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Author: Noel Polk
Publisher: Univ. Press of Mississippi
ISBN: 1604733233
Category : History
Languages : en
Pages : 221
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Book Description
As one of the preeminent scholars of southern literature, Noel Polk has delivered lectures, written journal articles and essays, and discussed the rich legacy of the South's literary heritage around the world for over three decades. His work on William Faulkner, Eudora Welty, Walker Percy, and other writers is incisive and groundbreaking. His essays in Faulkner and Welty and the Southern Literary Tradition maintain an abiding interest in Polk's major area of literary study: the relationship between the smaller units of construction in a literary work and the work's larger themes. The analysis of this interplay between commas and dashes, curious occlusions, passages, and characters who have often gone unnoticed in the critical discourse--the bricks and mortar, as it were--and a work's grand design is a crucial aspect of Polk's scholarship. Faulkner and Welty and the Southern Literary Tradition collects Polk's essays from the late-1970s to 2005. Featuring an introduction that places Faulkner and Welty at the center of the South's literary heritage, the volume asks useful, probing questions about southern literature and provides insightful analysis. Noel Polk is professor of English at Mississippi State University and editor of the Mississippi Quarterly . From 1981 to 2006, he edited the Library of America's complete edition of William Faulkner's novels. He is the author of Outside the Southern Myth; Children of the Dark House: Text and Context in Faulkner; and Eudora Welty: A Bibliography of Her Work .
Author: Noel Polk
Publisher: Univ. Press of Mississippi
ISBN: 1604733233
Category : History
Languages : en
Pages : 221
Get Book Here
Book Description
As one of the preeminent scholars of southern literature, Noel Polk has delivered lectures, written journal articles and essays, and discussed the rich legacy of the South's literary heritage around the world for over three decades. His work on William Faulkner, Eudora Welty, Walker Percy, and other writers is incisive and groundbreaking. His essays in Faulkner and Welty and the Southern Literary Tradition maintain an abiding interest in Polk's major area of literary study: the relationship between the smaller units of construction in a literary work and the work's larger themes. The analysis of this interplay between commas and dashes, curious occlusions, passages, and characters who have often gone unnoticed in the critical discourse--the bricks and mortar, as it were--and a work's grand design is a crucial aspect of Polk's scholarship. Faulkner and Welty and the Southern Literary Tradition collects Polk's essays from the late-1970s to 2005. Featuring an introduction that places Faulkner and Welty at the center of the South's literary heritage, the volume asks useful, probing questions about southern literature and provides insightful analysis. Noel Polk is professor of English at Mississippi State University and editor of the Mississippi Quarterly . From 1981 to 2006, he edited the Library of America's complete edition of William Faulkner's novels. He is the author of Outside the Southern Myth; Children of the Dark House: Text and Context in Faulkner; and Eudora Welty: A Bibliography of Her Work .
Author: Ruth D. Weston
Publisher: LSU Press
ISBN: 9780807118979
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
In this study, Ruth D. Weston probes the whole of Eudora Welty’s work to reveal the writer’s close relationship to the gothic tradition. Specifically, Weston shows how Welty employs the theme of enclosure and escape and settings that convey a sense of mystery—gothic adaptations both—to create certain narrative techniques in her fiction. Differentiating at the outset between the Gothic genre as opposed to elements of the gothic tradition, and acknowledging both critics’ and Welty’s own reluctance to link her writing with the former, Weston plunges in and brilliantly discloses the relationship Welty’s writing has to both, and in doing so describes a rich literary heritage to which Welty belongs. She shows how the tradition of adapting European Gothic conventions to American settings has come down to us through writers such as Hawthorne, particularly through the short story, and continues in Welty’s fiction. Among Welty’s narrative techniques that Weston discusses are plot structures built around betrayal and captivity, reversal of characters’ gender roles, a tone sometimes similar to that of gothic genres such as the fairy tale or ghost story, and affective settings in “gothic spaces” such as the woods along the Natchez Trace. These techniques, Weston explains, help Welty in illustrating restrictions placed on the individual’s search for selfhood by human relationships, cultural expectations, and memory. In addition to examining the texts themselves, Weston draws on Welty’s critical and theoretical writings and her letters and other materials in archival collections. She also gleans insights from the work of contemporary narrative theorists, feminist critics, and recent commentators on the Gothic. In the course of her presentation, she offers some excellent new assessments of Welty’s relation to the “female Gothic” and the “Southern Gothic” and to William Faulkner and Jane Austen. This book is one of the most informed studies to date of Welty’s relation to the literary mainstream of the nineteenth and twentieth centuries. Welty scholars as well as general readers of American and southern literature will gain a deep appreciation for Welty’s imaginative and original response to the Gothic literary tradition.
