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Author: Emily Braun
Publisher: Metropolitan Museum of Art
ISBN: 0300208073
Category : Art
Languages : en
Pages : 394
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Book Description
This beautifully illustrated volume tells the story of Cubism through twenty-two essays that explore the most significant private holding of Cubist art in the world today, the Leonard A. Lauder Collection, now a promised gift to The Metropolitan Museum of Art. The eighty works featured in this volume—by Georges Braque, Juan Gris, Fernand Léger, and Pablo Picasso‐are among the most important and visually arresting in the movement’s history. These masterpieces, critical to the development of Cubism, include such groundbreaking paintings as Braque’s Trees at L’Estaque, considered one of the very first Cubist pictures; Picasso’s Still Life with Fan: “L’Indépendant,” one of the first to introduce typography; Gris’s noirish, uncanny The Man at the Café, one of his most celebrated collages; and Léger’s uniquely ambitious Composition (The Typographer). Written by renowned experts on this subject, the essays trace the evolution of Cubism from its origins in the still lifes, portraits, and collages of Braque and Picasso through the precisely delineated compositions by Gris that prefigure the Synthetic Cubism of the war years to Léger’s distinctive intersections of spherical, cylindrical, and cubic forms that evoke the syncopated rhythms of modern life. Also included are a fascinating interview in which Leonard Lauder discusses his approach to collecting, an investigative essay on the information gleaned from the backs of the works themselves, and an authoritative catalogue that further establishes the lives of these magnificent objects. A publication to place alongside the great histories of Modernism, this comprehensive book will stand as the resource for understanding Cubism for many years to come. -
Author: Emily Braun
Publisher: Metropolitan Museum of Art
ISBN: 0300208073
Category : Art
Languages : en
Pages : 394
Get Book Here
Book Description
This beautifully illustrated volume tells the story of Cubism through twenty-two essays that explore the most significant private holding of Cubist art in the world today, the Leonard A. Lauder Collection, now a promised gift to The Metropolitan Museum of Art. The eighty works featured in this volume—by Georges Braque, Juan Gris, Fernand Léger, and Pablo Picasso‐are among the most important and visually arresting in the movement’s history. These masterpieces, critical to the development of Cubism, include such groundbreaking paintings as Braque’s Trees at L’Estaque, considered one of the very first Cubist pictures; Picasso’s Still Life with Fan: “L’Indépendant,” one of the first to introduce typography; Gris’s noirish, uncanny The Man at the Café, one of his most celebrated collages; and Léger’s uniquely ambitious Composition (The Typographer). Written by renowned experts on this subject, the essays trace the evolution of Cubism from its origins in the still lifes, portraits, and collages of Braque and Picasso through the precisely delineated compositions by Gris that prefigure the Synthetic Cubism of the war years to Léger’s distinctive intersections of spherical, cylindrical, and cubic forms that evoke the syncopated rhythms of modern life. Also included are a fascinating interview in which Leonard Lauder discusses his approach to collecting, an investigative essay on the information gleaned from the backs of the works themselves, and an authoritative catalogue that further establishes the lives of these magnificent objects. A publication to place alongside the great histories of Modernism, this comprehensive book will stand as the resource for understanding Cubism for many years to come. -
Author: Linda Patricia Cleary
Publisher:
ISBN: 9781320549431
Category :
Languages : en
Pages :
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Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Author: Katia Baudin-Reneau
Publisher: Hirmer Verlag GmbH
ISBN: 9783777425948
Category : Art and architecture
Languages : en
Pages : 0
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Book Description
"The goal should be an understanding by all three parties: the wall, the architect and the painter", observed the French artist Fernand Léger (1881-1955) in 1933. His projects reveal a willingness to try out new things and demonstrate his striving to extend painting beyond the boundaries of the easel and to integrate it into the social, everyday space. They shed new light on one of the influential artists of the twentieth century. Fernand Léger, known for his Cubist paintings and his representational works of the mechanical period, was a trained architectural draughtsman who from the early 1920s until the end of his life made an intensive study of the interrelationships between painting and space. He was convinced that the social and psychological dimension in the use of colour contributed to a better integration of modern architecture into everyday life and human existence. In close dialogue with architects like Wallace K. Harrison and Le Corbusier he produced fascinating, often unexpectedly experimental and frequently abstract projects for houses, flats, churches, ships and world exhibitions.
Author: Jean Cassou
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Christian Derouet
Publisher: Yale University Press
ISBN:
Category : Art
Languages : en
Pages : 296
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Book Description
An insightful look at the dynamic relationship between modern art and modern urban life in 1920s Paris through the lens of Fernand Léger's masterpiece The City With his landmark 1919 painting The City, Fernand Léger (1881-1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theater, dance, film, and architecture. This catalogue casts new light on the painting (reproducing all of its studies together for the first time), the avant-garde use of print media, and Léger's fascination with cinema and architecture, and contextualizes a network of international avant-gardes--including Blaise Cendrars, Le Corbusier, Jean Epstein, Piet Mondrian, Amédée Ozenfant, Francis Picabia, and Theo van Doesburg--in relation to Léger. Featuring nearly 250 images of paintings, architectural designs, models, posters, set designs, and film stills and an anthology of relevant historical texts not previously published in English, this handsome volume conveys the spirit of experimentation of the 1920s. Scholars in the fields of art, architecture, and film history offer a deeper understanding of the relationship between art and the modern urban experience that defined this significant chapter in the history of modern art. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Philadelphia Museum of Art (10/14/13-01/05/14)
Author:
Publisher:
ISBN:
Category : Art, French
Languages : en
Pages :
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Author: Serge Fauchereau
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
"This book presents the work of one of the twentieth century's most influential painters. Leger (1881-1955) is associated with the Cubist movement, although he disagreed with the analytical method of the Cubists and supported the Section d'Or group's emphasis on movement and color. This interest can be seen in Leger's earlier work, while his later art focuses on industrial objects and landscapes." "This volume is a collection of Leger's most influential work - from the vigorous energy and sharp draughtsmanship of his early years, to the aggressive, unidealized industrial forms of his later work. Author Serge Fauchereau clearly outlines the progression of Leger's career and his impact on the history of modern art."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Fernand Léger
Publisher: The Museum of Modern Art
ISBN: 9780870700521
Category : Architecture
Languages : en
Pages : 312
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Book Description
Fernand Leger (1881-1955) is the only modern artist to choose modernity itself as his subject. From his early series Contrastes de formes (1913-14), the first fully abstract works to emerge from Cubism, through his last realistic paintings of construction workers from the early 1950s, Leger's lifelong subject was the pulse and dynamism of contemporary life.
Author: Fernand Léger
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
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Book Description
Author: Fernand Mourlot
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 262
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Book Description
