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Author: Gene Wiggins
Publisher: Urbana : University of Illinois Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 360
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Book Description
This is the definitive study of the dominant figure in early country music and will appeal to folklorists and musicologists. It contains new information about Wiggins, as well as facts about the working-class South, the early country-recording business, and the years at the end of the nineteenth-century when folk music was giving way to what would become hillbilly music. One also learns much about Georgia woolhat politics and culture in those years and about the birth, evolution, and imagery of early hillbilly music.
Author: Patrick Huber
Publisher: Univ of North Carolina Press
ISBN: 0807886785
Category : Music
Languages : en
Pages : 441
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Book Description
Contrary to popular belief, the roots of American country music do not lie solely on southern farms or in mountain hollows. Rather, much of this music recorded before World War II emerged from the bustling cities and towns of the Piedmont South. No group contributed more to the commercialization of early country music than southern factory workers. In Linthead Stomp, Patrick Huber explores the origins and development of this music in the Piedmont's mill villages. Huber offers vivid portraits of a colorful cast of Piedmont millhand musicians, including Fiddlin' John Carson, Charlie Poole, Dave McCarn, and the Dixon Brothers, and considers the impact that urban living, industrial work, and mass culture had on their lives and music. Drawing on a broad range of sources, including rare 78-rpm recordings and unpublished interviews, Huber reveals how the country music recorded between 1922 and 1942 was just as modern as the jazz music of the same era. Linthead Stomp celebrates the Piedmont millhand fiddlers, guitarists, and banjo pickers who combined the collective memories of the rural countryside with the upheavals of urban-industrial life to create a distinctive American music that spoke to the changing realities of the twentieth-century South.
Author: John Minton
Publisher: Univ. Press of Mississippi
ISBN: 1604733276
Category : Music
Languages : en
Pages : 299
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Book Description
When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key “hillbilly” and “race” records released between the 1920s and World War II. In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and R&B, honky-tonk and western swing, gospel, soul, and rock 'n' roll. These old-time records preserve the work of some of America's greatest musical geniuses such as Jimmie Rodgers, Robert Johnson, Charlie Poole, and Blind Lemon Jefferson. They are also crucial mile markers in the course of American popular music and the growth of the modern recording industry. When these records first circulated, the very notion of recorded music was still a novelty. All music had been created live and tied to particular, intimate occasions. How were listeners to understand an impersonal technology like the phonograph record as a musical event? How could they reconcile firsthand interactions and traditional customs with technological innovations and mass media? The records themselves, several hundred of which are explored fully in this book, offer answers in scores of spoken commentaries and skits, in song lyrics and monologues, or other more subtle means.
Author: Barry Mazor
Publisher: Chicago Review Press
ISBN: 1613733887
Category : Biography & Autobiography
Languages : en
Pages : 320
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Book Description
This is the first biography of Ralph Peer, the adventurous—even revolutionary—A&R man and music publisher who saw the universal power locked in regional roots music and tapped it, changing the breadth and flavor of popular music around the world. It is the story of the life and fifty-year career, from the age of cylinder recordings to the stereo era, of the man who pioneered the recording, marketing, and publishing of blues, jazz, country, gospel, and Latin music. The book tracks Peer’s role in such breakthrough events as the recording of Mamie Smith’s “Crazy Blues” (the record that sparked the blues craze), the first country recording sessions with Fiddlin’ John Carson, his discovery of Jimmie Rodgers and the Carter Family at the famed Bristol sessions, the popularizing of Latin American music during World War II, and the postwar transformation of music on the airwaves that set the stage for the dominance of R&B, country, and rock ‘n’ roll. But this is also the story of a man from humble midwestern beginnings who went on to build the world’s largest independent music publishing firm, fostering the global reach of music that had previously been specialized, localized, and marginalized. Ralph Peer redefined the ways promising songs and performers were identified, encouraged, and promoted, rethought how far regional music might travel, and changed our very notions of what pop music can be. This enhanced e-book includes 49 of the greatest songs Ralph Peer was involved with, from groundbreaking numbers that changed the history of recorded music to revelatory obscurities, all linked to the text so that the reader can hear the music while reading about it.
Author: Edward P. Comentale
Publisher: University of Illinois Press
ISBN: 0252094573
Category : Music
Languages : en
Pages : 299
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Book Description
Sweet Air rewrites the history of early twentieth-century pop music in modernist terms. Tracking the evolution of popular regional genres such as blues, country, folk, and rockabilly in relation to the growth of industry and consumer culture, Edward P. Comentale shows how this music became a vital means of exploring the new and often overwhelming feelings brought on by modern life. Comentale examines these rural genres as they translated the traumas of local experience--the racial violence of the Delta, the mass exodus from the South, the Dust Bowl of the Texas panhandle--into sonic form. Considering the accessibility of these popular music forms, he asserts the value of music as a source of progressive cultural investment, linking poor, rural performers and audiences to an increasingly vast network of commerce, transportation, and technology.
