Author: Sieglinde Lemke
Publisher: Oxford University Press
ISBN: 0195344545
Category : History
Languages : en
Pages : 192
Book Description
This book explores a rich cultural hybridity at the heart of transatlantic modernism. Focusing on cubism, jazz, and Josephine Baker's performance in the Danse Sauvage, Sieglinde Lemke uncovers a crucial history of white and black intercultural exchange, a phenomenon until now greatly obscured by a cloak of whiteness. Considering artists and critics such as Picasso, Alain Locke, Nancy Cunard, and Paul Whiteman, in addition to Baker, Lemke documents a potent cultural dialectic in which black artistic expression fertilized white modernism, just as white art forms helped shape the black modernism of Harlem and Paris. Coining the term primitivist modernism to designate the multicultural heritage of this century's artistic production, Lemke reveals the generative and germinating black cultural Other in the arts. She examines this neglected dimension in full, fascinating detail, blending literary theory, social history, and cultural analysis to document modernism's complex absorption of African culture and art. She details numerous ways in which African and African American forms (visual styles, musical idioms, black dialects) and fantasies (Baker's costume and dance, say) permeated high and mass culture on both sides of the Atlantic. So-called primitive art and high modernism; savage rhythms and European music hall culture; European and African American expressions in jazz; European primitivism and the racial awakenings of African American culture: paired and freshly examined by Lemke, these subjects stand revealed in their true interrelatedness. Insisting on modernism's two-way cultural flow, Lemke demonstrates not only that white modernism owes much of its symbolic capital to the black Other, but that black modernism built itself in part on white Euro-American models. Through superbly nuanced readings of individual texts and images (fifteen striking examples of which are reproduced in this handsome volume), Lemke reforms our understanding of modernism. She shows us, in clear, invigorating fashion, that transatlantic modernism in both its high and popular modes was significantly more diverse than commonly supposed. Students and scholars of modernism, African American studies, and cultural studies, and those with interests in twentieth-century art, dance, music, or literature, will find this book richly rewarding.
Primitivist Modernism
Author: Sieglinde Lemke
Publisher: Oxford University Press
ISBN: 0195344545
Category : History
Languages : en
Pages : 192
Book Description
This book explores a rich cultural hybridity at the heart of transatlantic modernism. Focusing on cubism, jazz, and Josephine Baker's performance in the Danse Sauvage, Sieglinde Lemke uncovers a crucial history of white and black intercultural exchange, a phenomenon until now greatly obscured by a cloak of whiteness. Considering artists and critics such as Picasso, Alain Locke, Nancy Cunard, and Paul Whiteman, in addition to Baker, Lemke documents a potent cultural dialectic in which black artistic expression fertilized white modernism, just as white art forms helped shape the black modernism of Harlem and Paris. Coining the term primitivist modernism to designate the multicultural heritage of this century's artistic production, Lemke reveals the generative and germinating black cultural Other in the arts. She examines this neglected dimension in full, fascinating detail, blending literary theory, social history, and cultural analysis to document modernism's complex absorption of African culture and art. She details numerous ways in which African and African American forms (visual styles, musical idioms, black dialects) and fantasies (Baker's costume and dance, say) permeated high and mass culture on both sides of the Atlantic. So-called primitive art and high modernism; savage rhythms and European music hall culture; European and African American expressions in jazz; European primitivism and the racial awakenings of African American culture: paired and freshly examined by Lemke, these subjects stand revealed in their true interrelatedness. Insisting on modernism's two-way cultural flow, Lemke demonstrates not only that white modernism owes much of its symbolic capital to the black Other, but that black modernism built itself in part on white Euro-American models. Through superbly nuanced readings of individual texts and images (fifteen striking examples of which are reproduced in this handsome volume), Lemke reforms our understanding of modernism. She shows us, in clear, invigorating fashion, that transatlantic modernism in both its high and popular modes was significantly more diverse than commonly supposed. Students and scholars of modernism, African American studies, and cultural studies, and those with interests in twentieth-century art, dance, music, or literature, will find this book richly rewarding.
