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Author: Ernst Theodor Amadeus Hoffmann
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
"Among the many works in the Romantic ground-swell that marked a transformation of the artistic imagination, none is more fascinating or more revealing than a remarkable collection of prose published anonymously in 1814. The sole credit of authorship rested in the subtitle, Blatter aus dem Tagebuche eines reisenden Enthusiasten - itself a manifesto-in-miniature of the new Romantic creed. The "Enthusiast" (literally, "one inspired or possessed by a god," a term previously applied in mockery) was E.T.A. Hoffmann, a struggling composer with a history of misadventure in his bureaucratic career; the description of his book as "diary pages" suggested intimate, spontaneous outpourings, unfiltered by art's traditional rules." "The German title, Fantasiestucke in Callots Manier, evokes association with Lehrstucke, what the apprentice offers to prove his command of his craft; "in Callot's Manner" extends this embedded simile by indicating that the contents demonstrate mastery in a certain style - one of the tests of an apprentice. Fantasy Pieces, then, should be regarded not merely as a selection of new and fugitive writings but as a sampler - pointedly derived, moreover, from fantasy, that revolutionary quality raised to pre-eminence by the Romantic artist." "Curiously, no earlier English edition of a complete Fantasy Pieces has appeared, and two of its major tales, "The Recent Adventures of the Dog Berganza" and "The Mesmerist," have never previously been available in English. Hoffmann's Anglophone readers have also been hampered by pared down, stilted, or careless renderings." "Joseph Hayse's translation, painstakingly accurate in the face of syntactical difficulties, conveys the flavor of Hoffmann's language; the greater effect of his effort, however, lies in presenting Hoffmann's first volume complete. A multifaceted document of an emergent genius, it also illuminates the complex mind of a new age."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Ernst Theodor Amadeus Hoffmann
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 358
Get Book Here
Book Description
"Among the many works in the Romantic ground-swell that marked a transformation of the artistic imagination, none is more fascinating or more revealing than a remarkable collection of prose published anonymously in 1814. The sole credit of authorship rested in the subtitle, Blatter aus dem Tagebuche eines reisenden Enthusiasten - itself a manifesto-in-miniature of the new Romantic creed. The "Enthusiast" (literally, "one inspired or possessed by a god," a term previously applied in mockery) was E.T.A. Hoffmann, a struggling composer with a history of misadventure in his bureaucratic career; the description of his book as "diary pages" suggested intimate, spontaneous outpourings, unfiltered by art's traditional rules." "The German title, Fantasiestucke in Callots Manier, evokes association with Lehrstucke, what the apprentice offers to prove his command of his craft; "in Callot's Manner" extends this embedded simile by indicating that the contents demonstrate mastery in a certain style - one of the tests of an apprentice. Fantasy Pieces, then, should be regarded not merely as a selection of new and fugitive writings but as a sampler - pointedly derived, moreover, from fantasy, that revolutionary quality raised to pre-eminence by the Romantic artist." "Curiously, no earlier English edition of a complete Fantasy Pieces has appeared, and two of its major tales, "The Recent Adventures of the Dog Berganza" and "The Mesmerist," have never previously been available in English. Hoffmann's Anglophone readers have also been hampered by pared down, stilted, or careless renderings." "Joseph Hayse's translation, painstakingly accurate in the face of syntactical difficulties, conveys the flavor of Hoffmann's language; the greater effect of his effort, however, lies in presenting Hoffmann's first volume complete. A multifaceted document of an emergent genius, it also illuminates the complex mind of a new age."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Carl Niekerk
Publisher: Camden House
ISBN: 1571134670
Category : Music
Languages : en
Pages : 324
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Book Description
Examines literary, philosophical, and cultural influences on Mahler's thought and work from the standpoint of the composer's position in German-Jewish culture.