Author: Steve Sullivan
Publisher: Rowman & Littlefield
ISBN: 1442254491
Category : Music
Languages : en
Pages : 830
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Book Description
Volumes 3 and 4 of the The Encyclopedia of More Great Popular Song Recordings provides the stories behind approximately 1,700 more of the greatest song recordings in the history of the music industry, from 1890 to today. In this masterful survey, all genres of popular music are covered, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data—recording dates, record numbers, Billboard chart data, and personnel—while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists. Readers who revel in pop cultural history will savor each chapter as it plunges deeply into key events—in music, society, and the world—from each era of the past 125 years. Following in the wake of the first two volumes of his original Encyclopedia of Great Popular Song Recordings, this follow-up work covers not only more beloved classic performances in pop music history, but many lesser -known but exceptional recordings that—in the modern digital world of “long tail” listening, re-mastered recordings, and “lost but found” possibilities—Sullivan mines from modern recording history. The Encyclopedia of Great Popular Song Recordings, Volumes 3 and 4 lets the readers discover, and, through their playlist services, from such as iTunes toand Spotify, build a truly deepcomprehensive catalog of classic performances that deserve to be a part of every passionate music lover’s life. Sullivan organizes songs in chronological order, starting in 1890 and continuing all the way throughto the present to include modern gems from June 2016. In each chapter, Sullivanhe immerses readers, era by era, in the popular music recordings of the time, noting key events that occurred at the time to painting a comprehensive picture in music history of each periodfor each song. Moreover, Sullivan includes for context bulleted lists noting key events that occurred during the song’s recording
Author: Andrew Carlson
Publisher: Mel Bay Publications
ISBN: 1610657276
Category : Music
Languages : en
Pages : 65
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Book Description
Classical violinists can help keep alive the historic traditions of American fiddle music, but doing so requires a clear understanding of performance practice. A Guide to American Fiddling exposes serious students of the violin to the technical nuances of traditional Old Time fiddling. In this book, violinist/fiddler Andrew Carlson provides a detailed technical analysis of Missouri-style fiddling, focusing primarily on the use of the bow. Carlson further offers a comparison of classical and non-classical techniques, a brief history of American fiddling, plus 23 traditional tunes with authentic bowing indications. A CD recording of the tunes is included.
Author: Clifford M. Kuhn
Publisher: Univ of North Carolina Press
ISBN: 0807875309
Category : Business & Economics
Languages : en
Pages : 317
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Book Description
In May 1914, workers walked off their jobs at Atlanta's Fulton Bag and Cotton Mills, launching a lengthy strike that was at the heart of the American Federation of Labor's first major attempt to organize southern workers in over a decade. In its celebrity, the Fulton Mills strike was the regional contemporary of the well-known industrial conflicts in Lawrence, Massachusetts, and Ludlow, Colorado. Although ultimately unsuccessful, the strike was an important episode in the development of the New South, and as Clifford Kuhn demonstrates, its story sheds light on the industrialization, urbanization, and modernization of the region. Drawing on an extraordinary collection of sources--including reports from labor spies and company informants, photographs, federal investigations, oral histories, and newly uncovered records from the old mill's vaults--Kuhn vividly depicts the strike and the community in which it occurred. He also chronicles the struggle for public opinion that ensued between management, workers, union leaders, and other interested parties. Finally, Kuhn reflects on the legacy of the strike in southern history, exploring its complex ties to the evolving New South.