Publisher: Oxford University Press
ISBN: 0195344545
Category : History
Languages : en
Pages : 192
Book Description
This book explores a rich cultural hybridity at the heart of transatlantic modernism. Focusing on cubism, jazz, and Josephine Baker's performance in the Danse Sauvage, Sieglinde Lemke uncovers a crucial history of white and black intercultural exchange, a phenomenon until now greatly obscured by a cloak of whiteness. Considering artists and critics such as Picasso, Alain Locke, Nancy Cunard, and Paul Whiteman, in addition to Baker, Lemke documents a potent cultural dialectic in which black artistic expression fertilized white modernism, just as white art forms helped shape the black modernism of Harlem and Paris. Coining the term primitivist modernism to designate the multicultural heritage of this century's artistic production, Lemke reveals the generative and germinating black cultural Other in the arts. She examines this neglected dimension in full, fascinating detail, blending literary theory, social history, and cultural analysis to document modernism's complex absorption of African culture and art. She details numerous ways in which African and African American forms (visual styles, musical idioms, black dialects) and fantasies (Baker's costume and dance, say) permeated high and mass culture on both sides of the Atlantic. So-called primitive art and high modernism; savage rhythms and European music hall culture; European and African American expressions in jazz; European primitivism and the racial awakenings of African American culture: paired and freshly examined by Lemke, these subjects stand revealed in their true interrelatedness. Insisting on modernism's two-way cultural flow, Lemke demonstrates not only that white modernism owes much of its symbolic capital to the black Other, but that black modernism built itself in part on white Euro-American models. Through superbly nuanced readings of individual texts and images (fifteen striking examples of which are reproduced in this handsome volume), Lemke reforms our understanding of modernism. She shows us, in clear, invigorating fashion, that transatlantic modernism in both its high and popular modes was significantly more diverse than commonly supposed. Students and scholars of modernism, African American studies, and cultural studies, and those with interests in twentieth-century art, dance, music, or literature, will find this book richly rewarding.
The Aeroplane
Author:
Publisher:
ISBN:
Category : Aeronautics
Languages : en
Pages : 2060
Book Description
Publisher:
ISBN:
Category : Aeronautics
Languages : en
Pages : 2060
Book Description
The Doors
Author: Greil Marcus
Publisher: PublicAffairs
ISBN: 1610393309
Category : Music
Languages : en
Pages : 228
Book Description
A fan from the moment the Doors' first album took over KMPX, the revolutionary FM rock & roll station in San Francisco, Greil Marcus saw the band many times at the legendary Fillmore Auditorium and the Avalon Ballroom in 1967. Five years later it was all over. Forty years after the singer Jim Morrison was found dead in Paris and the group disbanded, one could drive from here to there, changing from one FM pop station to another, and be all but guaranteed to hear two, three, four Doors songs in an hour -- every hour. Whatever the demands in the music, they remained unsatisfied, in the largest sense unfinished, and absolutely alive. There have been many books on the Doors. This is the first to bypass their myth, their mystique, and the death cult of both Jim Morrison and the era he was made to personify, and focus solely on the music. It is a story untold; all these years later, it is a new story.
Publisher: PublicAffairs
ISBN: 1610393309
Category : Music
Languages : en
Pages : 228
Book Description
A fan from the moment the Doors' first album took over KMPX, the revolutionary FM rock & roll station in San Francisco, Greil Marcus saw the band many times at the legendary Fillmore Auditorium and the Avalon Ballroom in 1967. Five years later it was all over. Forty years after the singer Jim Morrison was found dead in Paris and the group disbanded, one could drive from here to there, changing from one FM pop station to another, and be all but guaranteed to hear two, three, four Doors songs in an hour -- every hour. Whatever the demands in the music, they remained unsatisfied, in the largest sense unfinished, and absolutely alive. There have been many books on the Doors. This is the first to bypass their myth, their mystique, and the death cult of both Jim Morrison and the era he was made to personify, and focus solely on the music. It is a story untold; all these years later, it is a new story.
Association Medical Journal
Author:
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 1140
Book Description
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 1140
Book Description
The Republic of New Haven
Author: Charles Herbert Levermore
Publisher:
ISBN:
Category : Connecticut
Languages : en
Pages : 370
Book Description
Publisher:
ISBN:
Category : Connecticut
Languages : en
Pages : 370
Book Description
The Heritage of the Sioux
Author: B. M. Bower
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 160
Book Description
"The Heritage of the Sioux" is a western story written by the American writer Bertha Muzzy Sinclair or Sinclair-Cowan, née Muzzy, who was best known by her pseudonym, B. M. Bower. She wrote novels, fictional short stories, and screenplays about the American Old West. The novel presented here tells of the adventures of a young woman wishing to become a theatre star, which yet, has to come through a chain of incredible adventures, like the competition with fellow actresses, bank robbery, the escape to Navajo Indians, and, finally, falling in love.
