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Author: Rebecca J. Gomez
Publisher: Clarion Books
ISBN: 1328567788
Category : Juvenile Fiction
Languages : en
Pages : 43
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Book Description
A modern retelling of Little Red Riding Hood in which Federico rides his bicycle to the market for Abuelo's groceries, then stands up to a hungry wolf. Includes a recipe for pico de gallo and glossary of Spanish terms.
Author: Rebecca J. Gomez
Publisher: Clarion Books
ISBN: 1328567788
Category : Juvenile Fiction
Languages : en
Pages : 43
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Book Description
A modern retelling of Little Red Riding Hood in which Federico rides his bicycle to the market for Abuelo's groceries, then stands up to a hungry wolf. Includes a recipe for pico de gallo and glossary of Spanish terms.
Author: Federico Jiménez Caballero
Publisher: University of Arizona Press
ISBN: 0816542937
Category : Biography & Autobiography
Languages : en
Pages : 265
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Book Description
From the day he was born, Federico Jiménez Caballero was predicted to be a successful man. So, how exactly did a young boy from Tututepec, Oaxaca, become a famous Indigenous jewelry artist and philanthropist in Los Angeles? Federico tells the remarkable story of willpower, curiosity, hard work, and passion coming together to change one man’s life forever. As a child growing up in a small rural town in southern Mexico, Federico Jiménez Caballero faced challenges that most of us cannot imagine, let alone overcome. From a young age, Federico worked tirelessly to contribute to his large family, yet his restless spirit often got him into trouble. Finding himself in the middle of a village-wide catastrophe, he was exiled to a boarding school in Oaxaca City where he was forced to become independent, resilient, and razor-sharp in order to stay afloat. Through his incredible people skills, bravery, and a few nudges from his bold mother, Federico found himself excelling in his studies and climbing the ranks in Oaxaca City. He always held a deep love and respect for his Mixtec Indigenous roots and began to collect Indigenous jewelry and textiles. Through a series of well-timed connections, Federico met his wife Ellen, and, shortly afterward, he came to the United States as a researcher at the University of California, Los Angeles, in the late 1960s. Carrying his passion for Indigenous jewelry with him from Oaxaca, Federico owned a series of shops in Los Angeles and sold jewelry at flea markets to well-known Hollywood stars. Over the years, he cultivated relationships and became a philanthropist as well as the owner of a museum in Oaxaca City. This book is the inspiring first-person account of eighty years in the life of a man who moved from humble beginnings to the bright lights of Hollywood, following his passion and creating long-lasting relationships as he climbed the ladder of success.
Author: Federico Fellini
Publisher: Rizzoli International Publications
ISBN: 9780847831357
Category : Colored pencil drawing
Languages : en
Pages : 0
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Book Description
Federico Fellini is one of the most beloved and revered filmmakers of the twentieth century, having entertained audiences worldwide with his ability to breathe life into imagery normally confined to human memory and emotion. His insights into the world of dreams have contributed to his many famous cinematic creations, including La Dolce Vita, 8 1/2, and La Strada. A unique combination of memory, fantasy, and desire, this illustrated volume is a personal diary of Fellini's private visions and nighttime fantasies. Fellini, winner of four Oscars for Best Foreign Language Film, kept notebooks filled with unique sketches and notes from his dreams from the 1960s onward. This collection delves into his cinematic genius as it is captured in widely detailed caricatures and personal writings. This dream diary exhibits Fellini's deeply personal taste for the bizarre and the irrational. His sketches focus on the profound struggle of the soul and are tinged with humor, empathy, and insight. Fellini's Book of Dreams is an intriguing source of never-before-published writings and drawings, which reveal the master filmmaker's personal vision and his infinite imagination.
Author: Federico Jiménez Caballero
Publisher: University of Arizona Press
ISBN: 0816540780
Category : Biography & Autobiography
Languages : en
Pages : 265
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Book Description
From the day he was born, Federico Jiménez Caballero was predicted to be a successful man. So, how exactly did a young boy from Tututepec, Oaxaca, become a famous Indigenous jewelry artist and philanthropist in Los Angeles? Federico tells the remarkable story of willpower, curiosity, hard work, and passion coming together to change one man’s life forever. As a child growing up in a small rural town in southern Mexico, Federico Jiménez Caballero faced challenges that most of us cannot imagine, let alone overcome. From a young age, Federico worked tirelessly to contribute to his large family, yet his restless spirit often got him into trouble. Finding himself in the middle of a village-wide catastrophe, he was exiled to a boarding school in Oaxaca City where he was forced to become independent, resilient, and razor-sharp in order to stay afloat. Through his incredible people skills, bravery, and a few nudges from his bold mother, Federico found himself excelling in his studies and climbing the ranks in Oaxaca City. He always held a deep love and respect for his Mixtec Indigenous roots and began to collect Indigenous jewelry and textiles. Through a series of well-timed connections, Federico met his wife Ellen, and, shortly afterward, he came to the United States as a researcher at the University of California, Los Angeles, in the late 1960s. Carrying his passion for Indigenous jewelry with him from Oaxaca, Federico owned a series of shops in Los Angeles and sold jewelry at flea markets to well-known Hollywood stars. Over the years, he cultivated relationships and became a philanthropist as well as the owner of a museum in Oaxaca City. This book is the inspiring first-person account of eighty years in the life of a man who moved from humble beginnings to the bright lights of Hollywood, following his passion and creating long-lasting relationships as he climbed the ladder of success.
