Author: Bronwen Thomas
Publisher: U of Nebraska Press
ISBN: 0803244517
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
Experimentation with the speech of characters has been hailed by Gärard Genette as ?one of the main paths of emancipation in the modern novel.? Dialogue as a stylistic and narrative device is a key feature in the development of the novel as a genre, yet it is also a phenomenon little acknowledged or explored in the critical literature. Fictional Dialogue demonstrates the richness and versatility of dialogue as a narrative technique in twentieth- and twenty-first-century novels by focusing on extended extracts and sequences of utterances. It also examines how different versions of dialogue may help to normalize or idealize certain patterns and practices, thereby excluding alternative possibilities or eliding ?unevenness? and differences. Bronwen Thomas, by bringing together theories and models of fictional dialogue from a wide range of disciplines and intellectual traditions, shows how the subject raises profound questions concerning our understanding of narrative and human communication. The first study of its kind to combine literary and narratological analysis with reference to linguistic terms and models, Bakhtinian theory, cultural history, media theory, and cognitive approaches, this book is also the first to focus in depth on the dialogue novel in the twentieth and twenty-first centuries and to bring together examples of dialogue from literature, popular fiction, and nonlinear narratives. Beyond critiquing existing methods of analysis, it outlines a promising new method for analyzing fictional dialogue.
Fictional Dialogue
Author: Bronwen Thomas
Publisher: U of Nebraska Press
ISBN: 0803244517
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
Experimentation with the speech of characters has been hailed by Gärard Genette as ?one of the main paths of emancipation in the modern novel.? Dialogue as a stylistic and narrative device is a key feature in the development of the novel as a genre, yet it is also a phenomenon little acknowledged or explored in the critical literature. Fictional Dialogue demonstrates the richness and versatility of dialogue as a narrative technique in twentieth- and twenty-first-century novels by focusing on extended extracts and sequences of utterances. It also examines how different versions of dialogue may help to normalize or idealize certain patterns and practices, thereby excluding alternative possibilities or eliding ?unevenness? and differences. Bronwen Thomas, by bringing together theories and models of fictional dialogue from a wide range of disciplines and intellectual traditions, shows how the subject raises profound questions concerning our understanding of narrative and human communication. The first study of its kind to combine literary and narratological analysis with reference to linguistic terms and models, Bakhtinian theory, cultural history, media theory, and cognitive approaches, this book is also the first to focus in depth on the dialogue novel in the twentieth and twenty-first centuries and to bring together examples of dialogue from literature, popular fiction, and nonlinear narratives. Beyond critiquing existing methods of analysis, it outlines a promising new method for analyzing fictional dialogue.
Publisher: U of Nebraska Press
ISBN: 0803244517
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
Experimentation with the speech of characters has been hailed by Gärard Genette as ?one of the main paths of emancipation in the modern novel.? Dialogue as a stylistic and narrative device is a key feature in the development of the novel as a genre, yet it is also a phenomenon little acknowledged or explored in the critical literature. Fictional Dialogue demonstrates the richness and versatility of dialogue as a narrative technique in twentieth- and twenty-first-century novels by focusing on extended extracts and sequences of utterances. It also examines how different versions of dialogue may help to normalize or idealize certain patterns and practices, thereby excluding alternative possibilities or eliding ?unevenness? and differences. Bronwen Thomas, by bringing together theories and models of fictional dialogue from a wide range of disciplines and intellectual traditions, shows how the subject raises profound questions concerning our understanding of narrative and human communication. The first study of its kind to combine literary and narratological analysis with reference to linguistic terms and models, Bakhtinian theory, cultural history, media theory, and cognitive approaches, this book is also the first to focus in depth on the dialogue novel in the twentieth and twenty-first centuries and to bring together examples of dialogue from literature, popular fiction, and nonlinear narratives. Beyond critiquing existing methods of analysis, it outlines a promising new method for analyzing fictional dialogue.