Author: Louise Westling
Publisher: University of Georgia Press
ISBN: 082033202X
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
In Sacred Groves and Ravaged Gardens, Louise Westling explores how the complex, difficult roles of women in southern culture shaped the literary worlds of Eudora Welty, Carson McCullers, and Flannery O'Connor. Tracing the cultural heritage of the South, Westling shows how southern women reacted to the violent, false world created by their men--a world in which women came to be shrouded as icons of purity in atonement for the sins of men. Exposing the actual conditions of women's lives, creating assertive protagonists who resist or revise conventional roles, and exploring rich matriarchal traditions and connections to symbolic landscapes Welty, McCullers, and O'Connor created a body of fiction that enriches and complements the patriarchal version of southern life presented in the works of William Faulkner, John Crowe Ransom, Allen Tate, and William Styron.
Author: Eudora Welty
Publisher: Univ. Press of Mississippi
ISBN: 9781578065707
Category : Biography & Autobiography
Languages : en
Pages : 100
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Book Description
Eudora Welty (1909-2001) and William Faulkner (1897-1962) were Mississippi's leading literary lions during the 20th century. This volume brings together Welty's reviews, essays, lectures, and musings on Faulkner.
Author: Lorie Watkins
Publisher: Univ. Press of Mississippi
ISBN: 1496811909
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
With contributions by Ted Atkinson, Robert Bray, Patsy J. Daniels, David A. Davis, Taylor Hagood, Lisa Hinrichsen, Suzanne Marrs, Greg O'Brien, Ted Ownby, Ed Piacentino, Claude Pruitt, Thomas J. Richardson, Donald M. Shaffer, Theresa M. Towner, Terrence T. Tucker, Daniel Cross Turner, Lorie Watkins, and Ellen Weinauer Mississippi is a study in contradictions. One of the richest states when the Civil War began, it emerged as possibly the poorest and remains so today. Geographically diverse, the state encompasses ten distinct landform regions. As people traverse these, they discover varying accents and divergent outlooks. They find pockets of inexhaustible wealth within widespread, grinding poverty. Yet the most illiterate, disadvantaged state has produced arguably the nation's richest literary legacy. Why Mississippi? What does it mean to write in a state of such extremes? To write of racial and economic relations so contradictory and fraught as to defy any logic? Willie Morris often quoted William Faulkner as saying, "To understand the world, you must first understand a place like Mississippi." What Faulkner (or more likely Morris) posits is that Mississippi is not separate from the world. The country's fascination with Mississippi persists because the place embodies the very conflicts that plague the nation. This volume examines indigenous literature, Southwest humor, slave narratives, and the literature of the Civil War. Essays on modern and contemporary writers and the state's changing role in southern studies look at more recent literary trends, while essays on key individual authors offer more information on luminaries including Faulkner, Eudora Welty, Richard Wright, Tennessee Williams, and Margaret Walker. Finally, essays on autobiography, poetry, drama, and history span the creative breadth of Mississippi's literature. Written by literary scholars closely connected to the state, the volume offers a history suitable for all readers interested in learning more about Mississippi's great literary tradition.
Author: Tiffany Quay Tyson
Publisher: Simon and Schuster
ISBN: 1510726837
Category : Fiction
Languages : en
Pages : 324
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Book Description
**WINNER of the Willie Morris Award for Southern Fiction** **WINNER of the Mississippi Author Award for Adult Fiction selected by the Mississippi Library Association** **WINNER of the 2019 Mississippi Institute of Arts & Letters Award for Fiction** **WINNER of the Janet Heidinger Kafka Prize for Fiction** **Finalist for the 2019 Colorado Book Awards for Literary Fiction*** "An ode to William Faulkner. . . . As Southern as it gets."—Deep South Magazine A compelling addition to contemporary Southern Gothic fiction, deftly weaving together local legends, family secrets, and the search for a missing child. Siblings Bert, Willet, and Pansy know better than to go swimming at the old rock quarry. According to their father, it's the Devil's place, a place that's been cursed and forgotten. But Mississippi Delta summer days are scorching hot and they can't resist cooling off in the dark, bottomless water. Until the day six-year-old Pansy vanishes. Not drowned, not lost . . . simply gone. When their father disappears as well, Bert and Willet leave their childhoods behind to try and hold their broken family together. Years pass with no sign, no hope of ever finding Pansy alive, and as surely as their mother died of a broken heart, Bert and Willet can't move on. So when clues surface drawing them to the remote tip of Florida, they drop everything and drive south. Deep in the murky depths of the Florida Everglades they may find the answer to Pansy's mysterious disappearance . . . but truth, like the past, is sometimes better left where it lies. Perfect for fans of Flannery O'Connor and Dorothy Allison, The Past Is Never is an atmospheric, haunting story of myths, legends, and the good and evil we carry in our hearts.
