Author: Christopher Duggan
Publisher: Oxford University Press
ISBN: 019933837X
Category : History
Languages : en
Pages : 526
Book Description
Today Mussolini is remembered as a hated dictator who, along with Hitler and Stalin, ushered in an era of totalitarian repression unsurpassed in human history. But how was he viewed by ordinary Italians during his lifetime? In Fascist Voices, Christopher Duggan draws on thousands of letters sent to Mussolini, as well as private diaries and other primary documents, to show how Italian citizens lived and experienced the fascist regime under Mussolini from 1922-1943. Throughout the 1930s, Mussolini received about 1,500 letters a day from Italian men and women of all social classes writing words of congratulation, commiseration, thanks, encouragement, or entreaty on a wide variety of occasions: his birthday and saint's day, after he had delivered an important speech, on a major fascist anniversary, when a husband or son had been killed in action. While Duggan looks at some famous diaries-by such figures as the anti-fascist constitutional lawyer Piero Calamandrei; the philosopher Benedetto Croce; and the fascist minister Giuseppe Bottai-the majority of the voices here come from unpublished journals, diaries, and transcripts. Utilizing a rich collection of untapped archival material, Duggan explores "the cult of Il Duce," the religious dimensions of totalitarianism, and the extraordinarily intimate character of the relationship between Mussolini and millions of Italians. Duggan shows that the figure of Mussolini was crucial to emotional and political engagement with the regime; although there was widespread discontent throughout Italy, little of the criticism was directed at Il Duce himself. Duggan argues that much of the regime's appeal lay in its capacity to appropriate the language, values, and iconography of Roman Catholicism, and that this emphasis on blind faith and emotion over reason is what made Mussolini's Italy simultaneously so powerful and so insidious. Offering a unique perspective on the period, Fascist Voices captures the responses of private citizens living under fascism and unravels the remarkable mixture of illusions, hopes, and fears that led so many to support the regime for so long.
Fascist Voices
Fascist Voices
Author: Christopher Duggan
Publisher: OUP Us
ISBN: 0199730784
Category : Biography & Autobiography
Languages : en
Pages : 526
Book Description
A history of fascist Italy draws on private diaries, letters, and memoirs to show how ordinary people lived and experienced Mussolini's regime leading up to World War II.
Publisher: OUP Us
ISBN: 0199730784
Category : Biography & Autobiography
Languages : en
Pages : 526
Book Description
A history of fascist Italy draws on private diaries, letters, and memoirs to show how ordinary people lived and experienced Mussolini's regime leading up to World War II.
Fascist Voices
Author: Christopher Duggan
Publisher: Oxford University Press
ISBN: 0199338388
Category : History
Languages : en
Pages : 526
Book Description
Today Mussolini is remembered as a hated dictator who, along with Hitler and Stalin, ushered in an era of totalitarian repression unsurpassed in human history. But how was he viewed by ordinary Italians during his lifetime? In Fascist Voices, Christopher Duggan draws on thousands of letters sent to Mussolini, as well as private diaries and other primary documents, to show how Italian citizens lived and experienced the fascist regime under Mussolini from 1922-1943. Throughout the 1930s, Mussolini received about 1,500 letters a day from Italian men and women of all social classes writing words of congratulation, commiseration, thanks, encouragement, or entreaty on a wide variety of occasions: his birthday and saint's day, after he had delivered an important speech, on a major fascist anniversary, when a husband or son had been killed in action. While Duggan looks at some famous diaries-by such figures as the anti-fascist constitutional lawyer Piero Calamandrei; the philosopher Benedetto Croce; and the fascist minister Giuseppe Bottai-the majority of the voices here come from unpublished journals, diaries, and transcripts. Utilizing a rich collection of untapped archival material, Duggan explores "the cult of Il Duce," the religious dimensions of totalitarianism, and the extraordinarily intimate character of the relationship between Mussolini and millions of Italians. Duggan shows that the figure of Mussolini was crucial to emotional and political engagement with the regime; although there was widespread discontent throughout Italy, little of the criticism was directed at Il Duce himself. Duggan argues that much of the regime's appeal lay in its capacity to appropriate the language, values, and iconography of Roman Catholicism, and that this emphasis on blind faith and emotion over reason is what made Mussolini's Italy simultaneously so powerful and so insidious. Offering a unique perspective on the period, Fascist Voices captures the responses of private citizens living under fascism and unravels the remarkable mixture of illusions, hopes, and fears that led so many to support the regime for so long.
