First Time Director

First Time Director PDF Author: Gil Bettman
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 342

Get Book Here

Book Description
This book teaches first-time directors how to make the most of their first opportunity using straightforward, results-orientated instructions.

First Time Director

First Time Director PDF Author: Gil Bettman
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 342

Get Book Here

Book Description
This book teaches first-time directors how to make the most of their first opportunity using straightforward, results-orientated instructions.

Girl Director

Girl Director PDF Author: Andrea Richards
Publisher:
ISBN: 1580086756
Category : Performing Arts
Languages : en
Pages : 121

Get Book Here

Book Description
Chock-full of fascinating photographs and colorful directives, GIRL DIRECTOR is an instruction manual, history lesson, scrapbook, and celebration of women and film rolled into one. Director and cinephile Andrea Richards all but hands the reader a camera as she raucously paves the way for young women to make their own films. Sharing tales of the coolest femme filmmakers from history and recounting advice from the best women directors now in the business, Richards explains step by step how anyone can make a film using a standard video camera. Covering such topics as screenwriting, storyboards, set design, editing, distribution, Claymation, music videos, film festivals, and the digital revolution, GIRL DIRECTOR is a must-have handbook for the aspiring auteur of any age.A guide to do-it-yourself filmmaking from a female perspective, featuring accessible expert advice and a hip history of women in film.A must-have reference (and an excellent gift) for tweens, teens, adults, or anyone interested in making movies.Includes specifics on the who, what, where, and how of making low-budget videos and films.

My First Movie

My First Movie PDF Author: Stephen Lowenstein
Publisher: Pantheon
ISBN:
Category : Performing Arts
Languages : en
Pages : 498

Get Book Here

Book Description
Nobody forgets their first time--and film directors are no exception. In these vivid and revealing interviews, a collection of filmmakers as diverse as the Coen brothers and Ken Loach, Ang Lee and Kevin Smith, Anthony Minghella and Gary Oldman, Neil Jordan and Mira Nair talk in extraordinary detail and with amazing candor about making their first films. Each chapter focuses on a director's celebrated debut--be it "Angel or "Blood Simple, "Clerks or "Diner, "Muriel's Wedding or "Truly, Madly, Deeply--and tells the inside story: from writing the script to raising the money, from casting the actors to assembling the crew, from shooting to editing, from selling the movie to screening it. Along the way, every aspect of the movie industry is explored: from dealing with agents and moguls for the first time to pitching your movie as a debutante director, from languishing in development hell to confronting test audiences from hell. The questions have been posed by Stephen Lowenstein, a young director with two acclaimed short films to his credit. Remembering the struggle to launch their careers, the directors have opened up about their first films and themselves to an unprecedented degree. Each chapter is not only a memoir of a particular movie, but also an emotional journey in which the director relives the pain and elation, the comedy and tragedy, of making a first feature. For anyone who wants to direct movies, these tales of triumph and disaster, of sleepless nights and nail-biting days, will be enthralling and terrifying in equal measure. For all other film fans, the interviews provide fascinating and entertaining insights into filmmakers who have become household names.

Running the Show

Running the Show PDF Author: Liz Gill
Publisher: Routledge
ISBN: 0429582633
Category : Art
Languages : en
Pages : 345

Get Book Here

Book Description
Whether it's a crew of two hundred shooting a cast of thousands on horseback, or a crew of twelve filming one person in a room, each and every successful movie production requires a strong First Assistant Director (AD) at its helm. In this new and updated edition, veteran First AD Liz Gill walks you through the entire filmmaking process through the perspective of the First AD, from pre-production, shoot, wrap, and everything in between. This book provides invaluable insight into working as a First Assistant Director, featuring tricks-of-the-trade for breaking down a script, creating a schedule and organizing test shoots, alongside how to use turnaround time, weather cover, split days, overtime and continuous days to balance a challenging schedule and get the most from the cast, crew and the shoot. This new edition has been fully updated and expanded throughout to provide up-to-date coverage on new equipment and software, health and safety considerations and the implications of VFX. This is the essential guide to becoming a successful First Assistant Director, ideal for professional and aspiring AD’s seeking to further their career, students of directing and production looking to gain a better understanding of how this department works and anyone interested in film and TV production. The accompanying eResources provide an expanded selection of sample call sheets, report templates, checklists, and other useful documents.