Author: Stephen M. Ross
Publisher: Univ. Press of Mississippi
ISBN:
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
This volume guides readers through one of William Faulkner's most complex novels. By common consent The Sound and the Fury is a seminal document of twentieth-century literature. Almost from the beginning it has been a litmus test for critical approaches -- from New Criticism to biography and manuscript analysis. In the past two decades nearly all of the newest critical theories have come calling -- deconstruction and new historicism, as well as culture, gender, and race studies.Yet the novel resists or evades even the most ardent theorists' efforts to contain it, and much of its total accomplishment remains unplumbed. Many of its smaller parts are still mysteries, and the novel remains a formidable challenge not just for beginners but for more sophisticated readers as well.This volume, like others in the Reading Faulkner series, provides line-by-line interpretation, concentrating on individual words and sentences, visual dimensions, time shifts, intricacies of narration, and other obscurities. It explores Faulkner's words as they appear on the page, deciphering an responding to them in their linear progression and in their cumulating resonances inside and outside the text. Important allusions and references are identified, as are dates and historical personages. For many passages alternative readings are offered. The pagination is keyed to the definitive text of the Vintage edition.
Author: Noel Polk
Publisher: Univ. Press of Mississippi
ISBN: 9781578065592
Category : Literary Criticism
Languages : en
Pages : 190
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Book Description
A critical exploration of the effects and influence of America's wars upon the works of the Nobel Prize laureate
Author: Richard J. Gray
Publisher: University of Georgia Press
ISBN: 9780820330051
Category : Literary Collections
Languages : en
Pages : 308
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Book Description
Helps readers understand how any literary tradition involves an open conversation between its texts - a web of words that stretches from the local to the transnational. This book charts 3 different intertextual practices involving writings both within and outside the South.
Author: Matthew Guinn
Publisher: Univ. Press of Mississippi
ISBN: 1604738898
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
The literature of the contemporary South might best be understood for its discontinuity with the literary past. At odds with traditions of the Southern Renascence, southern literature of today sharply refutes the Nashville Agrarians and shares few of Faulkner's and Welty's concerns about place, community, and history. This sweeping study of the literary South's new direction focuses on nine well established writers who, by breaking away from the firmly ensconced myths, have emerged as an iconoclastic generation- -- Harry Crews, Dorothy Allison, Bobbie Ann Mason, Larry Brown, Kaye Gibbons, Randall Kenan, Richard Ford, Cormac McCarthy, and Barry Hannah. Resisting the modernist methods of the past, they have established their own postmodern ground beyond the shadow of their predecessors. This shift in authorial perspective is a significant indicator of the future of southern writing. Crews's seminal role as a ground-breaking "poor white" author, Mason's and Crews's portrayals of rural life, and Allison's and Brown's frank portrayals of the lower class pose a challenge to traditional depictions of the South. The dissenting voices of Gibbons and Kenan, who focus on gender, race, and sexuality, create fiction that is at once identifiably "southern" and also distinctly subversive. Gibbons's iconoclastic stance toward patriarchy, like the outsider's critique of community found in Kenan's work, proffers a portrait of the South unprecedented in the region's literature. Ford, McCarthy, and Hannah each approach the South's traditional notions of history and community with new irreverence and treat familiar southern topics in a distinctly postmodern manner. Whether through Ford's generic consumer landscape, the haunted netherworld of McCarthy's southern novels, or Hannah's riotous burlesque of the Civil War, these authors assail the philosophical and cultural foundations from which the Southern Renascence arose. Challenging the conventional conceptions of the southern canon, this is a provocative and innovative contribution to the region's literary study.
