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Author: V. Shane Colclough
Publisher: Penguin
ISBN: 1600613837
Category : Art
Languages : en
Pages : 309
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Book Description
Create Your Own Fantastic Realms! An arduous journey leads you to a hilltop. Before you stretches a land of castles filled with noble knights, elven warriors and fearsome goblins and gargoyles. At your feet lies a book... Within its pages you will discover the secrets to sketching, drawing and coloring wondrous worlds - realms filled with creatures friendly and foul, beautiful princesses and stealthy magic-users, ancient ruins and dragons' lairs. Begin your journey by following the steps within, which will guide you from simple sketches to fully colored works of art. Take heart, brave traveler, for you'll be aided in your quest by: • Texture and coloring keys that show you exactly how to create dozens of different effects • A brainstorming game that, with a roll of the dice, allows you to mix and match character, creature and scene characteristics But beware, friend: Along the way, you will be powerless to resist the temptation to explore the strange and twisted detours of your own utterly original imaginings. Wield your pencil bravely - so begins your adventure... 30+ step-by-step demonstrations make it easy to create your own fantastic worlds! • The Characters: Human or elf, fighter or princess ... learn to outfit your characters with specialized clothing, weaponry and magical items, and tell their tales with dynamic gesture and motion. • The Creatures: Evoke dragons, demons, griffins and other edgy beasts of your own twisted imaginings, with special attention to key details that make them look regal or demented. • The Settings: Construct convincing environments that set the tone and atmosphere of your story, be it a mysterious tower, ancient ruins or a peaceful village.
Author: V. Shane Colclough
Publisher: Penguin
ISBN: 1600613837
Category : Art
Languages : en
Pages : 309
Get Book Here
Book Description
Create Your Own Fantastic Realms! An arduous journey leads you to a hilltop. Before you stretches a land of castles filled with noble knights, elven warriors and fearsome goblins and gargoyles. At your feet lies a book... Within its pages you will discover the secrets to sketching, drawing and coloring wondrous worlds - realms filled with creatures friendly and foul, beautiful princesses and stealthy magic-users, ancient ruins and dragons' lairs. Begin your journey by following the steps within, which will guide you from simple sketches to fully colored works of art. Take heart, brave traveler, for you'll be aided in your quest by: • Texture and coloring keys that show you exactly how to create dozens of different effects • A brainstorming game that, with a roll of the dice, allows you to mix and match character, creature and scene characteristics But beware, friend: Along the way, you will be powerless to resist the temptation to explore the strange and twisted detours of your own utterly original imaginings. Wield your pencil bravely - so begins your adventure... 30+ step-by-step demonstrations make it easy to create your own fantastic worlds! • The Characters: Human or elf, fighter or princess ... learn to outfit your characters with specialized clothing, weaponry and magical items, and tell their tales with dynamic gesture and motion. • The Creatures: Evoke dragons, demons, griffins and other edgy beasts of your own twisted imaginings, with special attention to key details that make them look regal or demented. • The Settings: Construct convincing environments that set the tone and atmosphere of your story, be it a mysterious tower, ancient ruins or a peaceful village.
Author: Claude Lecouteux
Publisher: Simon and Schuster
ISBN: 1620559439
Category : Body, Mind & Spirit
Languages : en
Pages : 322
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Book Description
A collection of tales from the Middle Ages that reveal voyages to Heaven and Hell, the realm of the Faery, mystical lands, and encounters with mythic beasts • Shares travelers’ accounts of voyages into the afterlife, alarming creatures of unparalleled strangeness, encounters with doppelgangers and angels, chivalric romantic misadventures, and legends of heroes • Explains how travelers’ tales from the Middle Ages drew on geographies, encyclopedias, travel accounts, bestiaries, and herbals for material to capture the imagination of their audiences • Includes rare illustrations from incunabula and medieval manuscripts Heading off to discover unknown lands was always a risky undertaking during the Middle Ages due to the countless dangers lying in wait for the traveler--if we can believe what the written accounts tell us. In the medieval age of intercontinental exploration, tales of sea monsters, strange hybrid beasts, trickster faeries, accidental trips to the afterlife, and peoples as fantastic and dangerous as the lands they inhabited abounded. In this curated collection of medieval travelers’ tales, editors Claude and Corinne Lecouteux explain how the Middle Ages were a melting pot of narrative traditions from the four corners of the then-known world. Tales from this period often drew on geographies, encyclopedias, travel accounts, bestiaries, and herbals for material to capture the imagination of their audiences, who were fascinated by the wonders being discovered by explorers of the time. Accompanied by rare illustrations from incunabula and medieval manuscripts, the stories in this collection include voyages into the afterlife, with guided tours of Hell and glimpses of Heaven, as well as journeys into other fantastic realms, such as the pagan land of the Faery. It also includes accounts from travelers such as Alexander the Great of alarming creatures of unparalleled strangeness, encounters with doppelgangers and angels, legends of heroes, and tales of chivalric romantic misadventures, with protagonists swept to exotic new places by fate or by quest. In each story, the marvelous is omnipresent, and each portrays the reactions of the protagonist when faced with the unknown. Offering an introduction to the medieval imaginings of a wondrous universe, these tales reflect the dreams and beliefs of the Middle Ages’ era of discovery and allow readers to survey mythic geography, meet people from the far ends of the earth, and experience the supernatural.
