Figure and Likeness

Figure and Likeness PDF Author: Charles Barber
Publisher:
ISBN: 9780691091778
Category : Art
Languages : en
Pages : 207

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Book Description
Figure and Likeness presents a thought-provoking new account of Byzantine iconoclasm--the fundamental crisis in Christian visual representation during the eighth and ninth centuries that defined the terms of Christianity's relationship to the painted image. Charles Barber rejects the conventional means of analyzing this crisis, which seeks its origin in political and other social factors. Instead, he argues, iconoclasm is primarily a matter of theology and aesthetic theory. Working between the theological texts and the visual materials, Barber demonstrates that in challenging the validity of iconic representation, iconoclasts were asking: How can an image depict an incomprehensible God? In response, iconophile theologians gradually developed a notion of representation that distinguished the work of art from the subject it depicted. As such, Barber concludes, they were forced to move the language describing the icon beyond that of theology. This pivotal step allowed these theologians, of whom Patriarch Nikephoros and Theodore of Stoudios were the most important, to define and defend a specifically Christian art. In highlighting this outcome and also in offering a full and clearly rendered account of iconoclastic notions of Christian representation, Barber reveals that the notion of art was indeed central to the unfolding of iconoclasm. The implications of this study reach well beyond the dispute it considers. Barber fundamentally revises not only our understanding of Byzantine art in the years succeeding the iconoclastic dispute, but also of Christian painting in the centuries to come.

Figure and Likeness

Figure and Likeness PDF Author: Charles Barber
Publisher:
ISBN: 9780691091778
Category : Art
Languages : en
Pages : 207

Get Book

Book Description
Figure and Likeness presents a thought-provoking new account of Byzantine iconoclasm--the fundamental crisis in Christian visual representation during the eighth and ninth centuries that defined the terms of Christianity's relationship to the painted image. Charles Barber rejects the conventional means of analyzing this crisis, which seeks its origin in political and other social factors. Instead, he argues, iconoclasm is primarily a matter of theology and aesthetic theory. Working between the theological texts and the visual materials, Barber demonstrates that in challenging the validity of iconic representation, iconoclasts were asking: How can an image depict an incomprehensible God? In response, iconophile theologians gradually developed a notion of representation that distinguished the work of art from the subject it depicted. As such, Barber concludes, they were forced to move the language describing the icon beyond that of theology. This pivotal step allowed these theologians, of whom Patriarch Nikephoros and Theodore of Stoudios were the most important, to define and defend a specifically Christian art. In highlighting this outcome and also in offering a full and clearly rendered account of iconoclastic notions of Christian representation, Barber reveals that the notion of art was indeed central to the unfolding of iconoclasm. The implications of this study reach well beyond the dispute it considers. Barber fundamentally revises not only our understanding of Byzantine art in the years succeeding the iconoclastic dispute, but also of Christian painting in the centuries to come.

Likeness and Presence

Likeness and Presence PDF Author: Hans Belting
Publisher: University of Chicago Press
ISBN: 9780226042152
Category : Art
Languages : en
Pages : 692

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Book Description
Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover

Modeling a Likeness in Clay

Modeling a Likeness in Clay PDF Author: Daisy Grubbs
Publisher:
ISBN: 9780823030941
Category : Art
Languages : en
Pages : 160

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Book Description
Artists have always been fascinated by the special challenge of capturing the character, personality, and likeness of their portrait subjects. For the scupltor, clay is certainly the most sympathetic medium. Daisy Grubbs demonstrates in thorough detail a proven method for fashioning clay into convincing portraits. The book is for the beginning as well as the more experienced sculptor. The newcomer will find every detail he needs to know to model a faithful likeness, while the more knowledgeable artist will discover another artist’s approach sure to enlarge his own vocabulary and working methods.

The Likeness

The Likeness PDF Author: Tana French
Publisher: Penguin
ISBN: 9780670018864
Category : Fiction
Languages : en
Pages : 486

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Book Description
A follow-up to In the Woods finds a traumatized detective Cassie Maddox struggling in her career and relationship with Sam O'Neill while investigating the unsettling murder of a young woman whose name matches an alias Cassie once had used as an undercover officer. 50,000 first printing.

