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Author: Nabanita Sengupta
Publisher: Taylor & Francis
ISBN: 1003806481
Category : Social Science
Languages : en
Pages : 217
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Book Description
This book explores the complex assemblage of biopolitics, citizenship, ethics and human rights concerns in South Asia focusing specifically on women poets, writers and artists and their explorations on marginalisation, violence and protest. The book traces the origins, varied historiographies and socio-political consequences of women’s protests and feminist discourses. Bringing together narratives of the Landais from Afghanistan, voices from Pakistan, Bangladesh and Sri Lanka, Miya women poets writing from Assam, and stories of Dalit and queer women across the region, it analyses the diverse modes of women’s protests and their ethical and humanitarian cartographies. The volume highlights the reconfiguration of female voices of protest in contemporary literature and popular culture in South Asia and the formation of closely-knit female communities of solidarity, cooperation and collective political action. The book will be of interest to students and researchers of gender studies, literature, cultural studies, sociology, minority and indigenous studies, and South Asian studies.
Author: Nabanita Sengupta
Publisher: Taylor & Francis
ISBN: 1003806481
Category : Social Science
Languages : en
Pages : 217
Get Book
Book Description
This book explores the complex assemblage of biopolitics, citizenship, ethics and human rights concerns in South Asia focusing specifically on women poets, writers and artists and their explorations on marginalisation, violence and protest. The book traces the origins, varied historiographies and socio-political consequences of women’s protests and feminist discourses. Bringing together narratives of the Landais from Afghanistan, voices from Pakistan, Bangladesh and Sri Lanka, Miya women poets writing from Assam, and stories of Dalit and queer women across the region, it analyses the diverse modes of women’s protests and their ethical and humanitarian cartographies. The volume highlights the reconfiguration of female voices of protest in contemporary literature and popular culture in South Asia and the formation of closely-knit female communities of solidarity, cooperation and collective political action. The book will be of interest to students and researchers of gender studies, literature, cultural studies, sociology, minority and indigenous studies, and South Asian studies.
Author: Mary Triece
Publisher: Routledge
ISBN: 0429977611
Category : Social Science
Languages : en
Pages : 452
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Book Description
Protest and Popular Culture is at once a historical monograph and a critique of postmodernist approaches to the study of mass media, consumerism, and popular political movements. In it, Triece compares the self-representations of several late nineteenth and twentieth-century women's protest movements with representations of women offered by contemporaneous mass media outlets. She shows that from the late nineteenth century until the present day, U.S. women's protest movements sought to convince women that they are first and foremost laborer/producers, while the U.S. media has just as consistently sought to convince women that they are primarily consumers. Triece contends that these approaches to portraying women have been and continue to be constructed in opposition to one another. The leaders of women's protest movements, she argues, have long sought to convince women not to spend time and money on reshaping their selves through consumer purchases, but instead to focus attention on empowering themselves politically by asserting control over their own labor power. The mass media, meanwhile, has always treated such movements as potential threats to the financial well-being of the consumer sector (that is, of advertisers), and so has consistently trivialized them, while seeking simultaneously to convince women that they should devote attention and resources to buying things, not to struggling to overcome class and gender discrimination. Many cultural-studies scholars have argued that in recent years, rising prosperity has made consumerism into the primary site of both individual expression and ?resistance? to the dominant socio-economic order, with self-definition through personal purchases supplanting the role formerly played by struggle for an end to inequities of all kinds. These scholars contend that as such, mass media no longer function to naturalize, and thus reinforce such inequities, and consumerism no longer serves to perpetuate them. Triece argues that her examples show that this argument is faulty, and that scholars should continue to take a traditional materialist view in all studies of mass media, consumerism, and popular protest.
Author: Guida West
Publisher: Oxford University Press, USA
ISBN: 9780195061185
Category : Social Science
Languages : en
Pages : 406
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Book Description
Bringing together eighteen thought-provoking articles--most of them written especially for this volume--Women and Social Protest addresses a long-neglected area in social history and politics, showing how in recent years feminist social scientists have begun to reexamine women's involvement in social protest, the innovative forms this protest takes, and the impact of activism on women's lives. This timely and comprehensive anthology provides a much-needed forum for discussion of these topics, and shows how the sociological and political literature has long ignored, masked, or distorted the political activities of women, thus creating the stereotype of the "apolitical woman."Drawing on the work of sociologists, political scientists, historians, and experts in women's studies, Women and Social Protest explores four types of social protest--economic; racial, ethnic, and nationalistic; social nurturing and humanistic; and women's rights--considering a wealth of data from different eras and case studies from around the world. An introductory chapter provides a theoretical framework for the essays and helpful introductions to each section identify and elaborate general themes. In addition, a comprehensive bibliography offers the most extensive, up-to-date list of readings available. One of the first books to examine this important topic in detail, Women and Social Protest is a valuable contribution to the expanding field of social political theory.