Publisher: Oxford University Press
ISBN: 0199338388
Category : History
Languages : en
Pages : 526
Book Description
Today Mussolini is remembered as a hated dictator who, along with Hitler and Stalin, ushered in an era of totalitarian repression unsurpassed in human history. But how was he viewed by ordinary Italians during his lifetime? In Fascist Voices, Christopher Duggan draws on thousands of letters sent to Mussolini, as well as private diaries and other primary documents, to show how Italian citizens lived and experienced the fascist regime under Mussolini from 1922-1943. Throughout the 1930s, Mussolini received about 1,500 letters a day from Italian men and women of all social classes writing words of congratulation, commiseration, thanks, encouragement, or entreaty on a wide variety of occasions: his birthday and saint's day, after he had delivered an important speech, on a major fascist anniversary, when a husband or son had been killed in action. While Duggan looks at some famous diaries-by such figures as the anti-fascist constitutional lawyer Piero Calamandrei; the philosopher Benedetto Croce; and the fascist minister Giuseppe Bottai-the majority of the voices here come from unpublished journals, diaries, and transcripts. Utilizing a rich collection of untapped archival material, Duggan explores "the cult of Il Duce," the religious dimensions of totalitarianism, and the extraordinarily intimate character of the relationship between Mussolini and millions of Italians. Duggan shows that the figure of Mussolini was crucial to emotional and political engagement with the regime; although there was widespread discontent throughout Italy, little of the criticism was directed at Il Duce himself. Duggan argues that much of the regime's appeal lay in its capacity to appropriate the language, values, and iconography of Roman Catholicism, and that this emphasis on blind faith and emotion over reason is what made Mussolini's Italy simultaneously so powerful and so insidious. Offering a unique perspective on the period, Fascist Voices captures the responses of private citizens living under fascism and unravels the remarkable mixture of illusions, hopes, and fears that led so many to support the regime for so long.
Fascist Voices
Author: Ezra Pound
Publisher:
ISBN: 9781913176358
Category :
Languages : en
Pages : 222
Book Description
Fascist Voices contains a unique and uncompromising collection of essays that appeared in Fascist Quarterly during the turbulent 1930s. This publication provided an alternative intellectual platform for those who subscribed to the Fascist and National Socialist creed.
Publisher:
ISBN: 9781913176358
Category :
Languages : en
Pages : 222
Book Description
Fascist Voices contains a unique and uncompromising collection of essays that appeared in Fascist Quarterly during the turbulent 1930s. This publication provided an alternative intellectual platform for those who subscribed to the Fascist and National Socialist creed.