Author: Harry L. Watson
Publisher: Univ of North Carolina Press
ISBN: 0807886467
Category : History
Languages : en
Pages : 526
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Book Description
What does "redneck" mean? What's going to happen to the southern accent? What makes black southerners laugh? What is "real" country music? These are the kinds of questions that pop up in this collection of notable essays from Southern Cultures, the journal of the Center for the Study of the American South at the University of North Carolina at Chapel Hill. Intentionally plural, Southern Cultures was founded in 1993 to present all sides of the American South, from sorority sisters to Pocahontas, from kudzu to the blues. This volume collects 27 essays from the journal's first fifteen years, bringing together some of the most memorable and engaging essays as well as some of those most requested for use in courses. A stellar cast of contributors discusses themes of identity, pride, traditions, changes, conflicts, and stereotypes. Topics range from black migrants in Chicago to Mexican immigrants in North Carolina, from Tennessee wrestlers to Martin Luther King, from the Civil War to contemporary debates about the Confederate flag. Funny and serious, historical and contemporary, the collection offers something new for every South-watcher, with fresh perspectives on enduring debates about the people and cultures of America's most complex region. Contributors: Derek H. Alderman, East Carolina University Donna G'Segner Alderman, Greenville, North Carolina S. Jonathan Bass, Samford University Dwight B. Billings, University of Kentucky Catherine W. Bishir, Preservation North Carolina Kathleen M. Blee, University of Pittsburgh Elizabeth Boyd, Vanderbilt University James C. Cobb, University of Georgia Peter A. Coclanis, University of North Carolina at Chapel Hill Joseph Crespino, Emory University Drew Gilpin Faust, Harvard University franklin forts, University of Georgia David Goldfield, University of North Carolina at Charlotte Larry J. Griffin, University of North Carolina at Chapel Hill Adam Gussow, University of Mississippi Trudier Harris, University of North Carolina at Chapel Hill Patrick Huber, University of Missouri-Rolla Louis M. Kyriakoudes, University of Southern Mississippi Melton McLaurin, University of North Carolina at Wilmington Michael Montgomery, University of South Carolina Steve Oney, Los Angeles, California Theda Perdue, University of North Carolina at Chapel Hill Dan Pierce, University of North Carolina at Asheville John Shelton Reed, University of North Carolina at Chapel Hill Mart Stewart, Western Washington University Thomas A. Tweed, University of North Carolina at Chapel Hill Timothy B. Tyson, Duke University Anthony Walton, Bowdoin College Harry L. Watson, University of North Carolina at Chapel Hill Charles Reagan Wilson, University of Mississippi C. Vann Woodward (1908-1999)
Author: Kristin Boudreau
Publisher: Prometheus Books
ISBN: 161592745X
Category : Law
Languages : en
Pages : 292
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Book Description
In 1787, Benjamin Rush cautioned that public punishments were dangerous to the social and legal authority of the new nation. For Rush, irrepressible human sentiments all but guaranteed that public punishments would turn spectators against the institutions responsible for the punishments. Although public executions of criminals ended early in the 19th century, debate over the morality of capital punishment has continued to this day.In this unique and fascinating glimpse into public reactions to prominent executions, from colonial times to the 1990s, Kristin Boudreau focuses on the central role of populist, often ephemeral literary forms in shaping attitudes toward capital punishment. Surveying popular poems, ballads, plays, and novels, she shows that, at key times of social unrest in American history, many Americans have felt excluded by the political and legal processes, and have turned instead to inexpensive literary forms of expression in an attempt to change the course of history.Among the significant capital cases that the author discusses are: the Haymarket anarchist trial of 1886; the lynching of Leo Frank in 1914; the murder of Emmett Till in 1955 and its effects on the Civil Rights movement; Norman Mailer''s treatment of the Gary Gilmore case in the 1979 novel, The Executioner''s Song; and the 1998 execution of Karla Faye Tucker, a convicted murderer who became a born-again Christian on death row.In the concluding chapter, Boudreau examines contemporary writers, musicians, actors, and other artists who are using their artistic media to influence official policies of states that permit capital punishment.By examining these neglected texts, Boudreau brings to light a compelling story about ordinary Americans fighting an entrenched legal system at times of great national crisis.
Author: Kenneth Coleman
Publisher: University of Georgia Press
ISBN: 082031269X
Category : History
Languages : en
Pages : 480
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Book Description
First published in 1977, A History of Georgia has become the standard history of the state. Documenting events from the earliest discoveries by the Spanish to the rapid changes the state has undergone with the civil rights era, the book gives broad coverage to the state's social, political, economic, and cultural history. This work details Georgia's development from past to present, including the early Cherokee land disputes, the state's secession from the Union, cotton's reign, Reconstruction, the Bourbon era, the effects of the New Deal, Martin Luther King, Jr., the fall of the county-unit system, and Jimmy Carter's election to the presidency. Also noted are the often-overlooked contributions of Indians, blacks, and women. Each imparting his own special knowledge and understanding of a particular period in the state's history, the authors bring into focus the personalities and events that made Georgia what it is today. For this new edition, available in paperback for the first time, A History of Georgia has been revised to bring the work up through the events of the 1980s. The bibliographies for each section and the appendixes have also been updated to include relevant scholarship from the last decade.