Author: Federico Gamboa
Publisher: UNC Press Books
ISBN: 080783369X
Category : Fiction
Languages : en
Pages : 256
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Book Description
This enduring classic of Mexican literature traces the path to ruination of a country girl, Santa, who moves to Mexico City after she is impregnated and abandoned by her lover and subsequently shunned by her family. Once in the city, Santa turns to prostitution and soon gains prominence as Mexico City's most sought-after courtesan. Despite the opportunities afforded by her success, including the chance to quit prostitution, Santa is propelled by her personal demons toward her ultimate downfall. This evocative novel--justly famous for its vividly detailed depiction of the cityscape and the city's customs, social interactions, and political activities--assumed singular importance in Mexican popular culture after its original publication in 1903. The book inspired Mexico's first "talkie" and several other film adaptations, a music score, a radio series, a television soap opera, and a pornographic comic book. Naturalist writer Federico Gamboa, who was also a lawyer and politician, reveals much about Mexican mores and culture at the start of the twentieth century and beyond, from expectations regarding gender roles to the myth of the corrupting and decadent city. In describing how Santa is at the mercy of social problems beyond her control, Gamboa provides a rich historical portrayal of widespread conditions in the years leading to the Mexican Revolution.
Author: Peter Bondanella
Publisher: Cambridge University Press
ISBN: 9780521575737
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
Examines the cinematic vision of the renowned Italian filmmaker.
Author: Peter Gillgren
Publisher: Routledge
ISBN: 135154859X
Category : Art
Languages : en
Pages : 343
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Book Description
Focusing on what he calls 'the performative gaze', the author explores the artistic world of the Urbino painter Federico Barocci (1535-1612) in the context of Renaissance culture. Through analysis of Barocci's works, Gillgren also sheds new light on Renaissance aesthetic communication generally. The first part of the book discusses the poetics of Early Modern painting, based on contemporary theories of Reception Aesthetics, hermeneutics and phenomenology, but grounded in Renaissance culture itself through numerous examples from Early Modern painting. The author discusses works by such artists as Botticelli, Raphael, Titian, Vel?uez and Poussin from the point of view of their spectator status. The second part deals specifically with the art of Federico Barocci, showing in detail how his works relate to aspects of the gaze and to their intended spectators. Gillgren's method is unusual in that he takes care to set the images within their original physical contexts (lighting, space, framing materials, angle of viewer approach) as much as possible through careful analysis of early descriptions of now destroyed or modified chapels. The third section of the volume contains a brief catalogue of Barocci's paintings, presented in a chronological order, with a full bibliography and with details about the painting's original locations.
Author: Maria M. Delgado
Publisher: Routledge
ISBN: 1134231318
Category : Drama
Languages : en
Pages : 214
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Book Description
Immortalized in death by The Clash, Pablo Neruda, Salvador Dalí, Dmitri Shostakovich and Lindsay Kemp, Federico García Lorca's spectre haunts both contemporary Spain and the cultural landscape beyond. This study offers a fresh examination of one of the Spanish language’s most resonant voices; exploring how the very factors which led to his emergence as a cultural icon also shaped his dramatic output. The works themselves are also awarded the space that they deserve, combining performance histories with incisive textual analysis to restate Lorca’s presence as a playwright of extraordinary vision, in works such as: Blood Wedding The Public The House of Bernarda Alba Yerma. Federico García Lorca is an invaluable new resource for those seeking to understand this complex and multifaceted figure: artist, playwright, director, poet, martyr and in the eyes of many, Spain’s ‘national dramatist’.
Author: Judith W. Mann
Publisher: Routledge
ISBN: 1351617265
Category : Art
Languages : en
Pages : 494
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Book Description
Reviewers of a recent exhibition termed Federico Barocci (ca. 1533–1612), 'the greatest artist you’ve never heard of'. One of the first original iconographers of the Counter Reformation, Barocci was a remarkably inventive religious painter and draftsman, and the first Italian artist to incorporate extensive color into his drawings. The purpose of this volume is to offer new insights into Barocci’s work and to accord this artist, the dates of whose career fall between the traditional Renaissance and Baroque periods, the critical attention he deserves. Employing a range of methodologies, the essays include new ideas on Barocci’s masterpiece, the Entombment of Christ; fresh thinking about his use of color in his drawings and innovative design methods; insights into his approach to the nude; revelations on a key early patron; a consideration of the reasons behind some of his most original iconography; an analysis of his unusual approach to the marketing of his pictures; an exploration of some little-known aspects of his early production, such as his reliance on Italian majolica and contemporary sculpture in developing his compositions; and an examination of a key Barocci document, the post mortem inventory of his studio. A translated transcription of the inventory is included as an appendix.
Author: Ian F. Verstegen
Publisher: Penn State Press
ISBN: 1612481337
Category : Art
Languages : en
Pages : 357
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Book Description
In 1586, Federico Barocci delivered his Visitation of the Virgin and St. Elizabeth to the Chiesa Nuova in Rome. For the next quarter century, Barocci dominated the art scene in Rome; there was no other artist from whom it was harder to get work and no other artist charged such high prices. Having two important altarpieces in the Chiesa Nuova and two additional commissions discussed was an impressive feat for an artist living exclusively in Urbino. Why did the Oratorians monopolize Barocci’s talents in Rome and why does it seem that Barocci was their first choice when considering artists to decorate their church? What was it about Barocci’s art that appealed to Oratorian sensibilities and their vision of the artistic program for decoration of their church? This book examines the relationship between Barocci and the Congregation of the Oratory, arguing for a distinct physiognomy of Oratorian patronage and exposing the function the Oratorians expected of religious imagery in contrast to other groups of their time. While explaining Oratorian patronage, it thus deals with a thorny question in social science: how can a collective body have unified intentions and actions? The result is a contribution both to the history of Italian painting and to art historical methodology.
