Origins of European Printmaking PDF Download
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Author: Peter W. Parshall
Publisher: Yale University Press
ISBN: 0300113390
Category : Art
Languages : en
Pages : 396
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Book Description
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
Author: Peter W. Parshall
Publisher: Yale University Press
ISBN: 0300113390
Category : Art
Languages : en
Pages : 396
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Book Description
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
Author: British Museum. Department of Prints and Drawings
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 154
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Book Description
Author: Library of Congress
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 244
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Book Description
This volume explores the evolution of the technique, composition and colouration of the woodcut beginning with the earliest publications. It features examples from Germany, Italy, France, Spain and The Netherlands.
Author: National Gallery of Art (U.S.)
Publisher: Washington : Publications Department, National Gallery of Art
ISBN:
Category : Engraving
Languages : en
Pages : 334
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Book Description
Author: Bodleian Library
Publisher:
ISBN: 9780199519057
Category : Reference
Languages : en
Pages : 450
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Book Description
Author: John Rylands Library
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 56
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Book Description
Author: Grażyna Jurkowlaniec
Publisher: Routledge
ISBN: 1000173127
Category : Art
Languages : en
Pages : 421
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Book Description
This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent, i.e. the circumstances that informed creators’, producers’, owners’ and beholders’ motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period’s print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century. The book will be of interest to scholars working in art history, print history, book history and European studies. The introduction of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license at https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003029199-1/introduction-gra%C5%BCyna-jurkowlaniec-magdalena-herman?context=ubx&refId=b6a86646-c9f3-490d-8a06-2946acd75fda
Author: British Museum Department of Prints and Drawings
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 56
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Book Description
Author: Alfred William Pollard
Publisher: London : K. Paul, Trench, Trübner
ISBN:
Category : Early printed books
Languages : en
Pages : 282
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Book Description
Author: David Landau
Publisher: Yale University Press
ISBN: 0300068832
Category : Art
Languages : en
Pages : 453
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Book Description
Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.
