Henry Fielding's Dramatic Experimentation PDF Download
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Author: Marsha Kinder
Publisher:
ISBN:
Category :
Languages : en
Pages : 634
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Book Description
Author: Marsha Kinder
Publisher:
ISBN:
Category :
Languages : en
Pages : 634
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Book Description
Author: Martin C Battestin
Publisher: Taylor & Francis
ISBN: 1000819795
Category : Literary Criticism
Languages : en
Pages : 793
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Book Description
First published in 1989, Henry Fielding is a biography presenting a fresh interpretation of Fielding’s life and thought. Using newly discovered information, including new facts, three hitherto unknown pictures of Fielding drawn from life, documents, manuscripts, and many crucially important and engrossing new letters, Martin C. Battestin – the foremost Fielding scholar – illuminates every aspect of Fielding’s life and work. Fielding and the life he led – in the West Country, at Eton, at the University of Leyden, and in the theatres and brothels, sponging houses and police courts of London – make for fascinating reading. This authoritative and timely biography will appeal to all those interested in the society and literature of eighteenth-century England.
Author: Claude Rawson
Publisher: Cambridge University Press
ISBN: 1139827685
Category : Literary Criticism
Languages : en
Pages : 188
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Book Description
Now best known for three great novels - Tom Jones, Joseph Andrews and Amelia - Henry Fielding (1707–54) was one of the most controversial figures of his time. Prominent first as a playwright, then as a novelist and political journalist, and finally as a justice of peace, Fielding made a substantial contribution to eighteenth-century culture, and was hugely influential in the development of the novel as a form, both in Britain and more widely in Europe. This collection of specially-commissioned essays by leading scholars describes and analyses the many facets of Fielding's work in theatre, fiction, journalism and politics. In addition it assesses his unique contribution to the rise of the novel as the dominant literary form, the development of the law, and the political and literary culture of eighteenth-century Britain. Including a chronology and guide to further reading, this volume offers a comprehensive account of Fielding's life and work.
Author: Christine Schwanecke
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110724111
Category : Literary Criticism
Languages : en
Pages : 433
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Book Description
This volume argues against Gérard Genette’s theory that there is an “insurmountable opposition” between drama and narrative and shows that the two forms of storytelling have been productively intertwined throughout literary history. Building on the idea that plays often incorporate elements from other genres, especially narrative ones, the present study theorises drama as a fundamentally narrative genre. Guided by the question of how drama tells stories, the first part of the study delineates the general characteristics of dramatic narration and zooms in on the use of narrative forms in drama. The second part proposes a history of dramatic storytelling from the Renaissance to the twenty-first century that transcends conventional genre boundaries. Close readings of exemplary British plays provide an overview of the dominant narrative modes in each period and point to their impact in the broader cultural and historical context of the plays. Finally, the volume argues that throughout history, highly narrative plays have had a performative power that reached well beyond the stage: dramatic storytelling not only reflects socio-political realities, but also largely shapes them.
Author: Don W. Sieker
Publisher:
ISBN:
Category :
Languages : en
Pages : 390
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Book Description
Author: J. Douglas Canfield
Publisher: Broadview Press
ISBN: 1551112701
Category : Drama
Languages : en
Pages : 2001
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Book Description
This is the first new full-scale anthology of Restoration and eighteenth-century drama in over sixty years. Concentrating on plays from the heyday of 1660-1737, it focuses especially on Restoration drama proper (1660-1688) and Revolution drama (1689-1714), with a smaller selection of plays from the early Georgian period (1715-1737) and a glimpse at the later Georgian period’s “laughing comedy” (1770s and 80s). It includes nine sub-genres (heroic romance, political tragedy, personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy), with the preponderance of exposure given to the jewel of this theatre, its comedy. The core canonical plays from the era—from Dryden’s All for Love and Behn’s The Rover to Congreve’s The Way of the World and Sheridan’s School for Scandal—are all here, but so are a remarkably wide range of non-canonical works. There are many more plays by women than in any previous general anthology of drama of the period. Also included are a number of works from the neglected 1660s, whose comedies feature delightful, subversive, levelling folk elements. In all there are forty-one plays; each is fully annotated and prefaced with an historical introduction. Also included are a general introduction, head-notes for each genre, and a glossary.
Author: Jeffrey Masten
Publisher: Routledge
ISBN: 1317721829
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
Language Machines questions any easily progressive model of technological change, demonstrating the persistence rather than the obsolescence of language technologies over time, the continuous and complicated overlap of pens, presses, screens and voice. In these essays new technologies do not simply replace, but rather draw upon, absorb, displace and resituate earlier technologies.
Author: Carl Joseph Stratman
Publisher: Carbondale : Southern Illinois University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 840
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Book Description
This first comprehensive compilation of twentieth-century scholarship in Restoration and Eighteenth-Century drama provides a basis for future research and is an invaluable reference work. Items are arranged alphabetically under general headings--e.g., acting, criticism, periodicals, music, theology--as well as alphabetically by surname of actor, actress, dramatist, musician, etc. Copiously indexed.
Author: Helen Williams
Publisher: Cambridge University Press
ISBN: 1108912834
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Scrutinising Sterne's fiction through a book history lens, Helen Williams creates novel readings of his work based on meticulous examination of its material and bibliographical conditions. Alongside multiple editions and manuscripts of Sterne's own letters and works, a panorama of interdisciplinary sources are explored, including dance manuals, letter-writing handbooks, newspaper advertisements, medical pamphlets and disposable packaging. For the first time, this wealth of previously overlooked material is critically analysed in relation to the design history of Tristram Shandy, conceptualising the eighteenth-century novel as an artefact that developed in close conjunction with other media. In examining the complex interrelation between a period's literature and the print matter of everyday life, this study sheds new light on Sterne and eighteenth-century literature by re-defining the origins of his work and of the eighteenth-century novel more broadly, whilst introducing readers to diverse print cultural forms and their production histories.
Author: Albert J. Rivero
Publisher: University of Virginia Press
ISBN: 9780813912288
Category : Drama
Languages : en
Pages : 198
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Book Description
Henry Fielding was one of the most interesting playwrights of his time because of his historical position, similar to that of George Bernard Shaw, and his awareness of what it meant to be a playwright at a time when the native dramatic tradition appeared to have settled down for a long sleep and when the only hope for an awakening lay in such low crowd-pleasers as farces, puppet shows, "laughing" tragedies, and ballad operas. By focusing on the plays themselves, Rivero tells the story of Fielding's dramatic career without burdening the reader with an exhaustive history of contemporary plays and playwrights. He provides us with a clear, critical account of Fielding's dramatic career in terms of trends in contemporary dramatic affairs that help to account for his artistic choices in individual plays.
