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Author: Ralph Clare
Publisher: Rutgers University Press
ISBN: 0813573637
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
Fictions Inc. explores how depictions of the corporation in American literature, film, and popular culture have changed over time. Beginning with perhaps the most famous depiction of a corporation—Frank Norris’s The Octopus—Ralph Clare traces this figure as it shifts from monster to man, from force to “individual,” and from American industry to multinational “Other.” Clare examines a variety of texts that span the second half of the twentieth century and beyond, including novels by Thomas Pynchon, William Gaddis, Don DeLillo, Richard Powers, and Joshua Ferris; films such as Network, Ghostbusters, Gung Ho, Office Space, and Michael Clayton; and assorted artifacts of contemporary media such as television’s The Office and the comic strips Life Is Hell and Dilbert. Paying particular attention to the rise of neoliberalism, the emergence of biopolitics, and the legal status of “corporate bodies,” Fictions Inc. shows that representations of corporations have come to serve, whether directly or indirectly, as symbols for larger economic concerns often too vast or complex to comprehend. Whether demonized or lionized, the corporation embodies American anxieties about these current conditions and ongoing fears about the viability of a capitalist system.
Author: Ralph Clare
Publisher: Rutgers University Press
ISBN: 0813573637
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
Fictions Inc. explores how depictions of the corporation in American literature, film, and popular culture have changed over time. Beginning with perhaps the most famous depiction of a corporation—Frank Norris’s The Octopus—Ralph Clare traces this figure as it shifts from monster to man, from force to “individual,” and from American industry to multinational “Other.” Clare examines a variety of texts that span the second half of the twentieth century and beyond, including novels by Thomas Pynchon, William Gaddis, Don DeLillo, Richard Powers, and Joshua Ferris; films such as Network, Ghostbusters, Gung Ho, Office Space, and Michael Clayton; and assorted artifacts of contemporary media such as television’s The Office and the comic strips Life Is Hell and Dilbert. Paying particular attention to the rise of neoliberalism, the emergence of biopolitics, and the legal status of “corporate bodies,” Fictions Inc. shows that representations of corporations have come to serve, whether directly or indirectly, as symbols for larger economic concerns often too vast or complex to comprehend. Whether demonized or lionized, the corporation embodies American anxieties about these current conditions and ongoing fears about the viability of a capitalist system.
Author: William Davies
Publisher: MIT Press
ISBN: 1906897689
Category : Political Science
Languages : en
Pages : 402
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Book Description
An innovative new anthology exploring how science fiction can motivate new approaches to economics. From the libertarian economics of Ayn Rand to Aldous Huxley's consumerist dystopias, economics and science fiction have often orbited each other. In Economic Science Fictions, editor William Davies has deliberately merged the two worlds, asking how we might harness the power of the utopian imagination to revitalize economic thinking. Rooted in the sense that our current economic reality is no longer credible or viable, this collection treats our economy as a series of fictions and science fiction as a means of anticipating different economic futures. It asks how science fiction can motivate new approaches to economics and provides surprising new syntheses, merging social science with fiction, design with politics, scholarship with experimental forms. With an opening chapter from Ha-Joon Chang as well as theory, short stories, and reflections on design, this book from Goldsmiths Press challenges and changes the notion that economics and science fiction are worlds apart. The result is a wealth of fresh and unusual perspectives for anyone who believes the economy is too important to be left solely to economists. Contributors AUDINT, Khairani Barokka, Carina Brand, Ha-Joon Chang, Miriam Cherry, William Davies, Mark Fisher, Dan Gavshon-Brady and James Pockson, Owen Hatherley, Laura Horn, Tim Jackson, Mark Johnson, Bastien Kerspern, Nora O Murchú, Tobias Revell et al., Judy Thorne, Sherryl Vint, Joseph Walton, Brian Willems
Author: Melissa J. Durkee
Publisher:
ISBN: 1009334719
Category : Law
Languages : en
Pages : 304
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Book Description
This volume offers a new point of entry into questions about how the law conceives of states and firms. Because states and firms are fictitious constructs rather than products of evolutionary biology, the law dictates which acts should be attributed to each entity, and by which actors. Those legal decisions construct firms and states by attributing identity and consequences to them. As the volume shows, these legal decisions are often products of path dependence or conceptual metaphors like "personhood" that have expanded beyond their original uses. Focusing on attribution, the volume considers an array of questions about artificial entities that are usually divided into doctrinal siloes. These include questions about attribution of international legal responsibility to states and state-owned entities, transnational attribution of liabilities to firms, and attribution of identity rights to corporations. Durkee highlights the artificiality of doctrines that construct firms and states, and therefore their susceptibility to change.
