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Author: Stan Brakhage
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 208
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Book Description
Based on lectures that Brakhage gave at the school of the Art Institute of Chicago, this volume portrays eight artists who have electrified American independent cinema across four decades. With characteristic directness, anecdotal style, and wry humor, Brakhage, himself an influential American independent filmmaker, brings into sharp focus the life and work of Jerome Hill, Marie Menken, James Brouhgton, Maya Deren, Ken Jacobs, Sidney Peterson, Bruce Conner, and Christopher MacLaine. He also portrays the art scenes of New York and San Francisco during times of ferment and controversy. ISBN 0-914232-99-1: $20.00.
Author: Stan Brakhage
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 208
Get Book Here
Book Description
Based on lectures that Brakhage gave at the school of the Art Institute of Chicago, this volume portrays eight artists who have electrified American independent cinema across four decades. With characteristic directness, anecdotal style, and wry humor, Brakhage, himself an influential American independent filmmaker, brings into sharp focus the life and work of Jerome Hill, Marie Menken, James Brouhgton, Maya Deren, Ken Jacobs, Sidney Peterson, Bruce Conner, and Christopher MacLaine. He also portrays the art scenes of New York and San Francisco during times of ferment and controversy. ISBN 0-914232-99-1: $20.00.
Author: James Combs
Publisher: Cambridge Scholars Publishing
ISBN: 1443824690
Category : Performing Arts
Languages : en
Pages : 375
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Book Description
This book is a study of the “Great Movies,” that fluid category of feature films deemed by various authorities—film societies, critics, academics, and movie enthusiasts—to be the enduring and memorable works of cinematic history. But what are they about? In Wit’s End, the author attempts to “make sense” of these films in order to understand their greatness in the context of their relation to other films and to the worlds they come from and recreate on screen. To that end, we employ the conceptual power of pragmatic social theory and the rich idea of aesthesis to explore and arrange these films as a means of understanding what they express about the universality of human life in our keen use of wit, organization of social wont, and direction of cultural way. It is hoped that such an inquiry will illuminate the glory of the great films and contribute to the advance of film studies.
Author: Kirsten Weiss
Publisher: misterio press
ISBN:
Category : Fiction
Languages : en
Pages : 1245
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Book Description
Three cozy mysteries that are out of this world... Running the best little UFO-themed B&B in the Sierras takes organization, breakfasting chops, and a talent for crime solving in this collection of the first three books in the Wits' End cozy mystery series. In At Wits' End, Susan discovers a corpse in room seven, a corpse with a very personal connection to her small-town sheriff. But is there a government conspiracy afoot? Or is the murder a simple case of small-town vengeance? In Planet of the Grapes, Susan is a proud sponsor of a UFO festival that runs off the rails when a speaker is found bludgeoned by a bottle of wine. Susan may not have a clue, but she knows she wants a certain security consultant at her side when this killer goes supernova. In Close Encounters of the Curd Kind, when Susan’s neighbor is murdered, she exerts all her willpower to stay out of the sheriff’s business. But her neighbor’s daughter, Clare, needs Susan’s help. Clare’s been experiencing lost time, a sure sign of alien abduction. Helping Clare is only neighborly… and totally not interfering. Right? The truth is out there… Way out there in this hilarious collection of quirky cozy mysteries. Beam up this boxed set today!
Author: Margaret Edson
Publisher: Farrar, Straus and Giroux
ISBN: 1466871830
Category : Drama
Languages : en
Pages : 99
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Book Description
Winner of the 1999 Pulitzer Prize for Drama, the New York Drama Critics Circle Award, the Drama Desk Award, the Outer Critics Circle Award, the Lucille Lortel Award, and the Oppenheimer Award. Adapted to an Emmy Award-winning television movie, directed by Mike Nichols, starring Emma Thompson. Margaret Edson's powerfully imagined Pulitzer Prize–winning play examines what makes life worth living through her exploration of one of existence's unifying experiences—mortality—while she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, "The play is not about doctors or even about cancer. It's about kindness, but it shows arrogance. It's about compassion, but it shows insensitivity." In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end? The immediacy of the presentation, and the clarity and elegance of Edson's writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.
