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Author: Marcus Gilroy-Ware
Publisher: Watkins Media Limited
ISBN: 1910924857
Category : Social Science
Languages : en
Pages : 252
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Book Description
Filling The Void is a book about how the cultures and psychology of social media use fit within a broader landscape of life under capitalism. It argues that social media use is often a psychological response to the need for pleasure and comfort that results from the stresses of life under postmodern capitalism, rather than being a driver of new behaviours as newer technologies are often said to be. Both the explosive growth of social media and the corresponding reconfiguration of the web from an information-based platform into an entertainment-based one are far more easily explained in terms of the subjective psychological experience of their users as capitalist subjects seeking 'depressive hedonia,' the book argues. Filling the Void also interrogates the role of social media networks, designed for private commercial gain, as part of a de-facto public sphere. Both the decreasing subjective importance of factual media and the ways in which the content of the timeline are quietly manipulated--often using labour in the developing world and secret algorithms--have potentially serious implications for the capacity of social media users to query or challenge the seeming reality offered by the established hegemonic order.
Author: Marcus Gilroy-Ware
Publisher: Watkins Media Limited
ISBN: 1910924857
Category : Social Science
Languages : en
Pages : 252
Get Book Here
Book Description
Filling The Void is a book about how the cultures and psychology of social media use fit within a broader landscape of life under capitalism. It argues that social media use is often a psychological response to the need for pleasure and comfort that results from the stresses of life under postmodern capitalism, rather than being a driver of new behaviours as newer technologies are often said to be. Both the explosive growth of social media and the corresponding reconfiguration of the web from an information-based platform into an entertainment-based one are far more easily explained in terms of the subjective psychological experience of their users as capitalist subjects seeking 'depressive hedonia,' the book argues. Filling the Void also interrogates the role of social media networks, designed for private commercial gain, as part of a de-facto public sphere. Both the decreasing subjective importance of factual media and the ways in which the content of the timeline are quietly manipulated--often using labour in the developing world and secret algorithms--have potentially serious implications for the capacity of social media users to query or challenge the seeming reality offered by the established hegemonic order.
Author: Patrizia McBride
Publisher: Northwestern University Press
ISBN: 0810121093
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
In a pluralistic society without absolute standards of judgment, how can an individual live a moral life? This is the question Robert Musil (1880-1942), an Austrian-born engineer and mathematician turned writer, asked in essays, plays, and fiction that grapple with the moral ambivalence of modern life. Though unfinished, his monumental novel of Vienna in the febrile days before World War I, The Man without Qualities, is identified by German scholars as the most important literary work of the twentieth century. In a fresh examination of his essays, notebooks, and fiction, Patrizia McBride reconstructs Musil's understanding of ethics as a realm of experience that eludes language and thought. After situating Musil's work within its contemporary cultural-philosophical horizon, as well as the historical background of rising National Socialism, McBride shows how the writer's notion of ethics as a void can be understood as a coherent and innovative response to the crises haunting Europe after World War I. She explores how Musil rejected the outdated, rationalistic morality of humanism, while simultaneously critiquing the irrationalism of contemporary art movements, including symbolism, impressionism, and expressionism. Her work reveals Musil's remarkable relevance today-particularly those aspects of his thought that made him unfashionable in his own time: a commitment to fighting ethical fundamentalism and a literary imagination that validates the pluralistic character of modern life.
Author: Tom Bradley
Publisher:
ISBN: 9780741400765
Category : Fiction
Languages : en
Pages : 340
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Book Description
Author:
Publisher:
ISBN:
Category : Ethical culture movement
Languages : en
Pages : 536
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Book Description
Author: Jean Franco
Publisher: Harvard University Press
ISBN: 9780674008427
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
The cultural Cold War in Latin America was waged as a war of values. This book charts the conflicting universals of this period, the clash between avant-garde and political vanguard.
Author: William Edmund Lampe
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 108
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Book Description
Author: Douglas A. Jones
Publisher: University of Michigan Press
ISBN: 0472120433
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
In The Captive Stage, Douglas A. Jones, Jr. argues that proslavery ideology remained the dominant mode of racial thought in the antebellum north, even though chattel slavery had virtually disappeared from the region by the turn of the nineteenth century—and that northerners cultivated their proslavery imagination most forcefully in their performance practices. Jones explores how multiple constituencies, ranging from early national artisans and Jacksonian wage laborers to patrician elites and bourgeois social reformers, used the stage to appropriate and refashion defenses of black bondage as means to affirm their varying and often conflicting economic, political, and social objectives. Joining performance studies with literary criticism and cultural theory, he uncovers the proslavery conceptions animating a wide array of performance texts and practices, such as the “Bobalition” series of broadsides, blackface minstrelsy, stagings of the American Revolution, reform melodrama, and abolitionist discourse. Taken together, he suggests, these works did not amount to a call for the re-enslavement of African Americans but, rather, justifications for everyday and state-sanctioned racial inequities in their post-slavery society. Throughout, The Captive Stage elucidates how the proslavery imagination of the free north emerged in direct opposition to the inclusionary claims black publics enacted in their own performance cultures. In doing so, the book offers fresh contexts and readings of several forms of black cultural production, including early black nationalist parades, slave dance, the historiography of the revolutionary era, the oratory of radical abolitionists and the black convention movement, and the autobiographical and dramatic work of ex-slave William Wells Brown.
Author: Frederick Denison Maurice
Publisher:
ISBN:
Category : Fathers of the church
Languages : en
Pages : 734
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Book Description
Author: Frederick Denison Maurice
Publisher:
ISBN:
Category : Fathers of the church
Languages : en
Pages : 736
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Book Description
Author: Tom Spector
Publisher: Princeton Architectural Press
ISBN: 9781568982847
Category : Architecture
Languages : en
Pages : 268
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Book Description
"In this book Tom Spector addresses the dilemmas of architectural practice and offers a theoretical and practical basis for an examination and transformation of the quandaries the profession now faces. The Ethical Architect is a work of theory but refers to real buildings and real-world problems. Its conclusions provide a road map for architects to address the more than 100,000 decisions that go into the design of an average-sized building.