Author: Thomas A. Easton
Publisher: Wildside Press LLC
ISBN: 1587150697
Category : Fiction
Languages : en
Pages : 230
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Book Description
Author: Paul Crosthwaite
Publisher: Cambridge University Press
ISBN: 1108499562
Category : Business & Economics
Languages : en
Pages : 319
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Book Description
Contemporary British and American fiction is defined by financial markets' power over the global publishing industry and the global economy.
Author: Patrick O'Donnell
Publisher: John Wiley & Sons
ISBN: 1119431719
Category : Literary Criticism
Languages : en
Pages : 1607
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Book Description
Fresh perspectives and eye-opening discussions of contemporary American fiction In The Encyclopedia of Contemporary American Fiction: 1980-2020, a team of distinguished scholars delivers a focused and in-depth collection of essays on some of the most significant and influential authors and literary subjects of the last four decades. Cutting-edge entries from established and new voices discuss subjects as varied as multiculturalism, contemporary regionalisms, realism after poststructuralism, indigenous narratives, globalism, and big data in the context of American fiction from the last 40 years. The Encyclopedia provides an overview of American fiction at the turn of the millennium as well as a vision of what may come. It perfectly balances analysis, summary, and critique for an illuminating treatment of the subject matter. This collection also includes: An exciting mix of established and emerging contributors from around the world discussing central and cutting-edge topics in American fiction studies Focused, critical explorations of authors and subjects of critical importance to American fiction Topics that reflect the energies and tendencies of contemporary American fiction from the forty years between 1980 and 2020 The Encyclopedia of Contemporary American Fiction: 1980-2020 is a must-have resource for undergraduate and graduate students of American literature, English, creative writing, and fiction studies. It will also earn a place in the libraries of scholars seeking an authoritative array of contributions on both established and newer authors of contemporary fiction.
Author: Isaac Maurice Wormser
Publisher:
ISBN:
Category : Corporation law
Languages : en
Pages : 232
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Book Description
Author: John Hollowell
Publisher: UNC Press Books
ISBN: 1469622882
Category : Language Arts & Disciplines
Languages : en
Pages : 243
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Book Description
Journalists and novelists responded to the pervasive social changes of the 1960s in America with a variety of experiments in nonfiction. Those who have praised the vitality of the new journalism have seen it as a fusion of the journalist's passion for detail and the novelist's moral vision. Hollowell presents a critically sharp portrait of what the new journalists and novelists are doing and why. The author concludes that future writing will further obscure the difference between fact and fiction. Originally published in 1977. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Gardner Dozois
Publisher: Macmillan
ISBN: 031294487X
Category : Fiction
Languages : en
Pages : 627
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Book Description
Science fiction at its very best, this award-winning anthology features worksby the top sci fi writers of the year.
Author: Gardner Dozois
Publisher: St. Martin's Griffin
ISBN: 1466829451
Category : Fiction
Languages : en
Pages : 960
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Book Description
This year's edition of The Year's Best Science Fiction demonstrates once again why the anthology received the 1988 Locus Award for the best anthology in the field. Gardner Dozois presents the finest writing of the year, from both new writers and old favorites, including Walter Jon Williams, James Patrick Kelly, Brian Stableford, Steven Gould, Harry Turtledove, Eileen Gunn, Nancy Kress, Mike Resnick, Bruce McAllister, Connie Willis, Lewis Shiner, Judith Moffett, Bruce Sterling, Robert Silverberg, George Alec Effinger, Howard Waldrop, Kim Stanley Robinson, James Lawson, Michael Swanwick, John Kessel, Stephen Kraus, Pat Cadigan, Kristine Kathryn Rusch, D. Alexander Smith, Kathe Koja, Kim Newman, Lucius Shepard. Encompassing the entire genre, this year's edition once again brings you the best science fiction stories available anywhere. "Dozois's best-of-the-year collection has become a landmark of the genre."--Publishers Weekly