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 160
Book Description
"The Heritage of the Sioux" is a western story written by the American writer Bertha Muzzy Sinclair or Sinclair-Cowan, née Muzzy, who was best known by her pseudonym, B. M. Bower. She wrote novels, fictional short stories, and screenplays about the American Old West. The novel presented here tells of the adventures of a young woman wishing to become a theatre star, which yet, has to come through a chain of incredible adventures, like the competition with fellow actresses, bank robbery, the escape to Navajo Indians, and, finally, falling in love.
WILD WEST Boxed Set: 150+ Western Classics in One Volume
Author: Mark Twain
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 12836
Book Description
The 'WILD WEST Boxed Set: 150+ Western Classics in One Volume' is an expansive anthology that brings together a diverse array of literature encapsulating the essence and mythos of the American West. This collection spans a broad range of literary styles, from the gritty realism of frontier life to romanticized tales of adventure and conflict, offering readers an unparalleled exploration of the genre. Within its pages, iconic narratives coalesce with lesser-known gems, providing a rich tapestry of the cultural, moral, and existential themes that have shaped the American identity. The inclusion of seminal works by this esteemed cohort highlights the anthology's significance as an encompassing repository of Western literary tradition. The contributing authors and editors of this anthology are titans of American literature and art, each bringing their unique perspective and voice to the theme of the Western frontier. From Twain's keen wit to London's raw depiction of nature and human endurance, the collection is a cross-section of American literary greatness. These authors collectively represent a wide array of historical, cultural, and literary movements, from the romanticism of the early 19th century to the realism and naturalism that followed. Their contributions illuminate the complexities of frontier life, reflecting both the brutality and the beauty of the Wild West, thereby enriching readers understanding of this pivotal era in American history. This anthology is a must-read for anyone with an interest in American literature, history, or culture. It offers readers a unique opportunity to immerse themselves in the variegated narratives that have shaped the mythos of the American West. Through its comprehensive scope and the multitude of voices it encompasses, the collection succeeds in fostering a dialogue between different epochs, perspectives, and literary styles. For scholars, enthusiasts, and casual readers alike, this boxed set is an invaluable resource for understanding the evolution of Western literature and its enduring influence on the American imagination.
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 12836
Book Description
The 'WILD WEST Boxed Set: 150+ Western Classics in One Volume' is an expansive anthology that brings together a diverse array of literature encapsulating the essence and mythos of the American West. This collection spans a broad range of literary styles, from the gritty realism of frontier life to romanticized tales of adventure and conflict, offering readers an unparalleled exploration of the genre. Within its pages, iconic narratives coalesce with lesser-known gems, providing a rich tapestry of the cultural, moral, and existential themes that have shaped the American identity. The inclusion of seminal works by this esteemed cohort highlights the anthology's significance as an encompassing repository of Western literary tradition. The contributing authors and editors of this anthology are titans of American literature and art, each bringing their unique perspective and voice to the theme of the Western frontier. From Twain's keen wit to London's raw depiction of nature and human endurance, the collection is a cross-section of American literary greatness. These authors collectively represent a wide array of historical, cultural, and literary movements, from the romanticism of the early 19th century to the realism and naturalism that followed. Their contributions illuminate the complexities of frontier life, reflecting both the brutality and the beauty of the Wild West, thereby enriching readers understanding of this pivotal era in American history. This anthology is a must-read for anyone with an interest in American literature, history, or culture. It offers readers a unique opportunity to immerse themselves in the variegated narratives that have shaped the mythos of the American West. Through its comprehensive scope and the multitude of voices it encompasses, the collection succeeds in fostering a dialogue between different epochs, perspectives, and literary styles. For scholars, enthusiasts, and casual readers alike, this boxed set is an invaluable resource for understanding the evolution of Western literature and its enduring influence on the American imagination.
Journal of the Royal Army Medical Corps
Author: Great Britain. Army. Royal Army Medical Corps
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 916
Book Description
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 916
Book Description
The Caxton Head Catalogue
Author: James Tregaskis (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1106
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1106
Book Description
The Marriage Lines
Author: Joseph Smith Fletcher
Publisher:
ISBN:
Category :
Languages : en
Pages : 328
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 328
Book Description