Author: Joseph Kestner
Publisher: Taylor & Francis
ISBN: 1000653056
Category : Literary Criticism
Languages : en
Pages : 203
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Book Description
The social novel in nineteenth-century Britain has been considered the effort of a predominantly male canon of writers. In this ground-breaking study, originally published in 1985, Joseph Kestner challenges that assumption, arguing that it was a succession of female writers – women often meriting only a footnote in literary history – who initiated and advanced the tradition of using narrative fiction to register protest, expose abuses, and promote reform. Kestner explores the contributions to Victorian social policy by the fiction of these neglected authors (Hannah More, Elizabeth Stone, Frances Trollope, Charlotte Tonna, Camilla Toulmin, Geraldine Jewsbury, Fanny Mayne, Julia Kavanagh, Dinah Mulock Craik) as well as more prominent female authors (Maria Edgeworth, Harriet Martineau, Elizabeth Gaskell, Charlotte Brontë, George Eliot) and male writers (Charles Dickens, Benjamin Disraeli, G. M. W. Reynolds, John Galt, Charles Kingsley). This is an important work for every scholar, student, and reader of nineteenth-century literature and history, women’s studies, and sociology. Kestner’s book will encourage a reappraisal of women writers and their role in Victorian Britain and advance a long-needed reassessment of the traditional canon of nineteenth-century literature. In rediscovering the literary and social contribution of these undervalued writers, Kestner provides a chronological assessment of the female social narrative. Tracing the form from its inception in the late eighteenth century to its evolution in the 1830s and 1840s and to its maturation in the 1850s and 1860s, he reveals the continuity of a developing literary tradition that included early writers like More and later practitioners like Tonna, Stone, Jewsbury, and Mayne. In the process Kestner establishes a new basis for assessing major writers such as Eliot and Gaskell. In consciously using fiction for social protest purposes, these novelists were responding to a society marked by transition. Their common emphasis was on the plight of the disenfranchised in a new era and the need for manifold reforms in such areas as housing, labor legislation, education, childcare, access to employment, sanitation, and marital law. Reform was necessary as England evolved from an agricultural to an industrial economic system. Kestner uses evidence such as Parliamentary investigations and early social reporting by James Kay, William Cooke Taylor, Peter Gaskell, and others to assess the validity of the protests of these novelists. Their impassioned novels supplemented the legislative findings of male-dominated Parliamentary committees and reached an audience, often specifically addressed as female, that government documents could not. Galvanizing readers through their narratives, the socially conscious female writers gained new political influence that contributed to legislative process. These writers also won artistic ground, commanding a serious literary attention and respect never before accorded women writers. It is that serious literary status, Kestner argues, unjustly neglected for so long, that must be reclaimed today as we rethink and revise our view of Victorian fiction.
Author: Francesca Polletta
Publisher: University of Chicago Press
ISBN: 0226673774
Category : Social Science
Languages : en
Pages : 259
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Book Description
Activists and politicians have long recognized the power of a good story to move people to action. In early 1960 four black college students sat down at a whites-only lunch counter in Greensboro, North Carolina, and refused to leave. Within a month sit-ins spread to thirty cities in seven states. Student participants told stories of impulsive, spontaneous action—this despite all the planning that had gone into the sit-ins. “It was like a fever,” they said. Francesca Polletta’s It Was Like a Fever sets out to account for the power of storytelling in mobilizing political and social movements. Drawing on cases ranging from sixteenth-century tax revolts to contemporary debates about the future of the World Trade Center site, Polletta argues that stories are politically effective not when they have clear moral messages, but when they have complex, often ambiguous ones. The openness of stories to interpretation has allowed disadvantaged groups, in particular, to gain a hearing for new needs and to forge surprising political alliances. But popular beliefs in America about storytelling as a genre have also hurt those challenging the status quo. A rich analysis of storytelling in courtrooms, newsrooms, public forums, and the United States Congress, It Was Like a Fever offers provocative new insights into the dynamics of culture and contention.