In His Image

In His Image PDF Author: Jen Wilkin
Publisher: Crossway
ISBN: 1433549905
Category : Religion
Languages : en
Pages : 166

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Book Description
Sometimes we ask What is God’s will for my life? when we should really be asking Who should I be? The Bible has an answer: Be like the very image of God. By exploring ten characteristics of who God is—holy, loving, just, good, merciful, gracious, faithful, patient, truthful, and wise—this book helps us understand who God intends for us to be. Through Christ, the perfect reflection of the image of God, we will discover how God’s own attributes impact how we live, leading to freedom and purpose as we follow his will and are conformed to his image.

What is an Image?

What is an Image? PDF Author: James Elkins
Publisher: Penn State Press
ISBN: 0271050640
Category : Art
Languages : en
Pages : 298

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Book Description
"Brings together historians, philosophers, critics, postcolonial theorists, and curators to ask how images, pictures, and paintings are conceptualized. Issues discussed include concepts such as "image" and "picture" in and outside the West; semiotics; whether images are products of discourse; religious meanings; and the ethics of viewing"--Provided by publisher.

The Human Figure

The Human Figure PDF Author: John Henry Vanderpoel
Publisher:
ISBN:
Category : Anatomy, Artistic
Languages : en
Pages : 184

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Book Description


The Saints Conformity to the Image of the Son; by Comparing Spiritual Things with Spiritual; ... Being a Reply to the Writings of J. Stevens on Human Pre-existence

The Saints Conformity to the Image of the Son; by Comparing Spiritual Things with Spiritual; ... Being a Reply to the Writings of J. Stevens on Human Pre-existence PDF Author: Frederick SILVER (a Minister of Christ's Gospel.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 64

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Book Description


The Likeness of the King

The Likeness of the King PDF Author: Stephen Perkinson
Publisher: University of Chicago Press
ISBN: 0226658791
Category : Art
Languages : en
Pages : 354

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Book Description
Anyone who has strolled through the halls of a museum knows that portraits occupy a central place in the history of art. But did portraits, as such, exist in the medieval era? Stephen Perkinson's "The likeness of the king" challenges the canonical account of the invention of modern portrait practices, offering a case against the tendency of recent scholarship to identify likenesses of historical personages as "the first modern portraits". Focusing on the Valois court of France, he argues that local practice prompted shifts in the late medieval understanding of how images could represent individuals and prompted artists and patrons to deploy likeness in a variety of ways.

From Truth and truth

From Truth and truth PDF Author: Francis Etheredge
Publisher: Cambridge Scholars Publishing
ISBN: 1443892033
Category : Philosophy
Languages : en
Pages : 295

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Book Description
What emerges in this second book of the trilogy is that the very “ground” and content of experience is richer than what can be reduced to a particular account of it. As such, dialogue develops from the “natural” diversity of what is “of” faith and what is “of” reason. Neither faith nor reason, however, originates “from” experience; rather, both are “witnessed” in experience. In other words, taking up questions about the nature of man, whether philosophically, psychologically or in terms of social structures, manifests both a variety of points of departure and, at the same time, the manifold conversations that are possible in the “field of culture”.Focusing particularly on the work of St. John Paul II, the first essay examines the answer of reason and the answer of faith to the same question: What is man? Conversion, too, entails an “unexpected” relationship to natural truth, which, in its own way, is both adequate and inadequate to salvation. Communication, as it were, runs throughout these essays; however, in particular, there is a need to enrich our human understanding of the process of “coming to ourselves” with the insights of spiritual discernment. Axiomatically, however, it is possible to say that just as we come to exist through a relationship to others, so our healing and holiness are manifest through our relationship to others in the “Other”. Furthermore, while it is ultimately true that we exist as individually rooted in the social structure of our origin and the times in which we live, we need to critically participate in the dialogue which identifies our common “reality” and not live our lives covered in “psycho-social” labels of one kind or another.As a whole, then, there is an incomparable range and depth to “dialogue”. Indeed, given the many critical situations in the world, it is increasingly indispensable and essential that humanity choose the incredible wealth of dialogue in contrast to the possibility of a “polarised” and “conflictual” structure between people and peoples.