Author: Mr Dermot Gault
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409494217
Category : Music
Languages : en
Pages : 298
Book Description
The New Bruckner provides a valuable study of Bruckner's music, focusing on the interaction of biography, textual scholarship, reception history and analysis. Dr Dermot Gault conveys a broad chronological narrative of Bruckner's compositional development, interpolating analytical commentaries on the works and critical accounts of the notoriously complex and editorial issues. Gault corrects longstanding misconceptions about the composer's revision process, and its relationship with the early editions and widely-held critical opinions. Bruckner's constantly evolving engagement with symphonic form is traced by taking each revision in due order, rather than by taking each symphony on its own, and by relating the symphonies to other mature works such as the Te Deum, the three great Masses, and the Quintet, and argues that Bruckner's music became more organic and less schematic as the result of his revisions. The book will be essential reading for those studying Bruckner's compositions, the complex history of their reception, and late Romantic music in general.
The New Bruckner
Author: Mr Dermot Gault
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409494217
Category : Music
Languages : en
Pages : 298
Book Description
The New Bruckner provides a valuable study of Bruckner's music, focusing on the interaction of biography, textual scholarship, reception history and analysis. Dr Dermot Gault conveys a broad chronological narrative of Bruckner's compositional development, interpolating analytical commentaries on the works and critical accounts of the notoriously complex and editorial issues. Gault corrects longstanding misconceptions about the composer's revision process, and its relationship with the early editions and widely-held critical opinions. Bruckner's constantly evolving engagement with symphonic form is traced by taking each revision in due order, rather than by taking each symphony on its own, and by relating the symphonies to other mature works such as the Te Deum, the three great Masses, and the Quintet, and argues that Bruckner's music became more organic and less schematic as the result of his revisions. The book will be essential reading for those studying Bruckner's compositions, the complex history of their reception, and late Romantic music in general.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409494217
Category : Music
Languages : en
Pages : 298
Book Description
The New Bruckner provides a valuable study of Bruckner's music, focusing on the interaction of biography, textual scholarship, reception history and analysis. Dr Dermot Gault conveys a broad chronological narrative of Bruckner's compositional development, interpolating analytical commentaries on the works and critical accounts of the notoriously complex and editorial issues. Gault corrects longstanding misconceptions about the composer's revision process, and its relationship with the early editions and widely-held critical opinions. Bruckner's constantly evolving engagement with symphonic form is traced by taking each revision in due order, rather than by taking each symphony on its own, and by relating the symphonies to other mature works such as the Te Deum, the three great Masses, and the Quintet, and argues that Bruckner's music became more organic and less schematic as the result of his revisions. The book will be essential reading for those studying Bruckner's compositions, the complex history of their reception, and late Romantic music in general.
Cadence
Author: William E. Caplin
Publisher: Oxford University Press
ISBN: 0190056460
Category : Music
Languages : en
Pages : 649
Book Description
Cadence is a comprehensive examination of how formal units in European art music of the tonal era achieve closure. The book brings together the author's decades-long investigations into cadence, a compositional device that is readily experienced both by musicians and non-musicians, but one that has proven intractable to clear and precise theoretical formulation. Rooted in Caplin's broader theory of formal functions, the book first develops concepts of cadence for music of the high classical style and then extends these ideas to gauge cadential practice in earlier and later style periods. Throughout the study, various manifestations of cadence are defined in terms of their morphology (their harmonic and melodic profiles) as well as their function (the specific formal contexts in which they are deployed). Cadence introduces a host of theoretical concepts illustrated by copious musical examples, all of which contain extensive analytical annotations of harmony, melody and form. Though the book is addressed primarily to music theorists, the many issues of compositional practice raised in this study will resonate with the interests of composers, historians, and performers alike.
Publisher: Oxford University Press
ISBN: 0190056460
Category : Music
Languages : en
Pages : 649
Book Description
Cadence is a comprehensive examination of how formal units in European art music of the tonal era achieve closure. The book brings together the author's decades-long investigations into cadence, a compositional device that is readily experienced both by musicians and non-musicians, but one that has proven intractable to clear and precise theoretical formulation. Rooted in Caplin's broader theory of formal functions, the book first develops concepts of cadence for music of the high classical style and then extends these ideas to gauge cadential practice in earlier and later style periods. Throughout the study, various manifestations of cadence are defined in terms of their morphology (their harmonic and melodic profiles) as well as their function (the specific formal contexts in which they are deployed). Cadence introduces a host of theoretical concepts illustrated by copious musical examples, all of which contain extensive analytical annotations of harmony, melody and form. Though the book is addressed primarily to music theorists, the many issues of compositional practice raised in this study will resonate with the interests of composers, historians, and performers alike.
