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Author: George Wead
Publisher: Houghton Mifflin
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 520
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Book Description
Author: George Wead
Publisher: Houghton Mifflin
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 520
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Book Description
Author: Annette Kuhn
Publisher: OUP Oxford
ISBN: 0191034657
Category : Performing Arts
Languages : en
Pages : 530
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Book Description
Written by experts in the field, this dictionary covers all aspects of film studies, including terms, concepts, debates, and movements in film theory and criticism, national, international and transnational cinemas, film history, film movements and genres, film industry organizations and practices, and key technical terms and concepts in 500 detailed entries. Most entries also feature recommendations for further reading and a large number also have web links. The web links are listed and regularly updated on a companion website that complements the printed book. The dictionary is international in its approach, covering national cinemas, genres, and film movements from around the world such as the Nouvelle Vague, Latin American cinema, the Latsploitation film, Bollywood, Yiddish cinema, the spaghetti western, and World cinema. The most up-to-date dictionary of its kind available, this is a must-have for all students of film studies and ancillary subjects, as well as an informative read for cinephiles and for anyone with an interest in films and film criticism.
Author: Frank Manchel
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838631867
Category : Art
Languages : en
Pages : 988
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Book Description
The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
Author: Sergei Eisenstein
Publisher: HMH
ISBN: 0547539479
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.
Author: John Reich
Publisher: Open SUNY Textbooks
ISBN: 9781942341475
Category :
Languages : en
Pages :
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Book Description
Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student.
Author: Robert Kolker
Publisher: Routledge
ISBN: 1317541685
Category : Social Science
Languages : en
Pages : 371
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Book Description
Film, Form, and Culture (4th edition) offers a lively introduction to both the formal and cultural aspects of film. With extensive analysis of films past and present, this textbook explores film from part to whole; from the smallest unit of the shot to the way shots are edited together to create narrative. It then examines those narratives (both fiction and non-fiction) as stories and genres that speak to the culture of their time and our perceptions of them today. Composition, editing, genres (such as the gangster film, the Western, science fiction, and melodrama) are analyzed alongside numerous images to illustrate the discussion. Chapters on the individuals who make films - the production designer, cinematographer, editor, composer, producer, director, and actor - illustrate the collaborative nature of filmmaking. This new edition includes: An expanded discussion of the digital 'revolution" in filmmaking: exploring the movement from celluloid to digital recording and editing of images, as well as the use of CGI A new chapter on international cinema that covers filmmaking from Italy to Mumbai offering students a broader understanding of cinema on a worldwide scale A new chapter on film acting that uses images to create a small catalogue of gestures and expressions that are recognizable in film after film Expanded content coverage and in-depth analysis throughout, including a visual analysis of a scene from Christopher Nolan’s The Dark Knight An expanded chapter on the cultural contexts of film summarizes the theories of cultural and media studies, concluding with a comparative analysis of Alfred Hitchcock’s Vertigo and Judd Apatow’s This is 40 Over 260 images, many in color, that create a visual index to and illustration of the discussion of films and filmmaking Each chapter ends with updated suggestions for further reading and viewing, and there is an expanded glossary of terms. Additional resources for students and teachers can also be found on the companion website (www.routledge.com/cw/kolker), which includes additional case studies, discussion questions and links to useful websites. This textbook is an invaluable and exciting resource for students beginning film studies at undergraduate level.
Author: Belkıs Uluoğlu
Publisher: Cambridge Scholars Publishing
ISBN:
Category : Design
Languages : en
Pages : 386
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Book Description
Why has cinema become so closely acquainted with the design disciplines, and vice versa? What valuable or significant experience can come out from this brotherhood, both in terms of substantial and in terms of representative means? What seems to be more promising in terms of theory making both in design and in cinema is the substantial dimension of their relationship, since it points to an essential change in our conception of existence and space: The timelessness of optic space replaced by the time-bounded experientiality of haptic space. This also brings about different theoretical elements for analysis by leaving the subject and the object aside and looking into what their relations have produced, the outcome being patterns of experience which exist somewhere between the lived and the made, i.e. being abstract and concrete at the same time. And, finally, this is where cinema becomes a poetic medium and an important tool for representing the so-called patterns. Design and Cinema: Form Follows Film is interested in seeing those patterns in terms of formal categories, thought to be representation of certain experiences. The book is organized in two parts, Discourse on Form and Film and Works on Form and Film. The first part of the book â " discourse â " is intended to give a picture of current thought on the formal categories, introduced here as, existential, narrative, structural, constructive, temporal, digital, social, and fragmental. The second part of the book presents works, conducted either in the form of workshops or films, as expressive media of the formal categories discussed in the first part. The volume presents works of Juhani Pallasmaa, GÃ1/4l Kale, AyÅYe N.Erek, AyÅYe E.C. Orlandi, Andong Lu, François Penz, Marshall Deutelbaum, Ferenc BonÃ(c), Dilek AltuntaÅY, Halit RefiÄY, Arthur Lizie, TuÄYyan A.Dural, FatoÅY AdiloÄYlu, Seçkin Kutucu, Lutz Robbers, TÃ1/4rker Armaner, Feride Ã+içekoÄYlu, Alex McDowell, GÃ1/4l K.Erk, Joaquim Moreno, Aydın H. Polatkan, Helmut Weihsmann, AyÅYe ÅzentÃ1/4rer, Julie Talen, Olga Vàsques-Ruano, Otto von Busch, Henric Benesch, Belkıs UluoÄYlu and IÅYıl B.Serim.
Author: James Monaco
Publisher: Oxford University Press
ISBN: 0199755795
Category : Performing Arts
Languages : en
Pages : 737
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Book Description
Richard Gilman referred to How to Read a Film as simply "the best single work of its kind." And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect "an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic way." Indeed, since its original publication in 1977, this hugely popular book has become the definitive source on film and media. Now, James Monaco offers a special anniversary edition of his classic work, featuring a new preface and several new sections, including an "Essential Library: One Hundred Books About Film and Media You Should Read" and "One Hundred Films You Should See." As in previous editions, Monaco once again looks at film from many vantage points, as both art and craft, sensibility and science, tradition and technology. After examining film's close relation to other narrative media such as the novel, painting, photography, television, and even music, the book discusses the elements necessary to understand how films convey meaning, and, more importantly, how we can best discern all that a film is attempting to communicate. In addition, Monaco stresses the still-evolving digital context of film throughout--one of the new sections looks at the untrustworthy nature of digital images and sound--and his chapter on multimedia brings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, and the proximity of both to film. With hundreds of illustrative black-and-white film stills and diagrams, How to Read a Film is an indispensable addition to the library of everyone who loves the cinema and wants to understand it better.
Author: Carolyn Wiebe
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: David Bordwell
Publisher: McGraw-Hill Companies
ISBN: 9780070064461
Category : Performing Arts
Languages : en
Pages : 540
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Book Description
This introduction to film art explains the techniques specific to film as a medium, discusses the principles by which entire films are constructed, and explores how these techniques and formal principles have changed over the history of moviemaking. Frame enlargements are used to illuminate concepts, and there is information on the latest film technology, such as the computer and special effects used in shooting "Jurassic Park". This edition includes a new chapter dealing with types of films and the concept of genre; and there is also a new section on "The New Hollywood" and independent film-making. In addition, there is a new appendix on selected Internet reference sites in film from the World Wide Web.