Author: The Women's March Organizers
Publisher: HarperCollins
ISBN: 0062843443
Category : Political Science
Languages : en
Pages : 320
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Book Description
In celebration of the one-year anniversary of Women’s March, this gorgeously designed full-color book offers an unprecedented, front-row seat to one of the most galvanizing movements in American history, with exclusive interviews with Women’s March organizers, never-before-seen photographs, and essays by feminist activists. On January 21, 2017, the day after Donald J. Trump’s inauguration, more than three million marchers of all ages and walks of life took to the streets as part of the largest protest in American history. In red states and blue states, in small towns and major urban centers, from Boise to Boston, Bangkok to Buenos Aires, people from eighty-two countries—on all seven continents—rose up in solidarity to voice a common message: Hear our voice. It became the largest global protest in modern history. Compiled by Women’s March organizers, in partnership with Condé Nast and Glamour magazine Editor in Chief Cindi Leive, Together We Rise—published for the one-year anniversary of the event—is the complete chronicle of this remarkable uprising. For the first time, Women’s March organizers—including Bob Bland, Cassady Fendlay, Sarah Sophie Flicker, Janaye Ingram, Tamika Mallory, Paola Mendoza, Carmen Perez, and Linda Sarsour —tell their personal stories and reflect on their collective journey in an oral history written by Jamia Wilson, writer, activist and director of The Feminist Press. They provide an inside look at how the idea for the event originated, how it was organized, how it became a global movement that surpassed their wildest expectations, and how they are sustaining and building on the widespread outrage, passion, and determination that sparked it. Together We Rise interweaves their stories with "Voices from the March"—recollections from real women who were there, across the world—plus exclusive images by top photographers, and 20 short, thought-provoking essays by esteemed writers, celebrities and artists including Rowan Blanchard, Senator Tammy Duckworth, America Ferrera, Roxane Gay, Ilana Glazer, Ashley Judd, Valarie Kaur, David Remnick, Yara Shahidi, Jill Soloway, Jia Tolentino, Congresswoman Maxine Waters, and Elaine Welteroth. An inspirational call to action that reminds us that together, ordinary people can make a difference, Together We Rise is an unprecedented look at a day that made history—and the beginning of a resistance movement to reclaim our future.
Author: Joyce Markovics
Publisher: Protest! March for Change
ISBN: 9781534186330
Category : Juvenile Nonfiction
Languages : en
Pages : 24
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Book Description
This narrative nonfiction title introduces young readers to the 2017 Women's March. This large protest, filled with powerful and courageous voices, shined a light on important issues relating to women. Each book includes a table of contents, glossary of key words, index, author biography, sidebars, and timeline.
Author: Rita Stephan
Publisher: NYU Press
ISBN: 1479883034
Category : Social Science
Languages : en
Pages : 277
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Book Description
Groundbreaking essays by female activists and scholars documenting women’s resistance before, during, and after the Arab Spring Images of women protesting in the Arab Spring, from Tahrir Square to the streets of Tunisia and Syria, have become emblematic of the political upheaval sweeping the Middle East and North Africa. In Women Rising, Rita Stephan and Mounira M. Charrad bring together a provocative group of scholars, activists, artists, and more, highlighting the first-hand experiences of these remarkable women. In this relevant and timely volume, Stephan and Charrad paint a picture of women’s political resistance in sixteen countries before, during, and since the Arab Spring protests first began in 2011. Contributors provide insight into a diverse range of perspectives across the entire movement, focusing on often-marginalized voices, including rural women, housewives, students, and artists. Women Rising offers an on-the-ground understanding of an important twenty-first century movement, telling the story of Arab women’s activism.
Author: Anne N. Costain
Publisher:
ISBN:
Category : Political Science
Languages : en
Pages : 224
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Book Description
Political scientists have generally understood it as a traditional social movement one that gathered its constituents and mobilized its resources to fight for change--in part, against a government that was hostile or indifferent to women's rights. Costain argues instead for a "political process" interpretation that includes the federal government's role in facilitating the movement's success. In Costain's analysis, the crumbling of the New Deal coalition in the late sixties created a period of political uncertainty. Realizing the potential electoral impact of a bloc of women voters, politicians saw the value of making serious efforts to attract women's support. In this sympathetic political climate, the women's movement won early legislative stories without needing to develop significant resources or tactical skills. It also encouraged the movement's emphasis on legislation, particularly the passage of the Equal Rights Amendment.
Author: Alexa Robertson
Publisher: Routledge
ISBN: 1351702181
Category : Social Science
Languages : en
Pages : 266
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Book Description
Screening Protest brings together a range of scholarly perspectives on the study of protest mediations on television and in film. Arguing that the screen is a fruitful, if overlooked, analytical focus, the book explores how visual narratives of protest wander across borders – territorial, temporal and generic. Chapters compare coverage of major protests in recent history by global news channels like Al Jazeera English, BBC World, CNN International and RT. They consider how geopolitical agendas, newsroom culture and the ubiquity of eyewitness footage shape the narration of events such as the ‘Umbrella Revolution’ in Hong Kong, anti-austerity protests in Greece, pro-EU mobilizations in the Ukraine and clashes in Ferguson. A focus on narrative allows authors to compare such news stories with popular cultural depictions of the protester, in films and television series such as The Hunger Games, Robin Hood and Suffragette. Although focussed on the screen, the scope of the book is broad, given its exploration of images distributed worldwide. Written with both scholars and students in mind, Screening Protest will interest researchers in political science, sociology, media and film studies, as well as the general reader interested in current affairs.
