European Bronzes in the Royal Ontario Museum PDF Download
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Author: Royal Ontario Museum
Publisher: Toronto, Canada : The Museum
ISBN:
Category : Architecture
Languages : en
Pages : 264
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Book Description
"The objects described and depicted range from late Classical and Byzantine examples to art nouveau and art deco statuettes for the early 20th century. The pride of the collection, however, consists of Renaissance and Baroque statuettes representing the development of the art in Italy, German, France, the Netherlands, Spain and England."--Jacket.
Author: Royal Ontario Museum
Publisher: Toronto, Canada : The Museum
ISBN:
Category : Architecture
Languages : en
Pages : 264
Get Book Here
Book Description
"The objects described and depicted range from late Classical and Byzantine examples to art nouveau and art deco statuettes for the early 20th century. The pride of the collection, however, consists of Renaissance and Baroque statuettes representing the development of the art in Italy, German, France, the Netherlands, Spain and England."--Jacket.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 404
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 526
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Book Description
Author: Sotheby's Belgravia (Firm)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 128
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1216
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Book Description
Author:
Publisher:
ISBN:
Category : Country life
Languages : en
Pages : 1108
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Book Description
Author: Sotheby's Belgravia (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Sotheby's Belgravia (Firm)
Publisher:
ISBN:
Category : Animal sculpture
Languages : en
Pages : 35
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Book Description
Author: Gillian Wilson
Publisher: J. Paul Getty Museum
ISBN: 9781606066300
Category : Design
Languages : en
Pages : 0
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Book Description
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
Author: Darius A. Spieth
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
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Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