Author: Zhenjun Zhang
Publisher: Translations from the Asian Classics
ISBN: 9780231187169
Category : China
Languages : en
Pages : 233
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Book Description
"The Hidden and Visible Realms (Youming lu) is one of the most significant collections of Chinese zhiguai "Records of the Strange" literature. It is distinguished by its varied contents, elegant style of writing, and fascinating stories. This is the first complete English translation of the original, and Zhang has done significant editorial work on the collection, collecting every item that has been attributed to the volume, but placing those of suspect provenance in the appendix. The work is also significant for its early inclusion of Buddhist themes, making it of great interest to scholars of religion of the early medieval period" --
Author: Brian Herbert
Publisher: WordFire +ORM
ISBN: 1614750289
Category : Fiction
Languages : en
Pages : 231
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Book Description
Memorymakers tells the story of an ancient race of beings called the Ch’Var, who live among humans. They look like humans, act like humans, talk like humans. Their appetites, though, are anything but human.
Author: Eileen Wilks
Publisher: Penguin
ISBN: 1101185104
Category : Fiction
Languages : en
Pages : 369
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Book Description
View our feature on Eileen Wilks’s Blood Magic.A new World of Lupi novel from "a true master of her craft" (Eternal Night) Lily Yu and Lupi prince Rule Turner have a bigger problem than their families not accepting their impending human/werewolf mixed marriage. A powerful ancient nemesis of Lily's grandmother has come to San Diego to turn the city into a feeding ground.
Author: Aisling Nora Byrne
Publisher: Oxford University Press
ISBN: 0198746008
Category : History
Languages : en
Pages : 225
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Book Description
This book offers a new perspective on the "otherworlds" of medieval literature. These fantastical realms are among the most memorable places in medieval writing, by turns beautiful and monstrous, alluring and terrifying. Passing over a river or sea, or entering into a hollow hill, heroes come upon strange and magical realms. These places are often very beautiful, filled with sweet music, and adorned with precious stones and rich materials. There is often no darkness, time may pass at a different pace, and the people who dwell there are usually supernatural. Sometimes such a place is exactly what it appears to be--the land of heart's desire--but, the otherworld can also have a sinister side, trapping humans and keeping them there against their will. Otherworlds: Fantasy and History in Medieval Literature takes a fresh look at how medieval writers understood these places and why they found them so compelling. It focuses on texts from England, but places this material in the broader context of literary production in medieval Britain and Ireland. The narratives examined in this book tell a rather surprising story about medieval notions of these fantastical places. Otherworlds are actually a lot less "other" than they might initially seem. Authors often use the idea of the otherworld to comment on very serious topics. It is not unusual for otherworld depictions to address political issues in the historical world. Most intriguing of all are those texts where locations in the real world are re-imagined as otherworlds. The regions on which this book focuses, Britain, Ireland, and the surrounding islands, prove particularly susceptible to this characterization.
