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Author: Efrén Cuevas
Publisher: Columbia University Press
ISBN: 0231551576
Category : Performing Arts
Languages : en
Pages : 187
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Book Description
Traditional historical documentaries strive to project a sense of objectivity, producing a top-down view of history that focuses on public events and personalities. In recent decades, in line with historiographical trends advocating “history from below,” a different type of historical documentary has emerged, focusing on tightly circumscribed subjects, personal archives, and first-person perspectives. Efrén Cuevas categorizes these films as “microhistorical documentaries” and examines how they push cinema’s capacity as a producer of historical knowledge in new directions. Cuevas pinpoints the key features of these documentaries, identifying their parallels with written microhistory: a reduced scale of observation, a central role given to human agency, a conjectural approach to the use of archival sources, and a reliance on narrative structures. Microhistorical documentaries also use tools specific to film to underscore the affective dimension of historical narratives, often incorporating autobiographical and essayistic perspectives, and highlighting the role of the protagonists’ personal memories in the reconstruction of the past. These films generally draw from family archives, with an emphasis on snapshots and home movies. Filming History from Below examines works including Péter Forgács’s films dealing with the Holocaust such as The Maelstrom and Free Fall; documentaries about the Israeli-Palestinian conflict; Rithy Panh’s work on the Cambodian genocide; films about the internment of Japanese Americans during the Second World War such as A Family Gathering and History and Memory; and Jonas Mekas’s chronicle of migration in his diary film Lost, Lost, Lost.
Author: Efrén Cuevas
Publisher: Columbia University Press
ISBN: 0231551576
Category : Performing Arts
Languages : en
Pages : 187
Get Book Here
Book Description
Traditional historical documentaries strive to project a sense of objectivity, producing a top-down view of history that focuses on public events and personalities. In recent decades, in line with historiographical trends advocating “history from below,” a different type of historical documentary has emerged, focusing on tightly circumscribed subjects, personal archives, and first-person perspectives. Efrén Cuevas categorizes these films as “microhistorical documentaries” and examines how they push cinema’s capacity as a producer of historical knowledge in new directions. Cuevas pinpoints the key features of these documentaries, identifying their parallels with written microhistory: a reduced scale of observation, a central role given to human agency, a conjectural approach to the use of archival sources, and a reliance on narrative structures. Microhistorical documentaries also use tools specific to film to underscore the affective dimension of historical narratives, often incorporating autobiographical and essayistic perspectives, and highlighting the role of the protagonists’ personal memories in the reconstruction of the past. These films generally draw from family archives, with an emphasis on snapshots and home movies. Filming History from Below examines works including Péter Forgács’s films dealing with the Holocaust such as The Maelstrom and Free Fall; documentaries about the Israeli-Palestinian conflict; Rithy Panh’s work on the Cambodian genocide; films about the internment of Japanese Americans during the Second World War such as A Family Gathering and History and Memory; and Jonas Mekas’s chronicle of migration in his diary film Lost, Lost, Lost.
Author: Edward M. Clift
Publisher:
ISBN: 9781783205554
Category : Cities and towns in motion pictures
Languages : en
Pages : 226
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Book Description
"Filming the city" brings together the work of film-makers, architects, designers, video artists, and media specialists to provide three distinct prisms through which to examine the medium of film in the context of the city. The book presents commentaries on particular films and their social and urban relevance, offering contemporary criticisms of both film and urbanism from conflicting perspectives, and documenting examples of how to actively use the medium of film in the design of our cities, spaces and buildings. Bringing a diverse set of contributors to the collection, editors Edward M. Clift, Mirko Guaralda and Ari Mattes offer readers a new approach to understanding the complex, multi-layered interaction of urban design and film."--Page 4 of cover.
Author: Herb Bridges
Publisher: Mercer University Press
ISBN: 9780865546219
Category : Performing Arts
Languages : en
Pages : 314
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Book Description
This book is a must for fans of this movie. There are nearly 1,000 black-and-white photographs covering day-to-day activities of the classic film's making. One literally cannot pick it up without becoming engrossed¿.Many of the photographs are previously unpublished, some snapshots taken by crew members. This pictorial essay gives a better view of the infinite details and idiosyncrasies of filmmaking and, specifically, of course GWTW than many a book on the market.
Author: Bettina Bildhauer
Publisher: Reaktion Books
ISBN: 1861899270
Category : Art
Languages : en
Pages : 266
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Book Description
In this groundbreaking account of film history, Bettina Bildhauer shows how from the earliest silent films to recent blockbusters, medieval topics and plots have played an important but overlooked role in the development of cinema. Filming the Middle Ages is the first book to define medieval films as a group and trace their history from silent film in Weimar Germany to Hollywood and then to recent European co-productions. Bildhauer provides incisive new interpretations of classics like Murnau’s Faust and Eisenstein’s Alexander Nevsky, and she rediscovers some forgotten works like Douglas Sirk’s Sign of the Pagan and Asta Nielsen’s Hamlet. As Bildhauer explains, both art house films like The Seventh Seal and The Passion of Joan of Arc and popular films like Beowulf or The Da Vinci Code cleverly use the Middle Ages to challenge modern ideas of historical progress, to find alternatives to a print-dominated culture, and even to question what makes us human. Filming the Middle Ages pays special attention to medieval animated and detective films and provactively demonstrates that the invention of cinema itself is considered a return to the Middle Ages by many film theorists and film makers. Filming the Middle Ages is ideal reading for medievalists with a stake in the contemporary and film scholars with an interest in the distant past.