Fictional Dialogue
Author: Bronwen Thomas
Publisher: U of Nebraska Press
ISBN: 0803240317
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
Experimentation with the speech of characters has been hailed by Gérard Genette as “one of the main paths of emancipation in the modern novel.” Dialogue as a stylistic and narrative device is a key feature in the development of the novel as a genre, yet it is also a phenomenon little acknowledged or explored in the critical literature. Fictional Dialogue demonstrates the richness and versatility of dialogue as a narrative technique in twentieth- and twenty-first-century novels by focusing on extended extracts and sequences of utterances. It also examines how different versions of dialogue may help to normalize or idealize certain patterns and practices, thereby excluding alternative possibilities or eliding “unevenness” and differences. Bronwen Thomas, by bringing together theories and models of fictional dialogue from a wide range of disciplines and intellectual traditions, shows how the subject raises profound questions concerning our understanding of narrative and human communication. The first study of its kind to combine literary and narratological analysis with reference to linguistic terms and models, Bakhtinian theory, cultural history, media theory, and cognitive approaches, this book is also the first to focus in depth on the dialogue novel in the twentieth and twenty-first centuries and to bring together examples of dialogue from literature, popular fiction, and nonlinear narratives. Beyond critiquing existing methods of analysis, it outlines a promising new method for analyzing fictional dialogue.
Publisher: U of Nebraska Press
ISBN: 0803240317
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
Experimentation with the speech of characters has been hailed by Gérard Genette as “one of the main paths of emancipation in the modern novel.” Dialogue as a stylistic and narrative device is a key feature in the development of the novel as a genre, yet it is also a phenomenon little acknowledged or explored in the critical literature. Fictional Dialogue demonstrates the richness and versatility of dialogue as a narrative technique in twentieth- and twenty-first-century novels by focusing on extended extracts and sequences of utterances. It also examines how different versions of dialogue may help to normalize or idealize certain patterns and practices, thereby excluding alternative possibilities or eliding “unevenness” and differences. Bronwen Thomas, by bringing together theories and models of fictional dialogue from a wide range of disciplines and intellectual traditions, shows how the subject raises profound questions concerning our understanding of narrative and human communication. The first study of its kind to combine literary and narratological analysis with reference to linguistic terms and models, Bakhtinian theory, cultural history, media theory, and cognitive approaches, this book is also the first to focus in depth on the dialogue novel in the twentieth and twenty-first centuries and to bring together examples of dialogue from literature, popular fiction, and nonlinear narratives. Beyond critiquing existing methods of analysis, it outlines a promising new method for analyzing fictional dialogue.
Conversations with Freud
Author: D.M. Thomas
Publisher: Watkins Media Limited
ISBN: 1786784238
Category : Biography & Autobiography
Languages : en
Pages : 87
Book Description
Sigmund Freud was no stranger to controversy. He shocked many with his revolutionary theories on human development, desires and sexuality, and transformed the way we think about ourselves today. Starting with a brilliant foreword from renowned psychologist Edward de Bono, the book is then divided into two parts: a biographical essay that provides a concise overview of Freud's life, achievements, theories and controversies; and a Q&A dialogue based on rigorous research and incorporating Freud's actual spoken or written words whenever possible. D.M. Thomas carefully guides us through Freud's life and theories that would lead to him become the father of psychoanalysis. In frank conversation, full of energy and spiced with cynicism and wit, he'll interpret your wildest fantasies and strangest dreams, and even let you in on a few family secrets.
Publisher: Watkins Media Limited
ISBN: 1786784238
Category : Biography & Autobiography
Languages : en
Pages : 87
Book Description
Sigmund Freud was no stranger to controversy. He shocked many with his revolutionary theories on human development, desires and sexuality, and transformed the way we think about ourselves today. Starting with a brilliant foreword from renowned psychologist Edward de Bono, the book is then divided into two parts: a biographical essay that provides a concise overview of Freud's life, achievements, theories and controversies; and a Q&A dialogue based on rigorous research and incorporating Freud's actual spoken or written words whenever possible. D.M. Thomas carefully guides us through Freud's life and theories that would lead to him become the father of psychoanalysis. In frank conversation, full of energy and spiced with cynicism and wit, he'll interpret your wildest fantasies and strangest dreams, and even let you in on a few family secrets.
