trade Books
ISBN:
Category : Music
Languages : en
Pages : 210
Book Description
Music pervades the soul of Venice as surely as its canals penetrate the heart of the city. From Gabrieli, Monteverdi, Vivaldi, and Rossini to Verdi, Wagner, and Stravinsky, this great city has inspired and sheltered genius. Venice is a city in which music has accompanied every aspect of life, from religious and state ceremony to late-night revelry. This lavishly illustrated book examines the unique relationships between the life of Venice and the history of music.
Five Centuries of Choral Music
Author: Gordon Paine
Publisher: Pendragon Press
ISBN: 9780918728845
Category : Music
Languages : en
Pages : 404
Book Description
Publisher: Pendragon Press
ISBN: 9780918728845
Category : Music
Languages : en
Pages : 404
Book Description
Venice
Author: Margaret Plant
Publisher: Yale University Press
ISBN: 9780300083866
Category : History
Languages : en
Pages : 576
Book Description
Margaret Plant presents a wide-ranging cultural history of the city from the fall of the Republic in 1797, until 1997, showing how it has changed and adapted and how perceptions of it have shaped its reality.
Publisher: Yale University Press
ISBN: 9780300083866
Category : History
Languages : en
Pages : 576
Book Description
Margaret Plant presents a wide-ranging cultural history of the city from the fall of the Republic in 1797, until 1997, showing how it has changed and adapted and how perceptions of it have shaped its reality.
The Triumph of Music
Author: Tim Blanning
Publisher: Harvard University Press
ISBN: 0674417275
Category : History
Languages : en
Pages : 440
Book Description
A distinguished historian chronicles the rise of music and musicians in the West from lowly balladeers to masters employed by fickle patrons, to the great composers of genius, to today’s rock stars. How, he asks, did music progress from subordinate status to its present position of supremacy among the creative arts? Mozart was literally booted out of the service of the Archbishop of Salzburg “with a kick to my arse,” as he expressed it. Yet, less than a hundred years later, Europe’s most powerful ruler—Emperor William I of Germany—paid homage to Wagner by traveling to Bayreuth to attend the debut of The Ring. Today Bono, who was touted as the next president of the World Bank in 2006, travels the world, advising politicians—and they seem to listen. The path to fame and independence began when new instruments allowed musicians to showcase their creativity, and music publishing allowed masterworks to be performed widely in concert halls erected to accommodate growing public interest. No longer merely an instrument to celebrate the greater glory of a reigning sovereign or Supreme Being, music was, by the nineteenth century, to be worshipped in its own right. In the twentieth century, new technological, social, and spatial forces combined to make music ever more popular and ubiquitous. In a concluding chapter, Tim Blanning considers music in conjunction with nationalism, race, and sex. Although not always in step, music, society, and politics, he shows, march in the same direction.
Publisher: Harvard University Press
ISBN: 0674417275
Category : History
Languages : en
Pages : 440
Book Description
A distinguished historian chronicles the rise of music and musicians in the West from lowly balladeers to masters employed by fickle patrons, to the great composers of genius, to today’s rock stars. How, he asks, did music progress from subordinate status to its present position of supremacy among the creative arts? Mozart was literally booted out of the service of the Archbishop of Salzburg “with a kick to my arse,” as he expressed it. Yet, less than a hundred years later, Europe’s most powerful ruler—Emperor William I of Germany—paid homage to Wagner by traveling to Bayreuth to attend the debut of The Ring. Today Bono, who was touted as the next president of the World Bank in 2006, travels the world, advising politicians—and they seem to listen. The path to fame and independence began when new instruments allowed musicians to showcase their creativity, and music publishing allowed masterworks to be performed widely in concert halls erected to accommodate growing public interest. No longer merely an instrument to celebrate the greater glory of a reigning sovereign or Supreme Being, music was, by the nineteenth century, to be worshipped in its own right. In the twentieth century, new technological, social, and spatial forces combined to make music ever more popular and ubiquitous. In a concluding chapter, Tim Blanning considers music in conjunction with nationalism, race, and sex. Although not always in step, music, society, and politics, he shows, march in the same direction.