Author: Charles Michael Morfin
Publisher: Arcadia Publishing
ISBN: 1467131318
Category : History
Languages : en
Pages : 128
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Book Description
Forged from glaciers and sacred to Native Americans, the mountains, boulders, and rocks of the Alabama Hills mirror landscapes found all over the world. A scenic three-hour drive from the Hollywood sign, this location would prove to serve as the place to make movies. Early Hollywood studios sent location scouts to the area after hearing stories shared by travelers, and the rest is movie history. Over 500 films have completed shooting here, including silents, A movies, B Westerns, serials, sci-fi, film noir, television shows, and commercials. Tom Mix, Errol Flynn, John Wayne, William Boyd, Clayton Moore, Lucille Ball, Roy Rogers, Natalie Wood, Humphrey Bogart, Steve McQueen, Russell Crowe, Jamie Foxx, and many more have all scrambled amongst the terrain in the Alabama Hills.
Author: Tim Grobaty
Publisher: Arcadia Publishing
ISBN: 1614237751
Category : History
Languages : en
Pages : 196
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Book Description
Long Beach's proximity to Hollywood has made the waterfront city a picturesque and easily accessed locale for hundreds of films and television shows. Silent movies produced by Balboa Studios here starred Fatty Arbuckle and Buster Keaton, and the city's resume includes the Oscar-winning best pictures The Best Years of Our Lives (1946) and American Beauty (1999). Cameras continue to roll in the port metropolis, which has been host for such TV favorites as CHiPs and The Mod Squad and now twenty-first-century series such as NCIS, Dexter and CSI: Miami. Longtime newspaperman Tim Grobaty has been watching, in person and in his living room, and tracks the history of the city on celluloid in the comprehensive Location Filming in Long Beach.
Author: Alexandre Dauge-Roth
Publisher: Lexington Books
ISBN: 0739147625
Category : History
Languages : en
Pages : 306
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Book Description
Writing and Filming the Genocide of the Tutsis in Rwanda: Dismembering and Remembering Traumatic History is an innovative work in Francophone and African studies that examines a wide range of responses to the 1994 genocide of the Tutsis in Rwanda. From survivor testimonies, to novels by African authors, to films such as Hotel Rwanda and Sometimes in April, the arts of witnessing are varied, comprehensive, and compelling. Alexandre Dauge-Roth compares the specific potential and the limits of each medium to craft unique responses to the genocide and instill in us its haunting legacy. In the wake of genocide, urgent questions arise: How do survivors both claim their shared humanity and speak the radically personal and violent experience of their past? How do authors and filmmakers make inconceivable trauma accessible to a society that will always remain foreign to their experience? How are we transformed by the genocide through these various modes of listening, viewing, and reading?
Author: Anthony Davies
Publisher: Cambridge University Press
ISBN: 9780521399135
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Shakespeare's plays provide wonderfully challenging material for the film maker. While acknowledging that dramatic experiences for theatre and cinema audiences are significantly different, this book reveals some of the special qualities of cinema's dramatic language in the film adaptations of Shakespeare's plays by four directors - Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa - each of whom has a distinctly different approach to a film representation. Davies begins his study with a comparison of theatrical and cinematic space showing that the dramatic resources of cinema are essentially spatial. The central chapters focus on Laurence Olivier's Henry V, Hamlet and Richard III; Orson Welles' Macbeth, Othello and Chimes at Midnight; Peter Brook's King Lear and Akira Kurosawa's Throne of Blood. Davies discusses the dramatic problems posed by the source plays for these films for the film maker and he examines how these films influenced later theatrical stagings. He concludes with an examination of the demands that distinguish the work of the Shakespearean stage actor from that of his counterpart in film.
Author: Darren Wilson
Publisher: Destiny Image Incorporated
ISBN: 9780768437706
Category : Kingdom of God
Languages : en
Pages : 0
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Book Description
Darren has amassed a treasure trove of some of the most unbelievable stories about God's goodness and power and unprecedented love for His children.
Author: Gunter Lösel
Publisher: Birkhäuser
ISBN: 3035623074
Category : Architecture
Languages : en
Pages : 176
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Book Description
Das Handbook Research Video ist die Einführung in eine neuartige Software und Publikationsform, die auf annotierten Videos basiert. Praktizierende und Forschende, die mit Bewegungsdaten arbeiten, etwa in den Sparten performative Kunst, Film, Verhaltensforschung oder Sportwissenschaft, werden in ihrem Arbeitsprozess unterstützt und erhalten so die Möglichkeit, per Video Inhalte verfügbar zu machen, die ein gedrucktes Buch nicht vermitteln kann. Das Handbuch bietet nicht nur einen Überblick über die Ergebnisse des Forschungsprojekts Research Video der Zürcher Hochschule der Künste, sondern auch ein Manual für die Anwendung des Software-Tools. Ein niederschwelliger «Hand-on»-Zugang und der Verzicht auf einen theoretischen Überbau erlauben ein schnelles Einarbeiten und die einfache Anwendung des Software-Tools.
