Fedora: a drama [in four acts and in prose. Translated from the French, by H. Merivale]. PDF Download
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Author: Victorien Sardou
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Category :
Languages : en
Pages :
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![Fedora: a drama [in four acts and in prose. Translated from the French, by H. Merivale]. PDF](https://books.google.com/books/content/images/frontcover/R-JFwAEACAAJ?fife=w80-h100)
Author: Victorien Sardou
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ISBN:
Category :
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 618
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Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 600
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 600
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Author: British Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 962
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Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1238
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 862
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 816
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Author: Michael Munn
Publisher: Penguin
ISBN: 9780451214140
Category : Biography & Autobiography
Languages : en
Pages : 404
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Book Description
A rare behind-the-scenes look at John Wayne: the legend, hero, and Hollywood icon of numerous epic Western films, including an Academy Award-winning performance in True Grit. No legend ever walked taller than “The Duke.” Now, author Michael Munn’s startling new biography of John Wayne sets the record straight on why Wayne didn’t serve in World War II, on director John Ford’s contribution to Wayne’s career, and the mega-star’s highs and lows: three failed marriages, and two desperate battles with cancer. Munn also discloses publicly, for the first time, Soviet dictator Josef Stalin’s plot to assassinate Wayne because of his outspoken, potentially influential anti-Communist views. Drawing on time spent with Wayne on the set of Brannigan—and almost 100 interviews with those who knew him—Munn’s rare, behind-the-scenes look proves this “absolute all-time movie star” was as much a hero in real life as he ever was on-screen.
Author: R. H. Winnick
Publisher: Open Book Publishers
ISBN: 1783746645
Category : Literary Criticism
Languages : en
Pages : 190
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Book Description
In Tennyson’s Poems: New Textual Parallels, R. H. Winnick identifies more than a thousand previously unknown instances in which Tennyson phrases of two or three to as many as several words are similar or identical to those occurring in prior works by other hands—discoveries aided by the proliferation of digitized texts and the related development of powerful search tools over the three decades since the most recent major edition of Tennyson’s poems was published. Each of these instances may be deemed an allusion (meant to be recognized as such and pointing, for definable purposes, to a particular antecedent text), an echo (conscious or not, deliberate or not, meant to be noticed or not, meaningful or not), or merely accidental. Unless accidental, Winnick writes, these new textual parallels significantly expand our knowledge both of Tennyson’s reading and of his thematic intentions and artistic technique. Coupled with the thousand-plus textual parallels previously reported by Christopher Ricks and other scholars, he says, they suggest that a fundamental and lifelong aspect of Tennyson’s art was his habit of echoing any work, ancient or modern, which had the potential to enhance the resonance or deepen the meaning of his poems. The new textual parallels Winnick has identified point most often to the King James Bible and to such canonical authors as Shakespeare, Milton, Dryden, Pope, Thomson, Cowper, Shelley, Byron, and Wordsworth. But they also point to many authors rarely if ever previously cited in Tennyson editions and studies, including Michael Drayton, Richard Blackmore, Isaac Watts, Erasmus Darwin, John Ogilvie, Anna Lætitia Barbauld, Letitia Elizabeth Landon, John Wilson, and—with surprising frequency—Felicia Hemans. Tennyson’s Poems: New Textual Parallels is thus a major new resource for Tennyson scholars and students, an indispensable adjunct to the 1987 edition of Tennyson’s complete poems edited by Christopher Ricks.