Reader's Guide to Music
Author: Murray Steib
Publisher: Routledge
ISBN: 1135942625
Category : Music
Languages : en
Pages : 928
Book Description
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Publisher: Routledge
ISBN: 1135942625
Category : Music
Languages : en
Pages : 928
Book Description
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Five Centuries of Keyboard Music
Author: John Gillespie
Publisher: Courier Corporation
ISBN: 0486318796
Category : Music
Languages : en
Pages : 514
Book Description
Gillespie discusses 350 composers and their works for harpsichord and piano, including Bach, Handel, Mozart, Beethoven, and Debussy. Includes 116 musical examples, illustrations, and a glossary of musical terms.
Publisher: Courier Corporation
ISBN: 0486318796
Category : Music
Languages : en
Pages : 514
Book Description
Gillespie discusses 350 composers and their works for harpsichord and piano, including Bach, Handel, Mozart, Beethoven, and Debussy. Includes 116 musical examples, illustrations, and a glossary of musical terms.
Historical Dictionary of Baroque Music
Author: Joseph P. Swain
Publisher: Rowman & Littlefield
ISBN: 1538151626
Category : Music
Languages : en
Pages : 465
Book Description
Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.
Publisher: Rowman & Littlefield
ISBN: 1538151626
Category : Music
Languages : en
Pages : 465
Book Description
Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.
Historical Dictionary of Sacred Music
Author: Joseph P. Swain
Publisher: Rowman & Littlefield
ISBN: 1442264632
Category : Music
Languages : en
Pages : 403
Book Description
Sacred music is a universal phenomenon of humanity. Where there is faith, there is music to express it. Every major religious tradition and most minor ones have music and have it in abundance and variety. There is music to accompany ritual and music purely for devotion, music for large congregations and music for trained soloists, music that sets holy words and music without words at all. In some traditions—Islamic and many Native American, to name just two--the relation between music and religious ritual is so intimate that it is inaccurate to speak of the music accompanying the ritual. Rather, to perform the ritual is to sing, and to sing the ritual is to perform it. This second edition of Historical Dictionary of Sacred Music contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on major types of music, composers, key religious figures, specialized positions, genres of composition, technical terms, instruments, fundamental documents and sources, significant places, and important musical compositions. This book is an excellent access point for students, researchers, and anyone wanting to know more about sacred music.
Publisher: Rowman & Littlefield
ISBN: 1442264632
Category : Music
Languages : en
Pages : 403
Book Description
Sacred music is a universal phenomenon of humanity. Where there is faith, there is music to express it. Every major religious tradition and most minor ones have music and have it in abundance and variety. There is music to accompany ritual and music purely for devotion, music for large congregations and music for trained soloists, music that sets holy words and music without words at all. In some traditions—Islamic and many Native American, to name just two--the relation between music and religious ritual is so intimate that it is inaccurate to speak of the music accompanying the ritual. Rather, to perform the ritual is to sing, and to sing the ritual is to perform it. This second edition of Historical Dictionary of Sacred Music contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on major types of music, composers, key religious figures, specialized positions, genres of composition, technical terms, instruments, fundamental documents and sources, significant places, and important musical compositions. This book is an excellent access point for students, researchers, and anyone wanting to know more about sacred music.
The Crucifixion in Music
Author: Jasmin Melissa Cameron
Publisher: Scarecrow Press
ISBN: 9780810858725
Category : Music
Languages : en
Pages : 400
Book Description
The Crucifixion in Music studies the musical representation of words and the concepts and contexts to which words refer, examining the way the treatment of a literary text, namely the Crucifixus, coalesces into a recognizable musical tradition that individual composers follow, develop, modify, or ignore.
Publisher: Scarecrow Press
ISBN: 9780810858725
Category : Music
Languages : en
Pages : 400
Book Description
The Crucifixion in Music studies the musical representation of words and the concepts and contexts to which words refer, examining the way the treatment of a literary text, namely the Crucifixus, coalesces into a recognizable musical tradition that individual composers follow, develop, modify, or ignore.