Author: Allison Engel
Publisher: Samuel French, Incorporated
ISBN: 9780573705038
Category : Drama
Languages : en
Pages : 36
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Book Description
"From the writers of the smash hit Red Hot Patriot: The Kick-Ass Wit of Molly Ivins comes a comic look at one of our country's most beloved voices. Erma Bombeck captured the frustrations of her generation by asking, "If life is a bowl of cherries, what am I doing in the pits?" Discover the story behind America's most beloved humorist who championed women's lives with wit that sprang from the most unexpected place of all - the truth."
Author: James Geary
Publisher: National Geographic Books
ISBN: 0393357597
Category : Language Arts & Disciplines
Languages : en
Pages : 0
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Book Description
Entertaining, illuminating, and entirely unique, Wit’s End “convey[s] the power of wit to refresh the mind” (Henry Hitchings, Wall Street Journal). In “this inventive and playful book” (Tom Beer, Newsday), James Geary explores every facet of wittiness, from its role in innovation to why puns are the highest form of wit. Adopting a different style for each chapter—from dramatic dialogue to sermon, heroic couplets to a barroom monologue—Geary embodies wit in all its forms. Wit’s End agilely balances psychology, folktale, visual art, and literary history with lighthearted humor and acute insight, demonstrating that wit and wisdom are really the same thing.
Author: David James
Publisher: Temple University Press
ISBN: 1439905290
Category : Performing Arts
Languages : en
Pages : 250
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Book Description
The art and legacy of a towering figure in the independent film movement.
Author: James R. Gaines
Publisher: Houghton Mifflin Harcourt P
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
Author: Gene D. Phillips
Publisher: Scarecrow Press
ISBN: 0810881896
Category : Performing Arts
Languages : en
Pages : 323
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Book Description
Film noir was a cycle in American cinema which first came into prominence during World War II, peaked in the 1950s, and began to taper off as a definable trend by 1960. Over the years, a group of films from the period emerged as noir standards, beginning with Stranger on the Third Floor in 1940. However, since film noir is too wide-ranging, it cannot be kept within the narrow limits of the official canon that has been established by film historians. Consequently, several neglected movies made during the classic noir period need to be re-evaluated as noir films. In Out of the Shadows: Expanding the Canon of Classic Film Noir, Gene Phillips provides an in-depth examination of several key noir films, including acknowledged masterpieces like Laura, The Maltese Falcon, Sunset Boulevard, and Touch of Evil, as well as films not often associated with film noir like Spellbound, A Double Life, and Anatomy of a Murder. Phillips also examines overlooked or underappreciated films such as Song of the Thin Man, The Glass Key, Ministry of Fear, and Act of Violence. Also considered in this reevaluation are significant neo-noir films, among them Chinatown, Hammett, L.A. Confidential, and The Talented Mr. Ripley. In his analyses, Phillips draws upon a number of sources, including personal interviews with directors and others connected with their productions, screenplays, and evaluations of other commentators. Out of the Shadows explores not only the most celebrated noir films but offers new insight into underrated films that deserve reconsideration. Of interest to film historians and scholars, this volume will also appeal to anyone who wants a better understanding of the works that represent this unique cycle in American filmmaking.
Author: Jon Cowans
Publisher: Routledge
ISBN: 0429665024
Category : History
Languages : en
Pages : 530
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Book Description
Relations between Western nations and their colonial subjects changed dramatically in the second half of the twentieth century. As nearly all of the West’s colonies gained their independence by 1975, attitudes toward colonialism in the West also changed, and terms such as empire and colonialism, once used with pride, became strongly negative. While colonialism has become discredited, precisely when or how that happened remains unclear. This book explores changing Western attitudes toward colonialism and decolonization by analyzing American, British, and French popular cinema and its reception from 1960 to 1973.