From the Ruins of Enlightenment
Author: Richard Kramer
Publisher: University of Chicago Press
ISBN: 0226821633
Category : Music
Languages : en
Pages : 266
Book Description
"This is a book about Vienna in 1815, at the close of the Napoleonic era and the Napoleonic wars, and on the verge of the Congress of Vienna, which would redraw national boundaries and reconfigure the European community for a full century. Beethoven and Schubert were both citizens of Vienna at this time, Beethoven half-way through his composing career and socially withdrawn because of his almost total deafness; Schubert not yet twenty years-old and in the middle of one of his most prolific periods, with 140 songs and a symphony composed over the course of 1815 alone. Seemingly oblivious to the momentous events and deeply immersed in their own world, they each seemed to be composing 'against' something, in Richard Kramer's compelling reading: 'against the Enlightenment' in Beethoven's case, for whom only a sense of stripped-down nostalgia remained of the optimistic spirit of the 1790s; 'against Beethoven' in Schubert's case, who felt the looming presence of the older composer even as his own musical imagination bloomed. In taking his readers through a carefully chosen selection of works dating from 1815-songs, string quartets, piano sonatas, and more-Kramer insightfully unearths previously undetected resonances and associations and illuminates the two composers' 'lonely and singular journeys' through the 'rich solitude of their music'"--
Publisher: University of Chicago Press
ISBN: 0226821633
Category : Music
Languages : en
Pages : 266
Book Description
"This is a book about Vienna in 1815, at the close of the Napoleonic era and the Napoleonic wars, and on the verge of the Congress of Vienna, which would redraw national boundaries and reconfigure the European community for a full century. Beethoven and Schubert were both citizens of Vienna at this time, Beethoven half-way through his composing career and socially withdrawn because of his almost total deafness; Schubert not yet twenty years-old and in the middle of one of his most prolific periods, with 140 songs and a symphony composed over the course of 1815 alone. Seemingly oblivious to the momentous events and deeply immersed in their own world, they each seemed to be composing 'against' something, in Richard Kramer's compelling reading: 'against the Enlightenment' in Beethoven's case, for whom only a sense of stripped-down nostalgia remained of the optimistic spirit of the 1790s; 'against Beethoven' in Schubert's case, who felt the looming presence of the older composer even as his own musical imagination bloomed. In taking his readers through a carefully chosen selection of works dating from 1815-songs, string quartets, piano sonatas, and more-Kramer insightfully unearths previously undetected resonances and associations and illuminates the two composers' 'lonely and singular journeys' through the 'rich solitude of their music'"--
Complete Sonatas, Part 2
Author: Nicola Francesco Haym
Publisher: A-R Editions, Inc.
ISBN: 0895795043
Category : Music
Languages : en
Pages : 106
Book Description
Publisher: A-R Editions, Inc.
ISBN: 0895795043
Category : Music
Languages : en
Pages : 106
Book Description
Samuel Barber
Author: Barbara B. Heyman
Publisher: Oxford University Press
ISBN: 0190863757
Category : Music
Languages : en
Pages : 665
Book Description
Samuel Barber (1910-1981) is one of the most admired and honored American composers of the twentieth century. An unabashed Romantic, largely independent of worldwide trends and the avant-garde, he infused his works with poetic lyricism and gave tonal language and forms new vitality. His rich legacy includes every genre, including the famous Adagio for Strings, Knoxville: Summer of 1915, three concertos, a plethora of songs, and two operas, the Pulitzer prize-winning Vanessa, and Antony and Cleopatra, the commissioned work that opened the new Metropolitan Opera House at Lincoln Center in 1966. Generously documented by letter, sketches, autograph manuscripts, and interviews with friends, colleagues, and performers with whom he worked, this ASCAP-Award winning book is still unquestionably the most authoritative biography on Barber, covering his entire career and interweaving the events of his life with his compositional process. This second edition benefits from many new discoveries, including a Violin Sonata recovered from an artist's estate, a diary Barber kept his seventeenth year, a trove of letters and manuscripts that were recovered from a suitcase found in a dumpster, documentation that dispels earlier myths about the composition of Barber's Violin Concerto, and research of scholars that was stimulated by Heyman's work. Barber's intimate relations are discussed when they bear on his creativity. A testament to the lasting significance of Romanticism, Samuel Barber stands as a model biography of an important musical figure.