Facing Fascism
Author: Peter N. Carroll
Publisher: NYU Press
ISBN: 0814716814
Category : History
Languages : en
Pages : 123
Book Description
When the Spanish Civil War began in 1936, loosely affiliated groups of writers, artists, and other politically aware individuals emerged in New York City to give voice to anti-fascist sentiment by supporting the Spanish Republic. Facing Fascism: New York and the Spanish Civil War examines the participation of New Yorkers in the political struggles and armed conflict that many historians consider a critical precursor to World War II. Nearly half of the 2,800 Americans who volunteered to fight in the Abraham Lincoln Brigade against Generalissimo Francisco Franco came from the New York area. Fundraising, propaganda, and deployment for anti-fascists everywhere in America were orchestrated through New York City. At the same time, powerful voices in New York expressed sympathy for the pro-fascist side. The fighting in Spain brought to the surface the complex ideological and ethnic identities always present in New York politics. Facing Fascism examines the full range of this experience, including that of the New Yorkers who supported Franco. It addresses the role of doctors, nurses, and social workers who left New York hospitals to provide assistance to the defenders of the Spanish Republic, as well as those who remained active on the home front. The book also describes the involvement of students in the war, the key role of writers and the media, and the contributions made by members of New York's art and theater communities. Facing Fascism also serves as the catalog to an exhibition of the same name appearing at the Museum of the City of New York in the spring of 2007. The book and exhibition both make use of the Abraham Lincoln Brigade Archives' extensive holdings, which range from historical documents to video recordings of oral histories. Numerous other libraries, archives, museums, and private collectors have also been consulted to make this the most complete exhibition of its kind ever mounted. The exhibition will also appear in Spain.
Publisher: NYU Press
ISBN: 0814716814
Category : History
Languages : en
Pages : 123
Book Description
When the Spanish Civil War began in 1936, loosely affiliated groups of writers, artists, and other politically aware individuals emerged in New York City to give voice to anti-fascist sentiment by supporting the Spanish Republic. Facing Fascism: New York and the Spanish Civil War examines the participation of New Yorkers in the political struggles and armed conflict that many historians consider a critical precursor to World War II. Nearly half of the 2,800 Americans who volunteered to fight in the Abraham Lincoln Brigade against Generalissimo Francisco Franco came from the New York area. Fundraising, propaganda, and deployment for anti-fascists everywhere in America were orchestrated through New York City. At the same time, powerful voices in New York expressed sympathy for the pro-fascist side. The fighting in Spain brought to the surface the complex ideological and ethnic identities always present in New York politics. Facing Fascism examines the full range of this experience, including that of the New Yorkers who supported Franco. It addresses the role of doctors, nurses, and social workers who left New York hospitals to provide assistance to the defenders of the Spanish Republic, as well as those who remained active on the home front. The book also describes the involvement of students in the war, the key role of writers and the media, and the contributions made by members of New York's art and theater communities. Facing Fascism also serves as the catalog to an exhibition of the same name appearing at the Museum of the City of New York in the spring of 2007. The book and exhibition both make use of the Abraham Lincoln Brigade Archives' extensive holdings, which range from historical documents to video recordings of oral histories. Numerous other libraries, archives, museums, and private collectors have also been consulted to make this the most complete exhibition of its kind ever mounted. The exhibition will also appear in Spain.
Being Numerous
Author: Natasha Lennard
Publisher: Verso Books
ISBN: 1788734602
Category : Political Science
Languages : en
Pages : 176
Book Description
An urgent challenge to the prevailing moral order from one of the freshest, most compelling voices in radical politics today Being Numerous shatters the mainstream consensus on politics and personhood, offering in its place a bracing analysis of a perilous world and how we should live in it. Beginning with an interrogation of what it means to fight fascism, Natasha Lennard explores the limits of individual rights, the criminalization of political dissent, the myths of radical sex, and the ghosts in our lives. At once politically committed and philosophically capacious, Being Numerous is a revaluation of the idea that the personal is political, and situates as the central question of our time—How can we live a non-fascist life?
Publisher: Verso Books
ISBN: 1788734602
Category : Political Science
Languages : en
Pages : 176
Book Description
An urgent challenge to the prevailing moral order from one of the freshest, most compelling voices in radical politics today Being Numerous shatters the mainstream consensus on politics and personhood, offering in its place a bracing analysis of a perilous world and how we should live in it. Beginning with an interrogation of what it means to fight fascism, Natasha Lennard explores the limits of individual rights, the criminalization of political dissent, the myths of radical sex, and the ghosts in our lives. At once politically committed and philosophically capacious, Being Numerous is a revaluation of the idea that the personal is political, and situates as the central question of our time—How can we live a non-fascist life?