Who is Killing the Great Capes of Heropa?
Author: Andrez Bergen
Publisher: John Hunt Publishing
ISBN: 1782792341
Category : Fiction
Languages : en
Pages : 522
Book Description
Heropa: A vast, homogenized city patrolled by heroes and populated by adoring masses. A pulp fiction fortress of solitude for crime-fighting team the Equalizers, led by new recruit Southern Cross - a lifetime away from the rain-drenched, dystopic metropolis of Melbourne. Who, then, is killing the great Capes of Heropa? In this paired homage to detective noir from the 1940s and the '60s Marvel age of trail-blazing comic books, Andrez Bergen gloriously redefines the mild-mannered superhero novel. ,
Publisher: John Hunt Publishing
ISBN: 1782792341
Category : Fiction
Languages : en
Pages : 522
Book Description
Heropa: A vast, homogenized city patrolled by heroes and populated by adoring masses. A pulp fiction fortress of solitude for crime-fighting team the Equalizers, led by new recruit Southern Cross - a lifetime away from the rain-drenched, dystopic metropolis of Melbourne. Who, then, is killing the great Capes of Heropa? In this paired homage to detective noir from the 1940s and the '60s Marvel age of trail-blazing comic books, Andrez Bergen gloriously redefines the mild-mannered superhero novel. ,
How to Write Dazzling Dialogue
Author: James Scott Bell
Publisher:
ISBN: 9780910355148
Category : Authorship
Languages : en
Pages : 135
Book Description
There is one sure-fire way of improving your novel "fast." . . You may know the fundamentals of how to write fiction. You may be more than competent in plot, structure and characters. But if your dialogue is dull it will drag the whole story down. On the other hand, if your dialogue is crisp and full of tension it "immediately" grabs the reader. And if that reader is an agent or editor, sharp dialogue will give them instant assurance that you know what you're doing as a writer. Writing a bestseller or hot screenplay is no easy task, but dazzling dialogue is an absolute essential if you want to get there. The best part is, the skills of the dialogue craft are easy to understand and put into practice. #1 bestselling writing coach James Scott Bell has put together and expanded upon the dialogue lectures from his popular writing seminars. In "How to Write Dazzling Dialogue" you'll learn: What fictional dialogue is ... and isn't The 11 secrets of crafting memorable dialogue The 5 essential tasks of dialogue 5 ways to improve your dialogue ear 4 can't-miss methods to increase conflict and tension in any dialogue exchange The top 10 dialogue issues, and how to resolve them You'll also see dazzling dialogue in action with examples from hit novels and screenplays. Don't sabotage your chances of selling your work to readers or publishers because the dialogue is unexceptional. Dazzle them with what the characters say. "How to Write Dazzling Dialogue" will give you the tools to do it.
Publisher:
ISBN: 9780910355148
Category : Authorship
Languages : en
Pages : 135
Book Description
There is one sure-fire way of improving your novel "fast." . . You may know the fundamentals of how to write fiction. You may be more than competent in plot, structure and characters. But if your dialogue is dull it will drag the whole story down. On the other hand, if your dialogue is crisp and full of tension it "immediately" grabs the reader. And if that reader is an agent or editor, sharp dialogue will give them instant assurance that you know what you're doing as a writer. Writing a bestseller or hot screenplay is no easy task, but dazzling dialogue is an absolute essential if you want to get there. The best part is, the skills of the dialogue craft are easy to understand and put into practice. #1 bestselling writing coach James Scott Bell has put together and expanded upon the dialogue lectures from his popular writing seminars. In "How to Write Dazzling Dialogue" you'll learn: What fictional dialogue is ... and isn't The 11 secrets of crafting memorable dialogue The 5 essential tasks of dialogue 5 ways to improve your dialogue ear 4 can't-miss methods to increase conflict and tension in any dialogue exchange The top 10 dialogue issues, and how to resolve them You'll also see dazzling dialogue in action with examples from hit novels and screenplays. Don't sabotage your chances of selling your work to readers or publishers because the dialogue is unexceptional. Dazzle them with what the characters say. "How to Write Dazzling Dialogue" will give you the tools to do it.