Publisher: Oxford University Press
ISBN: 0190863757
Category : Music
Languages : en
Pages : 665
Book Description
Samuel Barber (1910-1981) is one of the most admired and honored American composers of the twentieth century. An unabashed Romantic, largely independent of worldwide trends and the avant-garde, he infused his works with poetic lyricism and gave tonal language and forms new vitality. His rich legacy includes every genre, including the famous Adagio for Strings, Knoxville: Summer of 1915, three concertos, a plethora of songs, and two operas, the Pulitzer prize-winning Vanessa, and Antony and Cleopatra, the commissioned work that opened the new Metropolitan Opera House at Lincoln Center in 1966. Generously documented by letter, sketches, autograph manuscripts, and interviews with friends, colleagues, and performers with whom he worked, this ASCAP-Award winning book is still unquestionably the most authoritative biography on Barber, covering his entire career and interweaving the events of his life with his compositional process. This second edition benefits from many new discoveries, including a Violin Sonata recovered from an artist's estate, a diary Barber kept his seventeenth year, a trove of letters and manuscripts that were recovered from a suitcase found in a dumpster, documentation that dispels earlier myths about the composition of Barber's Violin Concerto, and research of scholars that was stimulated by Heyman's work. Barber's intimate relations are discussed when they bear on his creativity. A testament to the lasting significance of Romanticism, Samuel Barber stands as a model biography of an important musical figure.
From Idomeneo to Die Zauberflöte
Author: Myer Fredman
Publisher: Liverpool University Press
ISBN: 1837641889
Category : Music
Languages : en
Pages : 217
Book Description
This is the first book by an experienced conductor to explore the orchestras contribution to Mozarts greatest operatic works: Idomeneo, Die Entfuhrung aus dem Serail, Die Schauspieldirektor, Le nozze di Figaro, Don Giovanni, Cosi fan tutte, La clemenza di Tito, and Die Zauberflote. It is written for the concert and opera going public who are interested in enlarging their knowledge and appreciation of these masterpieces, but also contains many practical suggestions for aspiring conductors.
Publisher: Liverpool University Press
ISBN: 1837641889
Category : Music
Languages : en
Pages : 217
Book Description
This is the first book by an experienced conductor to explore the orchestras contribution to Mozarts greatest operatic works: Idomeneo, Die Entfuhrung aus dem Serail, Die Schauspieldirektor, Le nozze di Figaro, Don Giovanni, Cosi fan tutte, La clemenza di Tito, and Die Zauberflote. It is written for the concert and opera going public who are interested in enlarging their knowledge and appreciation of these masterpieces, but also contains many practical suggestions for aspiring conductors.
Alban Berg and His World
Author: Christopher Hailey
Publisher: Princeton University Press
ISBN: 1400836476
Category : Music
Languages : en
Pages : 381
Book Description
An incisive new look at the pivotal modernist composer Alban Berg and His World is a collection of essays and source material that repositions Berg as the pivotal figure of Viennese musical modernism. His allegiance to the austere rigor of Arnold Schoenberg's musical revolution was balanced by a lifelong devotion to the warm sensuousness of Viennese musical tradition and a love of lyric utterance, the emotional intensity of opera, and the expressive nuance of late-Romantic tonal practice. The essays in this collection explore the specific qualities of Berg's brand of musical modernism, and present newly translated letters and documents that illuminate his relationship to the politics and culture of his era. Of particular significance are the first translations of Berg's newly discovered stage work Night (Nocturne), Hermann Watznauer's intimate account of Berg's early years, and the famous memorial issue of the music periodical 23. Contributors consider Berg's fascination with palindromes and mirror images and their relationship to notions of time and identity; the Viennese roots of his distinctive orchestral style; his links to such Viennese contemporaries as Alexander Zemlinsky, Franz Schreker, and Erich Wolfgang Korngold; and his attempts to maneuver through the perilous shoals of gender, race, and fascist politics. The contributors are Antony Beaumont, Leon Botstein, Regina Busch, Nicholas Chadwick, Mark DeVoto, Douglas Jarman, Sherry Lee, and Margaret Notley.