Hollywood

Hollywood PDF Author: Jill Tietjen
Publisher: Rowman & Littlefield
ISBN: 1493037064
Category : History
Languages : en
Pages : 401

Get Book Here

Book Description
The year was 1896, the woman was Alice Guy-Blaché, and the film was The Cabbage Fairy. It was less than a minute long. Guy-Blaché, the first female director, made hundreds of movies during her career. Thousands of women with passion and commitment to storytelling followed in her footsteps. Working in all aspects of the movie industry, they collaborated with others to create memorable images on the screen. This book pays tribute to the spirit, ambition, grit and talent of these filmmakers and artists. With more than 1200 women featured in the book, you will find names that everyone knows and loves—the movie legends. But you will also discover hundreds and hundreds of women whose names are unknown to you: actresses, directors, stuntwomen, screenwriters, composers, animators, editors, producers, cinematographers and on and on. Stunning photographs capture and document the women who worked their magic in the movie business. Perfect for anyone who enjoys the movies, this photo-treasury of women and film is not to be missed.

Steven Spielberg

Steven Spielberg PDF Author: Brent Notbohm
Publisher: Univ. Press of Mississippi
ISBN: 1496824032
Category : Performing Arts
Languages : en
Pages : 244

Get Book Here

Book Description
More than four decades after the premiere of his first film, Steven Spielberg (b. 1946) continues to be a household name whose influence on popular culture extends far beyond the movie screen. Now in his seventies, Spielberg shows no intention of retiring from directing or even slowing down. Since the publication of Steven Spielberg: Interviews in 2000, the filmmaker has crafted some of the most complex movies of his extensive career. His new movies consistently reinvigorate entrenched genres, adding density and depth. Many of the defining characters, motifs, tropes, and themes that emerge in Spielberg’s earliest movies shape these later works as well, but often in new configurations that probe deeper into more complicated subjects—dangerous technology rather than man-eating sharks, homicidal rather than cuddly aliens, lethal terrorism instead of rampaging dinosaurs. Spielberg's movies continue to display a remarkably sophisticated level of artistry that matches, and sometimes exceeds, the memorable visual hallmarks of his prior work. His latest series of films continue to demonstrate an ongoing intellectual restlessness and a willingness to challenge himself as a creative artist. With this new collection of interviews, which includes eleven original interviews from the 2000 edition and nine new interviews, readers will recognize the themes that motivate Spielberg, the cinematic techniques he employs to create his feature films, and the emotional connection he has to his movies. The result is a nuanced and engaging portrait of the most popular director in American cinema history.

Making the Magic Happen

Making the Magic Happen PDF Author: Peter D. Marshall
Publisher:
ISBN: 9781615932658
Category : PERFORMING ARTS
Languages : en
Pages : 0

Get Book Here

Book Description
Filmmaking Can be a Complicated and Risky Adventure, but it doesn't have to be, Making the Magic Happen shows you why directing a movie is actually simpler than you think. The trick? Learn the craft of filmmaking first, and then apply your creative signature. The most empowering book of its kind, Making the Magic Happen demystifies every aspect of film directing by demonstrating what you must team about the craft before pursuing the art. Book jacket.

The Guerilla Film Makers Handbook

The Guerilla Film Makers Handbook PDF Author: Genevieve Jolliffe
Publisher: Bloomsbury Publishing
ISBN: 9780826414649
Category : Social Science
Languages : en
Pages : 726

Get Book Here

Book Description
The Guerilla Film Makers Handbook is easily the most helpful and honest book ever written about what it takes to make an independent movie.

A Sense of Direction

A Sense of Direction PDF Author: William Ball
Publisher: New York : Drama Book Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 208

Get Book Here

Book Description
"William Ball, founder and general director of the acclaimed American Conservatory Theatre, engages his audience in a wide-ranging discussion of the director's process - from first reading through opening night. Mr. Ball offers a candid, personal account of his method of working - including the choice of a play's essential elements, preproduction homework, casting, and rehearsal techniques"--Cover.

Directing the Camera

Directing the Camera PDF Author: Gil Bettman
Publisher:
ISBN: 9781615931668
Category : Performing Arts
Languages : en
Pages : 0

Get Book Here

Book Description
On motion picture and television sets today the director spends 90% of his time directing the camera. Professional actors come to set prepared to direct themselves. In spite of this recent change, 90% of all books on directing do not teach specifically how to direct the camera. Gil Bettman's 'Directing the Camera' fills that void by teaching the elements of craft that contemporary directors use to give their films the visually dynamic look preferred by audiences today.