Author: Gerald Ernest Paul Gillespie
Publisher: John Benjamins Publishing
ISBN: 9789027234568
Category : Literary Criticism
Languages : en
Pages : 772
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Book Description
In this volume a team of three dozen international experts presents a fresh picture of literary prose fiction in the Romantic age seen from cross-cultural and interdisciplinary perspectives. The work treats the appearance of major themes in characteristically Romantic versions, the power of Romantic discourse to reshape imaginative writing, and a series of crucial reactions to the impact of Romanticism on cultural life down to the present, both in Europe and in the New World. Through its combination of chapters on thematic, generic, and discursive features, Romantic Prose Fiction achieves a unique theoretical stance, by considering the opinions of primary Romantics and their successors not as guiding truths by which to define the permanent meaning of Romanticism, but as data of cultural history that shed important light on an evolving civilization.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of irony as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the Old and New Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
Author: E. T. A. Hoffmann
Publisher: Cambridge University Press
ISBN: 9780521543392
Category : Music
Languages : en
Pages : 500
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Book Description
This book offers a long-awaited opportunity to assess the thought and influence of one of the most famous of all writers on music and the musical links with his fiction. Containing the first complete appearance in English of Kreisleriana, it reveals a masterpiece of imaginative writing and whose profound humour and irony can now be fully appreciated.
Author: Walter Benjamin
Publisher: Verso Books
ISBN: 1839764163
Category : Philosophy
Languages : en
Pages : 433
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Book Description
Walter Benjamin was fascinated by the impact of new technology on culture, an interest that extended beyond his renowned critical essays. From 1927 to ’33, he wrote and presented something in the region of eighty broadcasts using the new medium of radio. Radio Benjamin gathers the surviving transcripts, which appear here for the first time in English. This eclectic collection demonstrates the range of Benjamin’s thinking and his enthusiasm for popular sensibilities. His celebrated “Enlightenment for Children” youth programs, his plays, readings, book reviews, and fiction reveal Benjamin in a creative, rather than critical, mode. They flesh out ideas elucidated in his essays, some of which are also represented here, where they cover topics as varied as getting a raise and the history of natural disasters, subjects chosen for broad appeal and examined with passion and acuity. Delightful and incisive, this is Walter Benjamin channeling his sophisticated thinking to a wide audience, allowing us to benefit from a new voice for one of the twentieth century’s most respected thinkers.
Author: Dassia N. Posner
Publisher: Northwestern University Press
ISBN: 0810133571
Category : Performing Arts
Languages : en
Pages : 405
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Book Description
Finalist, 2017 Theatre Library Association George Freedley Memorial Award Shortlist, 2019 Prague Quadrennial Best Scenography and Design Publication Award The Director's Prism investigates how and why three of Russia's most innovative directors— Vsevolod Meyerhold, Alexander Tairov, and Sergei Eisenstein—used the fantastical tales of German Romantic writer E. T. A. Hoffmann to reinvent the rules of theatrical practice. Because the rise of the director and the Russian cult of Hoffmann closely coincided, Posner argues, many characteristics we associate with avant-garde theater—subjective perspective, breaking through the fourth wall, activating the spectator as a co-creator—become uniquely legible in the context of this engagement. Posner examines the artistic poetics of Meyerhold's grotesque, Tairov's mime-drama, and Eisenstein's theatrical attraction through production analyses, based on extensive archival research, that challenge the notion of theater as a mirror to life, instead viewing the director as a prism through whom life is refracted. A resource for scholars and practitioners alike, this groundbreaking study provides a fresh, provocative perspective on experimental theater, intercultural borrowings, and the nature of the creative process.
Author: Christopher R. Clason
Publisher: Liverpool University Press
ISBN: 1786948745
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
The essays in this volume address a very broad range of E. T. A. Hoffmann’s most significant works, examining them through the lens of “transgression.” His writings, perhaps more than those of any other German Romantic, portrayed the “dark side” of existence, which the following essays investigate for an Anglophone audience.
