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Author: Alma Santosuosso
Publisher: Routledge
ISBN: 1351557378
Category : Music
Languages : en
Pages : 413
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Book Description
This book presents the most recent findings of twenty of the foremost European and North American researchers into the music of the Middle Ages. The chronological scope of their topics is wide, from the ninth to the fifteenth century. Wide too is the range of the subject matter: included are essays on ecclesiastical chant, early and late (and on the earliest and latest of its supernumerary tropes, monophonic and polyphonic); on the innovative and seminal polyphony of Notre-Dame de Paris, and the Latin poetry associated with the great cathedral; on the liturgy of Paris, Rome and Milan; on musical theory; on the emotional reception of music near the end of the medieval period and the emergence of modern sensibilities; even on methods of encoding the melodies that survive from the Middle Ages, encoding that makes it practical to apply computer-assisted analysis to their vast number. The findings presented in this book will be of interest to those engaged by music and the liturgy, active researchers and students. All the papers are carefully and extensively documented by references to medieval sources.
Author: Alma Santosuosso
Publisher: Routledge
ISBN: 1351557378
Category : Music
Languages : en
Pages : 413
Get Book Here
Book Description
This book presents the most recent findings of twenty of the foremost European and North American researchers into the music of the Middle Ages. The chronological scope of their topics is wide, from the ninth to the fifteenth century. Wide too is the range of the subject matter: included are essays on ecclesiastical chant, early and late (and on the earliest and latest of its supernumerary tropes, monophonic and polyphonic); on the innovative and seminal polyphony of Notre-Dame de Paris, and the Latin poetry associated with the great cathedral; on the liturgy of Paris, Rome and Milan; on musical theory; on the emotional reception of music near the end of the medieval period and the emergence of modern sensibilities; even on methods of encoding the melodies that survive from the Middle Ages, encoding that makes it practical to apply computer-assisted analysis to their vast number. The findings presented in this book will be of interest to those engaged by music and the liturgy, active researchers and students. All the papers are carefully and extensively documented by references to medieval sources.
Author: Philip J. Goddard
Publisher:
ISBN: 9780852447642
Category : Religion
Languages : en
Pages : 339
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Book Description
This book provides the first comprehensive history in English for eighty years of the origins and development of the Holy Week liturgy in the Roman Rite. Describing how the first apostles and disciples, and their immediate successors, came during the years following 33 AD to celebrate an annual feast of the Resurrection, and the form which this first-century celebration took, it goes on to explain in detail how the ceremonies with which we are familiar today began in fourth-century Jerusalem. These ceremonies were then elaborated and developed during the early and late Middle Ages in Western Europe, particularly in the Frankish kingdom, and at Rome itself, down to the Tridentine reform of the 16th century, a reform which endured for some four hundred years with very little change. Looking at the two significant 20th century reforms of the rites, that of 1955 and that of 1970, Philip J Goddard then explains the various changes which were made, the sources from which innovations were introduced, and the reasons for the introduction of those changes and innovations, as given (so far as possible) by those involved in making them. While accessible to the ordinary reader with no particular knowledge of liturgical history, this study will be if great interest to liturgical specialists and scholars, to those in seminaries and religious orders or to clergy interested in the history of the Roman liturgy. Comprehensive notes give full references to both primary and secondary sources. Philip J Goddard is a graduate of the University of Oxford, and has had an interest in liturgical matters for many years. He is the author of 'The Plain Man's Guide to the Traditional Roman Rite of Holy Mass', and contributes articles and book reviews to the magazine 'Mass of Ages'.
Author: Thomas Forrest Kelly
Publisher: Oxford University Press
ISBN: 0195357353
Category : Music
Languages : en
Pages : 385
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Book Description
The Exultet rolls of southern Italy are parchment scrolls containing text and music for the blessing of the great Easter candle; they contain magnificent illustrations, often turned upside down with respect to the text, The Exultet in Southern Italy provides a broad perspective on this phenomenon that has long attracted the interest of those interested in medieval art, liturgy, and music. This book considers these documents in the cultural and liturgical context in which they were made, and provides a perspective on all aspects of this particularly southern Italian practice. While previous studies have concentrated on the illustrations in these rolls, Kelly's book also looks at the particular place of the Exultet in changing ceremonial practices, provides background on the texts and music used in southern Italy, and inquires into the manufacture and purpose of the Exultets--why they were made, who owned them, and how they were used.
Author: Catholic Church
Publisher:
ISBN:
Category : Missals
Languages : en
Pages : 650
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Book Description
Author: CYR ULYSSE JOSEPH CHEVALIER
Publisher:
ISBN:
Category :
Languages : en
Pages : 472
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Book Description
Author: Richard Ledrede
Publisher: PIMS
ISBN: 9780888440303
Category : Literary Collections
Languages : en
Pages : 228
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Book Description
Author: James Gairdner
Publisher:
ISBN:
Category :
Languages : en
Pages : 566
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Book Description
Author: Matthew Paris
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 794
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Book Description
Author: Susan Rankin
Publisher: University of Notre Dame Pess
ISBN: 0268203423
Category : History
Languages : en
Pages : 418
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Book Description
Drawing on a wide context of bookmaking, this sweeping study traces fundamental changes in books made to support musical practice during the Carolingian Renaissance. During the late eighth and ninth centuries, there were dramatic changes in the way European medieval scribes made books for singers, moving from heavy reliance on unwritten knowledge to the introduction of musical notation into manuscripts. Well-made liturgical books were vital to the success of the Carolingian fight for Christian salvation: these were the basis for carrying out worship correctly, rendering it most effective in petitions to the Christian God. In Sounding the Word of God, Susan Rankin explores Carolingian concern with the expression and control of sound in writing—discernible through instructions for readers and singers visible in liturgical books. Her central focus is on books made for singers, including those made for priests. The emergence of musical notations for ecclesiastical chant and of books designed to accommodate those notations, Rankin concludes, are important aspects of the impact of Carolingian reforming zeal on material culture. The book has three sections. Part 1 considers late antique and early medieval texts, which deal with the value of singing and its necessary regulation. Part 2 describes and investigates techniques used by Carolingian scribes to provide instructions for readers and singers. The extant books themselves are the focus of part 3. Rankin’s analysis of over two hundred manuscripts and extensive supporting images represents the work of a scholar who has spent a lifetime with the sources; her explication of the images, particularly those of the earlier manuscripts, changes the way in which musicologists and liturgical scholars will view the images. Indeed, it will change the way in which they approach the unfolding history of chant and liturgy in the Carolingian period.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 474
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Book Description