The Pope and Mussolini
Author: David I. Kertzer
Publisher: Random House
ISBN: 0679645535
Category : Religion
Languages : en
Pages : 593
Book Description
PULITZER PRIZE WINNER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE From National Book Award finalist David I. Kertzer comes the gripping story of Pope Pius XI’s secret relations with Italian dictator Benito Mussolini. This groundbreaking work, based on seven years of research in the Vatican and Fascist archives, including reports from Mussolini’s spies inside the highest levels of the Church, will forever change our understanding of the Vatican’s role in the rise of Fascism in Europe. The Pope and Mussolini tells the story of two men who came to power in 1922, and together changed the course of twentieth-century history. In most respects, they could not have been more different. One was scholarly and devout, the other thuggish and profane. Yet Pius XI and “Il Duce” had many things in common. They shared a distrust of democracy and a visceral hatred of Communism. Both were prone to sudden fits of temper and were fiercely protective of the prerogatives of their office. (“We have many interests to protect,” the Pope declared, soon after Mussolini seized control of the government in 1922.) Each relied on the other to consolidate his power and achieve his political goals. In a challenge to the conventional history of this period, in which a heroic Church does battle with the Fascist regime, Kertzer shows how Pius XI played a crucial role in making Mussolini’s dictatorship possible and keeping him in power. In exchange for Vatican support, Mussolini restored many of the privileges the Church had lost and gave in to the pope’s demands that the police enforce Catholic morality. Yet in the last years of his life—as the Italian dictator grew ever closer to Hitler—the pontiff’s faith in this treacherous bargain started to waver. With his health failing, he began to lash out at the Duce and threatened to denounce Mussolini’s anti-Semitic racial laws before it was too late. Horrified by the threat to the Church-Fascist alliance, the Vatican’s inner circle, including the future Pope Pius XII, struggled to restrain the headstrong pope from destroying a partnership that had served both the Church and the dictator for many years. The Pope and Mussolini brims with memorable portraits of the men who helped enable the reign of Fascism in Italy: Father Pietro Tacchi Venturi, Pius’s personal emissary to the dictator, a wily anti-Semite known as Mussolini’s Rasputin; Victor Emmanuel III, the king of Italy, an object of widespread derision who lacked the stature—literally and figuratively—to stand up to the domineering Duce; and Cardinal Secretary of State Eugenio Pacelli, whose political skills and ambition made him Mussolini’s most powerful ally inside the Vatican, and positioned him to succeed the pontiff as the controversial Pius XII, whose actions during World War II would be subject for debate for decades to come. With the recent opening of the Vatican archives covering Pius XI’s papacy, the full story of the Pope’s complex relationship with his Fascist partner can finally be told. Vivid, dramatic, with surprises at every turn, The Pope and Mussolini is history writ large and with the lightning hand of truth.