Publisher: Princeton University Press
ISBN: 1400836476
Category : Music
Languages : en
Pages : 381
Book Description
An incisive new look at the pivotal modernist composer Alban Berg and His World is a collection of essays and source material that repositions Berg as the pivotal figure of Viennese musical modernism. His allegiance to the austere rigor of Arnold Schoenberg's musical revolution was balanced by a lifelong devotion to the warm sensuousness of Viennese musical tradition and a love of lyric utterance, the emotional intensity of opera, and the expressive nuance of late-Romantic tonal practice. The essays in this collection explore the specific qualities of Berg's brand of musical modernism, and present newly translated letters and documents that illuminate his relationship to the politics and culture of his era. Of particular significance are the first translations of Berg's newly discovered stage work Night (Nocturne), Hermann Watznauer's intimate account of Berg's early years, and the famous memorial issue of the music periodical 23. Contributors consider Berg's fascination with palindromes and mirror images and their relationship to notions of time and identity; the Viennese roots of his distinctive orchestral style; his links to such Viennese contemporaries as Alexander Zemlinsky, Franz Schreker, and Erich Wolfgang Korngold; and his attempts to maneuver through the perilous shoals of gender, race, and fascist politics. The contributors are Antony Beaumont, Leon Botstein, Regina Busch, Nicholas Chadwick, Mark DeVoto, Douglas Jarman, Sherry Lee, and Margaret Notley.
New Vocal Repertory 2
Author: Jane Manning
Publisher: Oxford University Press
ISBN: 9780198790198
Category : Music
Languages : en
Pages : 340
Book Description
An introduction to 70 songs from the contemporary vocal repertoire which provides advice on performance and suggestions on programming. It is designed for young singers and singing students.
Publisher: Oxford University Press
ISBN: 9780198790198
Category : Music
Languages : en
Pages : 340
Book Description
An introduction to 70 songs from the contemporary vocal repertoire which provides advice on performance and suggestions on programming. It is designed for young singers and singing students.
Charles Koechlin (1867-1950)
Author: Robert Orledge
Publisher: Psychology Press
ISBN: 9783718606092
Category : Biography & Autobiography
Languages : en
Pages : 528
Book Description
In 1942 Wilfrid Mellers classed Koechlin "among the select number of contemporary composers who really matter," yet it is only in the 1980s that Koechlin has begun to achieve the recognition he deserves as a composer of breadth, vision and powerful originality: a pioneer of polytonality and a master orchestrator who was greatly admired by contemporaries such as Faure, Debussy, Satie and Milhaud. Lavishly illustrated with photographic and musical examples, this book provides the first comprehensive evaluation of Koechlin's life and works. As well as concentrating on major symphonic works like Koechlin's Jungle Book cycle, it also discusses his attraction to the early sound film and the music inspired by such stars as Lilian Harvey, Marlene Dietrich and Charlie Chaplin in the 1930s. Koechlin's career provides a fascinating study of the triumph of integrity and independence over almost overwhelming odds, and is rich and varied output offers a veritable treasure-trove for performers, scholars and enthusiasts alike.
Publisher: Psychology Press
ISBN: 9783718606092
Category : Biography & Autobiography
Languages : en
Pages : 528
Book Description
In 1942 Wilfrid Mellers classed Koechlin "among the select number of contemporary composers who really matter," yet it is only in the 1980s that Koechlin has begun to achieve the recognition he deserves as a composer of breadth, vision and powerful originality: a pioneer of polytonality and a master orchestrator who was greatly admired by contemporaries such as Faure, Debussy, Satie and Milhaud. Lavishly illustrated with photographic and musical examples, this book provides the first comprehensive evaluation of Koechlin's life and works. As well as concentrating on major symphonic works like Koechlin's Jungle Book cycle, it also discusses his attraction to the early sound film and the music inspired by such stars as Lilian Harvey, Marlene Dietrich and Charlie Chaplin in the 1930s. Koechlin's career provides a fascinating study of the triumph of integrity and independence over almost overwhelming odds, and is rich and varied output offers a veritable treasure-trove for performers, scholars and enthusiasts alike.
The NPR Listener's Encyclopedia of Classical Music
Author: Theodore Libbey
Publisher: Workman Publishing
ISBN: 9780761136422
Category : Music
Languages : en
Pages : 1000
Book Description
A resource on classical music provides coverage of composers, works, musical terminology, and performers, along with recommended recordings and access to an interactive Web site that allows readers to listen to sample works, techniques, and performers discussed in the reference.
Publisher: Workman Publishing
ISBN: 9780761136422
Category : Music
Languages : en
Pages : 1000
Book Description
A resource on classical music provides coverage of composers, works, musical terminology, and performers, along with recommended recordings and access to an interactive Web site that allows readers to listen to sample works, techniques, and performers discussed in the reference.