Author: Dani Cavallaro
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 248
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Book Description
This groundbreaking work addresses important questions about the Algerian War of 1954-62 and the significant French resistance to their own leaders during the bitter conflict. Through the use of extensive interviews, it provides powerful insights into the clash of values that accompanied the war.
Author: Catherine Spooner
Publisher: Manchester University Press
ISBN: 1526125595
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
This innovative book is the first to make an explicit link between constructions of the body in Gothic literature and film and historically specific fashion discourse, from the 1790s to the 1990s.
Author: Susan Sidlauskas
Publisher: Univ of California Press
ISBN: 0520257456
Category : Art
Languages : en
Pages : 333
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Book Description
"In the voluminous scholarship that's been written on Paul Cezanne, little has been said about the twenty-four portraits in oil that Cezanne made of his wife, Hortense Fiquet Cezanne, over an extended twenty-year period. In Cezanne's Other: The Portraits of Hortense, Susan Sidlauskas breaks new ground, focusing on these paintings as a group and looking particularly at the differences that render many of them unrecognizable as the same person. She argues that Cezanne sidestepped the conventional goals of portraiture-he avoids representing a consistent, identifiable physiognomy or conventional feminine postures and does not portray the subject's inner life-making lack of fixedness itself his subject, which leads him ultimately to a radical reformulation of modern portraiture. Sidlauskas also upends the notion of Mme Cezanne as the irrelevant and absent spouse. Instead she reveals Hortense Fiquet Cezanne as a presence so crucial to the artist that she became the essential "other" to his ever-evolving "self." Coupling historical texts from philosophy, psychology, and physiology with more recent writings from women's and gender studies, cognitive psychology, and visual culture, Sidlauskas demonstrates that Mme Cezanne offered intimacy at arm's length for the painter who has been dubbed "the lone wolf of Aix."" --Book Jacket.
Author: Rayna Kalas
Publisher: Cornell University Press
ISBN: 1501732676
Category : Literary Criticism
Languages : en
Pages : 355
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Book Description
In a book that draws attention to some of our most familiar and unquestioned habits of thought—from "framing" to "perspective" to "reflection"—Rayna Kalas suggests that metaphors of the poetic imagination were once distinctly material and technical in character. Kalas explores the visual culture of the English Renaissance by way of the poetic image, showing that English writers avoided charges of idolatry and fancy through conceits that were visual, but not pictorial. Frames, mirrors, and windows have been pervasive and enduring metaphors for texts from classical antiquity to modernity; as a result, those metaphors seem universally to emphasize the mimetic function of language, dividing reality from the text that represents it. This book dissociates those metaphors from their earlier and later formulations in order to demonstrate that figurative language was material in translating signs and images out of a sacred and iconic context and into an aesthetic and representational one. Reading specific poetic images—in works by Spenser, Shakespeare, Gascoigne, Bacon, and Nashe—together with material innovations in frames and glass, Kalas reveals both the immanence and the agency of figurative language in the early modern period. Frame, Glass, Verse shows, finally, how this earlier understanding of poetic language has been obscured by a modern idea of framing that has structured our apprehension of works of art, concepts, and even historical periods. Kalas presents archival research in the history of frames, mirrors, windows, lenses, and reliquaries that will be of interest to art historians, cultural theorists, historians of science, and literary critics alike. Throughout Frame, Glass, Verse, she challenges readers to rethink the relationship of poetry to technology.
Author: Barbara Brodman
Publisher: Rowman & Littlefield
ISBN: 1611478650
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
This book is the logical continuation of a series of collected essays examining the origins and evolution of myths and legends of the supernatural in Western and non-Western tradition and popular culture. The first two volumes of the series, The Universal Vampire: Origins and Evolution of a Legend (Fairleigh Dickinson University Press, 2013) and Images of the Modern Vampire: The Hip and the Atavistic. (Fairleigh Dickinson University Press, 2013) focused on the vampire legend. The essays in this collection expand that scope to include a multicultural and multigeneric discussion of a pantheon of supernatural creatures who interact and cross species-specific boundaries with ease. Angels and demons are discussed from the perspective of supernatural allegory, angelic ethics and supernatural heredity and genetics. Fairies, sorcerers, witches and werewolves are viewed from the perspectives of popular nightmare tales, depictions of race and ethnicity, popular public discourse and cinematic imagery. Discussions of the “undead and still dead” include images of death messengers and draugar, zombies and vampires in literature, popular media and Japanese anime.
Author: Laura Doan
Publisher: Columbia University Press
ISBN: 0231110073
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
An in-depth study of early 20th century social conditions and cultural trends in Britain that constructed the popular image of the "modern lesbian"
Author: Llewella Chapman
Publisher: Bloomsbury Publishing
ISBN: 1350164658
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
Fashioning James Bond is the first book to study the costumes and fashions of the James Bond movie franchise, from Sean Connery in 1962's Dr No to Daniel Craig in Spectre (2015). Llewella Chapman draws on original archival research, close analysis of the costumes and fashion brands featured in the Bond films, interviews with families of tailors and shirt-makers who assisted in creating the 'look' of James Bond, and considers marketing strategies for the films and tie-in merchandise that promoted the idea of an aspirational 'James Bond lifestyle'. Addressing each Bond film in turn, Chapman questions why costumes are an important tool for analysing and evaluating film, both in terms of the development of gender and identity in the James Bond film franchise in relation to character, and how it evokes the desire in audiences to become part of a specific lifestyle construct through the wearing of fashions as seen on screen. She researches the agency of the costume department, director, producer and actor in creating the look and characterisation of James Bond, the villains, the Bond girls and the henchmen who inhibit the world of 007. Alongside this, she analyses trends and their impact on the Bond films, how the different costume designers have individually and creatively approached costuming them, and how the costumes were designed and developed from novel to script and screen. In doing so, this book contributes to the emerging critical literature surrounding the combined areas of film, fashion, gender and James Bond.
Author: Daneen Wardrop
Publisher: UPNE
ISBN: 1584657804
Category : Business & Economics
Languages : en
Pages : 278
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Book Description
A history of nineteenth-century fashion through the works of Emily Dickinson
Author: Cynthia G. Kuhn
Publisher: Peter Lang
ISBN: 9780820467641
Category : Clothing and dress in literature
Languages : en
Pages : 158
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Book Description
Author: Deborah Denenholz Morse
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754655114
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
The contributors examine various forms of human dominion over animals as manifest in fiction, performance, and the visual arts, as well as in hunting, killing, vivisection, and zookeeping. Distinguished by its acknowledgment of how the Victorians' obsession with animals continues to haunt twenty-first-century animal rights debates, Victorian Animal Dreams provides valuable insight into the burgeoning field of animal studies and points toward future studies of animals in the Victorian period.
