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Author: Alice Lilliequist Sickels
Publisher:
ISBN:
Category : Festival of Nations
Languages : en
Pages : 18
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Book Description
Author: Alice Lilliequist Sickels
Publisher:
ISBN:
Category : Festival of Nations
Languages : en
Pages : 18
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Book Description
Author: International House of Philadelphia
Publisher:
ISBN:
Category : Minorities
Languages : en
Pages : 8
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Book Description
Author: American Association for the United Nations
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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Book Description
Author: Membership Council. St. Paul International Institute
Publisher:
ISBN:
Category : Saint Paul (Minn.)
Languages : en
Pages : 52
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Book Description
Author:
Publisher:
ISBN:
Category : Hibbing (Minn.).
Languages : en
Pages : 1
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Book Description
Author: Bettie Gibson
Publisher:
ISBN:
Category : Hibbing (Minn.).
Languages : en
Pages : 1
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Book Description
Author: Ronald D. Cohen
Publisher: Scarecrow Press
ISBN: 9780810862029
Category : Music
Languages : en
Pages : 192
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Book Description
This book presents a history of folk music festivals in the United States, beginning in the 19th century and ending in the early 21st century. The focus is on the proliferation and diversity of festivals in the 20th century.
Author:
Publisher:
ISBN:
Category : Festivals
Languages : en
Pages : 50
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Book Description
Author: International Institute, Saint Louis
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Andrew Apter
Publisher: University of Chicago Press
ISBN: 0226023567
Category : Social Science
Languages : en
Pages : 345
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Book Description
When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhood and citizenship animated by the exuberance of its recent oil boom. Andrew Apter's The Pan-African Nation tells the full story of this cultural extravaganza, from Nigeria's spectacular rebirth as a rapidly developing petro-state to its dramatic demise when the boom went bust. According to Apter, FESTAC expanded the horizons of blackness in Nigeria to mirror the global circuits of its economy. By showcasing masks, dances, images, and souvenirs from its many diverse ethnic groups, Nigeria forged a new national culture. In the grandeur of this oil-fed confidence, the nation subsumed all black and African cultures within its empire of cultural signs and erased its colonial legacies from collective memory. As the oil economy collapsed, however, cultural signs became unstable, contributing to rampant violence and dissimulation. The Pan-African Nation unpacks FESTAC as a historically situated mirror of production in Nigeria. More broadly, it points towards a critique of the political economy of the sign in postcolonial Africa.