Dialogue
Author: Lewis Turco
Publisher:
ISBN: 9780898799477
Category : Creative writing
Languages : en
Pages : 0
Book Description
Learn how to utilize dialogue to dramatize conflict, the most effective balance between dialogue and other story elements, and the difference between effective dialogue and real speech.
Publisher:
ISBN: 9780898799477
Category : Creative writing
Languages : en
Pages : 0
Book Description
Learn how to utilize dialogue to dramatize conflict, the most effective balance between dialogue and other story elements, and the difference between effective dialogue and real speech.
The Thought Gang
Author: Tibor Fischer
Publisher: Simon and Schuster
ISBN: 0684830795
Category : Fiction
Languages : en
Pages : 328
Book Description
A washed-up, middle-aged British philosopher teams up with an incompetent, one-armed bank robber to plan the ultimate bank job.
Publisher: Simon and Schuster
ISBN: 0684830795
Category : Fiction
Languages : en
Pages : 328
Book Description
A washed-up, middle-aged British philosopher teams up with an incompetent, one-armed bank robber to plan the ultimate bank job.
Dialogue and Critical Discourse
Author: Michael Macovski
Publisher: Oxford University Press
ISBN: 0195361326
Category : Language Arts & Disciplines
Languages : en
Pages : 285
Book Description
This interdisciplinary volume of collected, mostly unpublished essays demonstrates how Mikhail Bakhtin's theory of dialogic meaning--and its subsequent elaborations--have influenced a wide range of critical discourses. With essays by Michael Holquist, Jerome J. McGann, John Searle, Deborah Tannen, Gary Saul Morson, Caryl Emerson, Shirley Brice Heath, Don H. Bialostosky, Paul Friedrich, Timothy Austin, John Farrell, Rachel May, and Michael Macovski, the collection explores dialogue not only as an exchange among intratextual voices, but as an extratextual interplay of historical influences, oral forms, and cultural heuristics as well. Such approaches extend the implications of dialogue beyond the boundaries of literary theory, to anthropology, philosophy, linguistics, and cultural studies. The essays address such issues as the establishment and exercise of political power, the relation between conversational and literary discourse, the historical development of the essay, and the idea of literature as social action. Taken together, the essays argue for a redefinition of literary meaning--one that is communal, interactive, and vocatively created. They demonstrate that literary meaning is not rendered by a single narrator, nor even by a solitary author--but is incrementally exchanged and constructed.
Publisher: Oxford University Press
ISBN: 0195361326
Category : Language Arts & Disciplines
Languages : en
Pages : 285
Book Description
This interdisciplinary volume of collected, mostly unpublished essays demonstrates how Mikhail Bakhtin's theory of dialogic meaning--and its subsequent elaborations--have influenced a wide range of critical discourses. With essays by Michael Holquist, Jerome J. McGann, John Searle, Deborah Tannen, Gary Saul Morson, Caryl Emerson, Shirley Brice Heath, Don H. Bialostosky, Paul Friedrich, Timothy Austin, John Farrell, Rachel May, and Michael Macovski, the collection explores dialogue not only as an exchange among intratextual voices, but as an extratextual interplay of historical influences, oral forms, and cultural heuristics as well. Such approaches extend the implications of dialogue beyond the boundaries of literary theory, to anthropology, philosophy, linguistics, and cultural studies. The essays address such issues as the establishment and exercise of political power, the relation between conversational and literary discourse, the historical development of the essay, and the idea of literature as social action. Taken together, the essays argue for a redefinition of literary meaning--one that is communal, interactive, and vocatively created. They demonstrate that literary meaning is not rendered by a single narrator, nor even by a solitary author--but is incrementally exchanged and constructed.