Author: Nicole Grimes
Publisher: Oxford University Press
ISBN: 0197541739
Category : Music
Languages : en
Pages : 585
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Book Description
As one of the most significant and widely performed composers of the nineteenth century, Brahms continues to command our attention. Rethinking Brahms counterbalances prevailing scholarly assumptions that position him as a conservative composer (whether musically or politically) with a wide-ranging exploration and re-evaluation of his significance today. Drawing on German- and English-language scholarship, it deploys original approaches to his music and pursues innovative methodologies to interrogate the historical, cultural, and artistic contexts of his creativity. Empowered by recent theoretical work on form and tonality, it offers fresh analytical insights into his music, including a number of corpus studies that interrogate the relationships between Brahms and other composers, past and present. The book brings into sharp focus the productive tension that exists between the perceived fixedness of musical texts and the ephemerality of performance by considering how historical and modern performers shape established understandings of Brahms and his music. Rethinking Brahms invites the reader to hear familiar pieces anew as they are refracted through historical, artistic, and philosophical prisms. Bringing us up to the present day, it also gives sustained attention to the resounding impact of Brahms's compositions on new music by exploring works by recent composers who have engaged deeply with his oeuvre. Combining awareness of overarching contexts with perceptive insights into Brahms's music, this book enlivens our understanding of Brahms, providing a dynamic, multifaceted, complex, and invigoratingly fresh portrait of the composer.
Author: Stefan Andriopoulos
Publisher: MIT Press
ISBN: 1935408356
Category : History
Languages : en
Pages : 241
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Book Description
A media archaeology that traces connections between new media technologies and distinct cultural realms, considering topics that range from Kant's philosophy to somnambulist clairvoyants. Drawing together literature, media, and philosophy, Ghostly Apparitions provides a new model for media archaeology. Stefan Andriopoulos examines the relationships between new media technologies and distinct cultural realms, tracing connections between Kant's philosophy and the magic lantern's phantasmagoria, the Gothic novel and print culture, and spiritualist research and the invention of television. As Kant was writing about the possibility of spiritual apparitions, the emerging medium of the phantasmagoria used hidden magic lanterns to terrify audiences with ghostly projections. Andriopoulos juxtaposes the philosophical arguments of German idealism with contemporaneous occultism and ghost shows. In close readings of Kant, Hegel, and Schopenhauer, he traces the diverging ways in which these authors appropriate optical media effects and spiritualist notions. The spectral apparitions from this period also intersect with an exploding print market and the rise of immersive reading practices. Andriopoulos explores the circulation of ostensibly genuine ghost narratives and Gothic fiction, which was said to produce “reading addiction” and a loss of reality. Romantic representations of animal magnetism and clairvoyance similarly blurred the boundary between fiction and reality. In the 1840s, Edgar Allan Poe adapted a German case history that described a magnetic clairvoyant as arrested in the moment of dying. Yet even though Poe's tale belonged to the realm of literary fiction, it was reprinted as an authentic news item. Andriopoulos extends this archaeology of new media into the early twentieth century. Tracing a reciprocal interaction between occultism and engineering, he reveals how spiritualist research into the psychic “television” of somnambulist clairvoyants enabled the concurrent emergence of the technical medium.
Author: Lewis Holmes
Publisher: Peter Lang
ISBN: 9780820479248
Category : Art
Languages : en
Pages : 234
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Book Description
Ludwig Gotthard (Theobul) Kosegarten (1758-1818), whose books were burned by German nationalists in 1817, has for many years been seen as a pariah figure by German literary scholars. Only recently has his influence on cultural icons such as the composer Franz Schubert and the painter Caspar David Friedrich become more clearly defined. This companion volume to Lewis M. Holmes's Kosegarten: The Turbulent Life and Times of a Northern German Poet (Peter Lang, 2004) explores Kosegarten's contributions to aesthetics, theology, and literature, as well as the broad reception of his works by other writers, artists, and musicians. Extensive historical and cultural contextualization make Kosegarten's Cultural Legacy a valuable resource for university-level courses, especially in the areas of music, art, religion, and literature.