Author: Allan GIBBARD
Publisher: Harvard University Press
ISBN: 0674037588
Category : Philosophy
Languages : en
Pages : 321
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Book Description
Philosophers have long suspected that thought and discourse about what we ought to do differ in some fundamental way from statements about what is. But the difference has proved elusive, in part because the two kinds of statement look alike. Focusing on judgments that express decisions--judgments about what is to be done, all things considered--Allan Gibbard offers a compelling argument for reconsidering, and reconfiguring, the distinctions between normative and descriptive discourse--between questions of "ought" and "is." Gibbard considers how our actions, and our realities, emerge from the thousands of questions and decisions we form for ourselves. The result is a book that investigates the very nature of the questions we ask ourselves when we ask how we should live, and that clarifies the concept of "ought" by understanding the patterns of normative concepts involved in beliefs and decisions. An original and elegant work of metaethics, this book brings a new clarity and rigor to the discussion of these tangled issues, and will significantly alter the long-standing debate over "objectivity" and "factuality" in ethics. Table of Contents: I. Preliminaries 1. Introduction: A Possibility Proof 2. Intuitionism as Template: Emending Moore II. The Thing to Do 3. Planning and Ruling Out: The "Frege-Geach" Problem 4. Judgment, Disagreement, Negation 5. Supervenience and Constitution 6. Character and Import III. Normative Concepts 7. Ordinary Oughts: Meaning and Motivation 8. Normative Kinds: Patterns of Engagement 9. What to Say about the Thing to Do: The Expressivistic Turn and What it Gains Us IV. Knowing What to Do 10. Explaining with Plans 11. Knowing What to Do 12. Ideal Response Concepts 13. Deep Vindication and Practical Confidence 14. Impasse and Dissent References Index This is a remarkable book. It takes up a central and much-discussed problem - the difference between normative thought (and discourse) and "descriptive" thought (and discourse). It develops a compelling response to that problem with ramifications for much else in philosophy. But perhaps most importantly, it brings new clarity and rigor to the discussion of these tangled issues. It will take some time to come to terms with the details of Gibbard's discussion. It is absolutely clear, however, that the book will reconfigure the debate over objectivity and "factuality" in ethics. --Gideon Rosen, Professor of Philosophy, Princeton University Gibbard,/author> writes elegantly, and the theory he develops is innovative, philosophically sophisticated, and challenging. Gibbard defends his theory vigorously and with admirable intellectual honesty. --David Copp, Professor of Philosophy, Bowling Green State University
Author: Keith M. Johnston
Publisher: Berg
ISBN: 1847884784
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
Science Fiction Film develops a historical and cultural approach to the genre that moves beyond close readings of iconography and formal conventions. It explores how this increasingly influential genre has been constructed from disparate elements into a hybrid genre. Science Fiction Film goes beyond a textual exploration of these films to place them within a larger network of influences that includes studio politics and promotional discourses. The book also challenges the perceived limits of the genre - it includes a wide range of films, from canonical SF, such as Le voyage dans la lune, Star Wars and Blade Runner, to films that stretch and reshape the definition of the genre. This expansion of generic focus offers an innovative approach for students and fans of science fiction alike.
Author: Brian M. Thomsen
Publisher: Macmillan
ISBN: 9780765304568
Category : Fiction
Languages : en
Pages : 614
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Book Description
The ancient tales of long-dead civilizations to the wild success of J. R. R. Tolkien’s Lord of the Rings, fantasy has fired our imaginations for as long as there has been story. Whether sweeping sagas of fantastic adventures or cautionary tales told around the campfire, fantasy is deeply woven into the very fabric of humanity, wearing many faces and coming in many flavors. But what fantasy is distinctly American? The American Fantasy Tradition sets out to answer this very question. This comprehensive critical anthology of American fantasy literature applies the groundbreaking theorems of such esteemed American literary critics as Leslie Fiedler, Richard Chase, and Irving Howe to the genre of fantasy in an effort to delineate the true American tradition of fantasy from the more prominent Anglo-European canon, breaking it down into three distinctive strains: The American Tale: Folk, Tall, and Weird Stories that might be considered fables or legends, much like the epics of the Age of Heroes from the classical eras of Rome and Greece, or the tales of the fairy folk from the European tradition, or the fables of Aesop. Fantastic Americana Stories set directly within the American historic landscape, much as the Arthurian tradition is set within the confines of British history. Lands of Enchantment in Everyday Life Stories that involve what might be called the American spirit, focusing on worlds that exist in the shadows of our own, just beyond Rod Serling’s famous signpost for The Twilight Zone.
Author: Arthur B. Evans
Publisher: Wesleyan University Press
ISBN: 0819574392
Category : Fiction
Languages : en
Pages : 447
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Book Description
Vintage Visions is a seminal collection of scholarly essays on early works of science fiction and its antecedents. From Cyrano de Bergerac in 1657 to Olaf Stapledon in 1937, this anthology focuses on an unusually broad range of authors and works in the genre as it emerged across the globe, including the United States, Russia, Europe, and Latin America. The book includes material that will be of interest to both scholars and fans, including an extensive bibliography of criticism on early science fiction—the first of its kind—and a chronological listing of 150 key early works. Before Dr. Strangelove, future-war fiction was hugely popular in nineteenth-century Great Britain. Before Terminator, a French author depicted Thomas Edison as the creator of the perfect female android. These works and others are featured in this critical anthology. Contributors include Paul K. Alkon, Andrea Bell, Josh Bernatchez, I. F. Clarke, William J. Fanning Jr., William B. Fischer, Allison de Fren, Susan Gubar, Rachel Haywood Ferreira, Kamila Kinyon, Stanislaw Lem, Patrick A. McCarthy, Sylvie Romanowski, Nicholas Ruddick, and Gary Westfahl. Hardcover is un-jacketed.