Publisher: Random House
ISBN: 0679645535
Category : Religion
Languages : en
Pages : 593
Book Description
PULITZER PRIZE WINNER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE From National Book Award finalist David I. Kertzer comes the gripping story of Pope Pius XI’s secret relations with Italian dictator Benito Mussolini. This groundbreaking work, based on seven years of research in the Vatican and Fascist archives, including reports from Mussolini’s spies inside the highest levels of the Church, will forever change our understanding of the Vatican’s role in the rise of Fascism in Europe. The Pope and Mussolini tells the story of two men who came to power in 1922, and together changed the course of twentieth-century history. In most respects, they could not have been more different. One was scholarly and devout, the other thuggish and profane. Yet Pius XI and “Il Duce” had many things in common. They shared a distrust of democracy and a visceral hatred of Communism. Both were prone to sudden fits of temper and were fiercely protective of the prerogatives of their office. (“We have many interests to protect,” the Pope declared, soon after Mussolini seized control of the government in 1922.) Each relied on the other to consolidate his power and achieve his political goals. In a challenge to the conventional history of this period, in which a heroic Church does battle with the Fascist regime, Kertzer shows how Pius XI played a crucial role in making Mussolini’s dictatorship possible and keeping him in power. In exchange for Vatican support, Mussolini restored many of the privileges the Church had lost and gave in to the pope’s demands that the police enforce Catholic morality. Yet in the last years of his life—as the Italian dictator grew ever closer to Hitler—the pontiff’s faith in this treacherous bargain started to waver. With his health failing, he began to lash out at the Duce and threatened to denounce Mussolini’s anti-Semitic racial laws before it was too late. Horrified by the threat to the Church-Fascist alliance, the Vatican’s inner circle, including the future Pope Pius XII, struggled to restrain the headstrong pope from destroying a partnership that had served both the Church and the dictator for many years. The Pope and Mussolini brims with memorable portraits of the men who helped enable the reign of Fascism in Italy: Father Pietro Tacchi Venturi, Pius’s personal emissary to the dictator, a wily anti-Semite known as Mussolini’s Rasputin; Victor Emmanuel III, the king of Italy, an object of widespread derision who lacked the stature—literally and figuratively—to stand up to the domineering Duce; and Cardinal Secretary of State Eugenio Pacelli, whose political skills and ambition made him Mussolini’s most powerful ally inside the Vatican, and positioned him to succeed the pontiff as the controversial Pius XII, whose actions during World War II would be subject for debate for decades to come. With the recent opening of the Vatican archives covering Pius XI’s papacy, the full story of the Pope’s complex relationship with his Fascist partner can finally be told. Vivid, dramatic, with surprises at every turn, The Pope and Mussolini is history writ large and with the lightning hand of truth.
The US Antifascism Reader
Author: Bill Mullen
Publisher: Verso Books
ISBN: 1788733517
Category : Political Science
Languages : en
Pages : 485
Book Description
Since the birth of fascism in the 1920s, well before the global renaissance of "white nationalism," the United States has been home to its own distinct fascist movements, some of which decisively influenced the course of U.S. history. Yet long before "antifa" became a household word in the United States, they were met, time and again, by an equally deep antifascist current. Many on the left are unaware that the United States has a rich antifascist tradition, because it has rarely been discussed as such, nor has it been accessible in one place. This reader reconstructs the history of U.S. antifascism into the twenty-first century, showing how generations of writers, organizers, and fighters spoke to each other over time. Spanning the 1930s to the present, this chronologically-arranged, primary source reader is made up of antifascist writings by Americans and by exiles in the U.S. - some instantly recognizable, others long-forgotten. It also includes a sampling of influential writings from the U.S. fascist, white nationalist, and proto-fascist traditions. Its contents, mostly written by people embedded in antifascist movements, include a number of pieces produced abroad that deeply influenced the U.S. left. The collection thus places U.S. antifascism in a global context.
Publisher: Verso Books
ISBN: 1788733517
Category : Political Science
Languages : en
Pages : 485
Book Description
Since the birth of fascism in the 1920s, well before the global renaissance of "white nationalism," the United States has been home to its own distinct fascist movements, some of which decisively influenced the course of U.S. history. Yet long before "antifa" became a household word in the United States, they were met, time and again, by an equally deep antifascist current. Many on the left are unaware that the United States has a rich antifascist tradition, because it has rarely been discussed as such, nor has it been accessible in one place. This reader reconstructs the history of U.S. antifascism into the twenty-first century, showing how generations of writers, organizers, and fighters spoke to each other over time. Spanning the 1930s to the present, this chronologically-arranged, primary source reader is made up of antifascist writings by Americans and by exiles in the U.S. - some instantly recognizable, others long-forgotten. It also includes a sampling of influential writings from the U.S. fascist, white nationalist, and proto-fascist traditions. Its contents, mostly written by people embedded in antifascist movements, include a number of pieces produced abroad that deeply influenced the U.S. left. The collection thus places U.S. antifascism in a global context.