Dialogue across Media
Author: Jarmila Mildorf
Publisher: John Benjamins Publishing Company
ISBN: 9027266158
Category : Language Arts & Disciplines
Languages : en
Pages : 308
Book Description
With chapters on social media, videogames and human-machine communication, Dialogue across Media provides a comprehensive overview of the role of dialogue in contemporary media. Drawing on the expertise of scholars and practitioners from multiple fields and disciplines, including screenwriters, literary critics, linguists and new media theorists, each chapter provides an in-depth analysis of dialogue in action. Together, these chapters demonstrate the unique energy and versatility that dialogic forms can offer artists and readers alike, and the special role that dialogue plays in helping us to understand the complexities and contradictions of human interaction. Dialogue across Media provides an essential resource for students and specialists in many fields concerned with dialogue, including language and literature, media and cultural studies, narratology and rhetoric.
Publisher: John Benjamins Publishing Company
ISBN: 9027266158
Category : Language Arts & Disciplines
Languages : en
Pages : 308
Book Description
With chapters on social media, videogames and human-machine communication, Dialogue across Media provides a comprehensive overview of the role of dialogue in contemporary media. Drawing on the expertise of scholars and practitioners from multiple fields and disciplines, including screenwriters, literary critics, linguists and new media theorists, each chapter provides an in-depth analysis of dialogue in action. Together, these chapters demonstrate the unique energy and versatility that dialogic forms can offer artists and readers alike, and the special role that dialogue plays in helping us to understand the complexities and contradictions of human interaction. Dialogue across Media provides an essential resource for students and specialists in many fields concerned with dialogue, including language and literature, media and cultural studies, narratology and rhetoric.
Requests in Film Dialogue and Dubbing Translation
Author: Vittorio Napoli
Publisher: Cambridge Scholars Publishing
ISBN: 1527565246
Category : Performing Arts
Languages : en
Pages : 271
Book Description
This volume is the first to give an account of speech act pragmatics and (im)politeness in film conversation and in dubbing translation, with a focus on requests. The scope of the book is twofold: on the one hand, it describes the pragmatic features of requests in English and Italian film dialogue, while, on the other, it reveals patterns and trends concerning their translation into dubbed Italian. The first part of the volume appeals to scholars in cross-cultural pragmatics and film conversation. Differences and similarities in requestive behaviour are investigated in a comparative perspective between the two film languages, while the pragmatic features typifying requests in film speech are analysed against features typifying requests in spontaneous conversation. The second section of the book will appeal to translation scholars, since it provides an insight into how the pragmatics and the (im)politeness of requests travel across languages in the translation process, thus contributing to the largely under-researched relationship between pragmatics and translation studies.
Publisher: Cambridge Scholars Publishing
ISBN: 1527565246
Category : Performing Arts
Languages : en
Pages : 271
Book Description
This volume is the first to give an account of speech act pragmatics and (im)politeness in film conversation and in dubbing translation, with a focus on requests. The scope of the book is twofold: on the one hand, it describes the pragmatic features of requests in English and Italian film dialogue, while, on the other, it reveals patterns and trends concerning their translation into dubbed Italian. The first part of the volume appeals to scholars in cross-cultural pragmatics and film conversation. Differences and similarities in requestive behaviour are investigated in a comparative perspective between the two film languages, while the pragmatic features typifying requests in film speech are analysed against features typifying requests in spontaneous conversation. The second section of the book will appeal to translation scholars, since it provides an insight into how the pragmatics and the (im)politeness of requests travel across languages in the translation process, thus contributing to the largely under-researched relationship between pragmatics and translation studies.