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Author: Michael Goodrum
Publisher: Rowman & Littlefield
ISBN: 1442247444
Category : Performing Arts
Languages : en
Pages : 228
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Book Description
According to Joss Whedon, the creator of the short-lived series Firefly (2002), the cult show is about “nine people looking into the blackness of space and seeing nine different things.” The chronicles of crewmembers on a scruffy space freighter, Firefly ran for only four months before its abrupt cancellation. In that brief time, however, it established a reputation as one of the best science-fiction programs of the new millennium: sharply written, superbly cast, and set on an exotic multicultural frontier unlike anything ever seen on the small screen. The show’s large, enthusiastic fan following supported a series of comics and a theatrical film, Serenity (2005), that extended the story, deepened the characters, and revealed new wonders and dangers on the deep-space frontier. In Firefly Revisited: Essays on Joss Whedon’s Classic Series, Michael Goodrum and Philip Smith present a collection that reflects on the program, the characters, and the post-cancellation film and comics that grew out of the show. The contributors to this volume offer fresh perspectives on familiar characters and blaze new trails into unexplored areas of the Firefly universe. Individual essays explore the series’ place in the history of the space-Western subgenre, the political economy of the Alliance, and the uses of music and language in the series to immerse audiences in a multicultural future. These essays look at how the show offered viewers high adventure as well as engaged with a range of themes that still resonate today. As such, Firefly Revisited will intrigue the show’s many fans, as well as Whedon scholars and anyone interested in the twenty-first-century renaissance of science-fiction television.
Author: Michael Goodrum
Publisher: Rowman & Littlefield
ISBN: 1442247444
Category : Performing Arts
Languages : en
Pages : 228
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Book Description
According to Joss Whedon, the creator of the short-lived series Firefly (2002), the cult show is about “nine people looking into the blackness of space and seeing nine different things.” The chronicles of crewmembers on a scruffy space freighter, Firefly ran for only four months before its abrupt cancellation. In that brief time, however, it established a reputation as one of the best science-fiction programs of the new millennium: sharply written, superbly cast, and set on an exotic multicultural frontier unlike anything ever seen on the small screen. The show’s large, enthusiastic fan following supported a series of comics and a theatrical film, Serenity (2005), that extended the story, deepened the characters, and revealed new wonders and dangers on the deep-space frontier. In Firefly Revisited: Essays on Joss Whedon’s Classic Series, Michael Goodrum and Philip Smith present a collection that reflects on the program, the characters, and the post-cancellation film and comics that grew out of the show. The contributors to this volume offer fresh perspectives on familiar characters and blaze new trails into unexplored areas of the Firefly universe. Individual essays explore the series’ place in the history of the space-Western subgenre, the political economy of the Alliance, and the uses of music and language in the series to immerse audiences in a multicultural future. These essays look at how the show offered viewers high adventure as well as engaged with a range of themes that still resonate today. As such, Firefly Revisited will intrigue the show’s many fans, as well as Whedon scholars and anyone interested in the twenty-first-century renaissance of science-fiction television.
Author: Don Macnaughtan
Publisher: McFarland
ISBN: 1476670595
Category : Reference
Languages : en
Pages : 282
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Book Description
Director, producer and screenwriter Joss Whedon is a creative force in film, television, comic books and a host of other media. This book provides an authoritative survey of all of Whedon's work, ranging from his earliest scriptwriting on Roseanne, through his many movie and TV undertakings--Toy Story, Buffy the Vampire Slayer, Angel, Firefly/Serenity, Dr. Horrible, The Cabin in the Woods, and Agents of S.H.I.E.L.D.--to his forays into the Marvel Cinematic Universe. The book covers both the original texts of the Whedonverse and the many secondary works focusing on Whedon's projects, including about 2000 books, essays, articles, documentaries and dissertations.
Author: Melanie A. Marotta
Publisher: McFarland
ISBN: 1476636729
Category : Performing Arts
Languages : en
Pages : 207
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Book Description
From the Star Wars expanded universe to Westworld, the science fiction western has captivated audiences for more than fifty years. These twelve new essays concentrate on the female characters in the contemporary science fiction western, addressing themes of power, agency, intersectionality and the body. Discussing popular works such as Fringe, Guardians of the Galaxy and Mass Effect, the essayists shed new light on the gender dynamics of these beloved franchises, emphasizing inclusion and diversity with their critical perspectives.
Author: Pat Kirkham
Publisher: Bloomsbury Publishing
ISBN: 1350150606
Category : Art
Languages : en
Pages : 368
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Book Description
Covering everything from Hollywood films to Soviet cinema, London's queer spaces to spaceships, horror architecture and action scenes, Screen Interiors presents an array of innovative perspectives on film design. Essays address questions related to interiors and objects in film and television from the early 1900s up until the present day. Authors explore how interior film design can facilitate action and amplify tensions, how rooms are employed as structural devices and how designed spaces can contribute to the construction of identities. Case studies look at disjunctions between interior and exterior design and the inter-relationship of production design and narrative. With a lens on class, sexuality and identity across a range of films including Twilight of a Woman's Soul (1913), The Servant (1963), Caravaggio (1986), and Passengers (2016), and illustrated with film stills throughout, Screen Interiors showcases an array of methodological approaches for the study of film and design history.