Italian Fascism's Empire Cinema
Author: Ruth Ben-Ghiat
Publisher: Indiana University Press
ISBN: 0253015669
Category : History
Languages : en
Pages : 421
Book Description
Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini’s government that took as their subjects or settings Italy’s African and Balkan colonies. These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship.
Publisher: Indiana University Press
ISBN: 0253015669
Category : History
Languages : en
Pages : 421
Book Description
Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini’s government that took as their subjects or settings Italy’s African and Balkan colonies. These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship.
The Fiume Crisis
Author: Dominique Kirchner Reill
Publisher: Harvard University Press
ISBN: 0674249690
Category : History
Languages : en
Pages : 313
Book Description
Recasting the birth of fascism, nationalism, and the fall of empire after World War I, Dominique Kirchner Reill recounts how the people of Fiume tried to recreate empire in the guise of the nation. The Fiume Crisis recasts what we know about the birth of fascism, the rise of nationalism, and the fall of empire after World War I by telling the story of the three-year period when the Adriatic city of Fiume (today Rijeka, in Croatia) generated an international crisis. In 1919 the multicultural former Habsburg city was occupied by the paramilitary forces of the flamboyant poet-soldier Gabriele D’Annunzio, who aimed to annex the territory to Italy and became an inspiration to Mussolini. Many local Italians supported the effort, nurturing a standard tale of nationalist fanaticism. However, Dominique Kirchner Reill shows that practical realities, not nationalist ideals, were in the driver’s seat. Support for annexation was largely a result of the daily frustrations of life in a “ghost state” set adrift by the fall of the empire. D’Annunzio’s ideology and proto-fascist charisma notwithstanding, what the people of Fiume wanted was prosperity, which they associated with the autonomy they had enjoyed under Habsburg sovereignty. In these twilight years between the world that was and the world that would be, many across the former empire sought to restore the familiar forms of governance that once supported them. To the extent that they turned to nation-states, it was not out of zeal for nationalist self-determination but in the hope that these states would restore the benefits of cosmopolitan empire. Against the too-smooth narrative of postwar nationalism, The Fiume Crisis demonstrates the endurance of the imperial imagination and carves out an essential place for history from below.
Publisher: Harvard University Press
ISBN: 0674249690
Category : History
Languages : en
Pages : 313
Book Description
Recasting the birth of fascism, nationalism, and the fall of empire after World War I, Dominique Kirchner Reill recounts how the people of Fiume tried to recreate empire in the guise of the nation. The Fiume Crisis recasts what we know about the birth of fascism, the rise of nationalism, and the fall of empire after World War I by telling the story of the three-year period when the Adriatic city of Fiume (today Rijeka, in Croatia) generated an international crisis. In 1919 the multicultural former Habsburg city was occupied by the paramilitary forces of the flamboyant poet-soldier Gabriele D’Annunzio, who aimed to annex the territory to Italy and became an inspiration to Mussolini. Many local Italians supported the effort, nurturing a standard tale of nationalist fanaticism. However, Dominique Kirchner Reill shows that practical realities, not nationalist ideals, were in the driver’s seat. Support for annexation was largely a result of the daily frustrations of life in a “ghost state” set adrift by the fall of the empire. D’Annunzio’s ideology and proto-fascist charisma notwithstanding, what the people of Fiume wanted was prosperity, which they associated with the autonomy they had enjoyed under Habsburg sovereignty. In these twilight years between the world that was and the world that would be, many across the former empire sought to restore the familiar forms of governance that once supported them. To the extent that they turned to nation-states, it was not out of zeal for nationalist self-determination but in the hope that these states would restore the benefits of cosmopolitan empire. Against the too-smooth narrative of postwar nationalism, The Fiume Crisis demonstrates the endurance of the imperial imagination and carves out an essential place for history from below.