Author: Juliette C. Kitchens
Publisher: McFarland
ISBN: 147662982X
Category : Philosophy
Languages : en
Pages : 211
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Book Description
From Buffy the Vampire Slayer to the Marvel Cinematic Universe, Joss Whedon's work presents various representations of home spaces that give depth to his stories and storytelling. Through the spaceship in Firefly, a farmhouse in Avengers: Age of Ultron or Whedon's own house in Much Ado About Nothing, his work collectively offers audiences the opportunity to question the ways we relate to and inhabit homes. Focusing on his television series, films and comics, this collection of new essays explores the diversity of home spaces in Whedon's many 'verses, and the complexity these spaces afford the narratives, characters, objects and relationships within them.
Author: Dorian L. Alexander
Publisher: Univ. Press of Mississippi
ISBN: 1496837177
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
Author: Sam Edwards
Publisher: Bloomsbury Publishing
ISBN: 1474217060
Category : History
Languages : en
Pages : 353
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Book Description
How, as historians, should we 'read' a film? Histories on Screen answers this and other questions in a crucial volume for any history student keen to master source use. The book begins with a theoretical 'Thinking about Film' section that explores the ways in which films can be analyzed and interrogated as either primary sources, secondary sources or indeed as both. The much larger 'Using Film' segment of the book then offers engaging case studies which put this theory into practice. Topics including gender, class, race, war, propaganda, national identity and memory all receive good coverage in what is an eclectic multi-contributor volume. Documentaries, films and television from Britain and the United States are examined and there is a jargon-free emphasis on the skills and methods needed to analyze films in historical study featuring prominently throughout the text. Histories on Screen is a vital resource for all history students as it enables them to understand film as a source and empowers them with the analytical tools needed to use that knowledge in their own work.
Author: Frank Bramlett
Publisher: Routledge
ISBN: 1317915372
Category : Literary Criticism
Languages : en
Pages : 688
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Book Description
This cutting-edge handbook brings together an international roster of scholars to examine many facets of comics and graphic novels. Contributor essays provide authoritative, up-to-date overviewsof the major topics and questions within comic studies, offering readers a truly global approach to understanding the field. Essays examine: the history of the temporal, geographical, and formal development of comics, including topics like art comics, manga, comix, and the comics code; issues such as authorship, ethics, adaptation, and translating comics connections between comics and other artistic media (drawing, caricature, film) as well as the linkages between comics and other academic fields like linguistics and philosophy; new perspectives on comics genres, from funny animal comics to war comics to romance comics and beyond. The Routledge Companion to Comics expertly organizes representative work from a range of disciplines, including media and cultural studies, literature, philosophy, and linguistics. More than an introduction to the study of comics, this book will serve as a crucial reference for anyone interested in pursuing research in the area, guiding students, scholars, and comics fans alike.
Author: Diana Adesola Mafe
Publisher: University of Texas Press
ISBN: 147731525X
Category : Performing Arts
Languages : en
Pages : 250
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Book Description
A look at African American women in science fiction, fantasy, and horror: “A compelling contribution to the scholarship on speculative cinema and television.” —Journal of American Culture When Lieutenant Uhura took her place on the bridge of the Starship Enterprise on Star Trek, the actress Nichelle Nichols went where no African American woman had ever gone before. Yet several decades passed before many other black women began playing significant roles in speculative (i.e., science fiction, fantasy, and horror) film and television—a troubling omission, given that these genres offer significant opportunities for reinventing social constructs such as race, gender, and class. Challenging cinema’s history of stereotyping or erasing black women onscreen, Where No Black Woman Has Gone Before showcases twenty-first-century examples that portray them as central figures of action and agency. Writing for fans as well as scholars, Diana Adesola Mafe looks at representations of black womanhood and girlhood in American and British speculative film and television, including 28 Days Later, AVP: Alien vs. Predator, Children of Men, Beasts of the Southern Wild, Firefly, and Doctor Who: Series 3. Each of these has a subversive black female character in its main cast, and Mafe draws on critical race, postcolonial, and gender theories to explore each film and show, placing the black female characters at the center of the analysis and demonstrating their agency. The first full study of black female characters in speculative film and television, Where No Black Woman Has Gone Before shows why heroines such as Lex in AVP and Zoë in Firefly are inspiring a generation of fans, just as Uhura did.
Author: Dominic Davies
Publisher: Springer Nature
ISBN: 3030379981
Category : Comics & Graphic Novels
Languages : en
Pages : 352
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Book Description
Why are so many contemporary comics and graphic narratives written as memoirs or documentaries of traumatic events? Is there a specific relationship between the comics form and the documentation and reportage of trauma? How do the interpretive demands made on comics readers shape their relationships with traumatic events? And how does comics’ documentation of traumatic pasts operate across national borders and in different cultural, political, and politicised contexts? The sixteen chapters and three comics included in Documenting Trauma in Comics set out to answer exactly these questions. Drawing on a range of historically and geographically expansive examples, the contributors bring their different perspectives to bear on the tangled and often fraught intersections between trauma studies, comics studies, and theories of documentary practices and processes. The result is a collection that shows how comics is not simply related to trauma, but a generative force that has become central to its remembrance, documentation, and study.
