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Author: Ashley Lazevnick
Publisher: U of Minnesota Press
ISBN: 1452969361
Category : Art
Languages : en
Pages : 518
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Book Description
Redefining the artistic movement that helped shape American modernism In the early decades of the twentieth century, a loose contingent of artists working in and around New York City gave rise to the aesthetic movement known as precisionism, primarily remembered for its exacting depictions of skyscrapers, factories, machine parts, and other symbols of a burgeoning modernity. Although often regarded as a singular group, these artists were remarkably varied in their subject matter and stylistic traits. Fantasies of Precision excavates the surprising ties that connected them, exploring notions of precision across philosophy, technology, medicine, and many other fields. Bookended by discussions of the landmark First Biennial Exhibition of Painting at the Whitney Museum in 1932, this study weaves together a series of interconnected chapters illuminating the careers of Charles Sheeler, Georgia O’Keeffe, and Charles Demuth. Built on a theoretical framework of the writing of modernist poets Marianne Moore and William Carlos Williams, Fantasies of Precision outlines an “ethos of precision” that runs through the diverse practices of these artists, articulating how the broad range of enigmatic imagery they produced was underpinned by shared strategies of restraint, humility, and slowness. Questioning straightforward modes of art historical classification, Ashley Lazevnick redefines the concept that designated the precisionist movement. Through its cross-disciplinary approach and unique blend of historiography and fantasy, Fantasies of Precision offers a comprehensive reevaluation of one of the defining movements of artistic modernism.
Author: Ashley Lazevnick
Publisher: U of Minnesota Press
ISBN: 1452969361
Category : Art
Languages : en
Pages : 518
Get Book Here
Book Description
Redefining the artistic movement that helped shape American modernism In the early decades of the twentieth century, a loose contingent of artists working in and around New York City gave rise to the aesthetic movement known as precisionism, primarily remembered for its exacting depictions of skyscrapers, factories, machine parts, and other symbols of a burgeoning modernity. Although often regarded as a singular group, these artists were remarkably varied in their subject matter and stylistic traits. Fantasies of Precision excavates the surprising ties that connected them, exploring notions of precision across philosophy, technology, medicine, and many other fields. Bookended by discussions of the landmark First Biennial Exhibition of Painting at the Whitney Museum in 1932, this study weaves together a series of interconnected chapters illuminating the careers of Charles Sheeler, Georgia O’Keeffe, and Charles Demuth. Built on a theoretical framework of the writing of modernist poets Marianne Moore and William Carlos Williams, Fantasies of Precision outlines an “ethos of precision” that runs through the diverse practices of these artists, articulating how the broad range of enigmatic imagery they produced was underpinned by shared strategies of restraint, humility, and slowness. Questioning straightforward modes of art historical classification, Ashley Lazevnick redefines the concept that designated the precisionist movement. Through its cross-disciplinary approach and unique blend of historiography and fantasy, Fantasies of Precision offers a comprehensive reevaluation of one of the defining movements of artistic modernism.
Author: Krishan Kumar
Publisher: Choice Publishing Co., Ltd.
ISBN: 9780816634538
Category : History
Languages : en
Pages : 406
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Book Description
In 1989, from East Berlin to Budapest and Bucharest to Moscow, communism was falling. The walls were coming down and the world was being changed in ways that seemed entirely new. The conflict of ideas and ideals that began with the French Revolution of 1789 culminated in these revolutions, which raised the prospects of the "return to Europe" of East and Central European nations, the "restarting of their history," even, for some, the "end of history." What such assertions and aspirations meant, and what the larger events that inspired them mean-not just for the world of history and politics, but for our very understanding of that world-are the questions Krishan Kumar explores in 1989. A well-known and widely respected scholar, Kumar places these revolutions of 1989 in the broadest framework of political and social thought, helping us see how certain ideas, traditions, and ideological developments influenced or accompanied these movements-and how they might continue to play out. Asking questions about some of the central dilemmas facing modern society in the new century, Kumar offers critical insight into how these questions might be answered and how political, social, and historical ideas and ideals can shape our destiny. Contradictions Series, volume 12
Author: Ken Kalfus
Publisher: Milkweed Editions
ISBN: 1571318224
Category : Fiction
Languages : en
Pages : 313
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Book Description
The acclaimed short story and novella collection by “a virtuoso of the dismal comedy of Soviet life”—and the basis for the HBO film PU-239 (The New York Times). Ken Kalfus traverses a century of Russian history in tales that range from hair-raising to comic to fabulous. The astonishing title story follows a doomed nuclear power plant worker as he attempts to hawk plutonium in Moscow’s black market. In “Budyonnovsk,” a young man hopes that the takeover of his town by Chechen rebels will somehow save his marriage. Set in the 1920s, “Birobidzhan” is the bittersweet story of a Jewish couple journeying to the Soviet Far East, where they intend to establish the modern world’s first Jewish state. The novella, “Peredelkino,” which closes the book, traces the fortunes of a 1960s literary apparatchik whose romantic intrigues inadvertently become political. In these and other stories, Kalfus captures the famously enigmatic Russian psyche. A PEN/Faulkner Award Finalist
Author: Erich Ammereller
Publisher: Routledge
ISBN: 113437495X
Category : Philosophy
Languages : en
Pages : 516
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Book Description
The later Wittgenstein is notoriously hard to understand. His novel philosophical approach is the key to understanding his perplexing work. This volume assembles leading Wittgenstein scholars to come to grips with its least well understood aspect: the unfamiliar aims and method that shape Wittgenstein's approach. Wittgenstein at Work investigates Wittgenstein's aims, rationale and method in two steps. The first seven chapters analyze how he proceeds in core parts of the Philosophical Investigations: the discussion of the Augustinian picture of language, ostensive definition, philosophical method, understanding, rule-following, and private language. The final five chapters examine his most striking methodological remarks: his repudiation of theory and non-trivial theses, and some core notions of his methodology: his notions of clarification, synoptic representation, nonsense, and philosophical pictures. The volume considerably advances discussion of the therapeutic aspects of his approach that are currently a focus of debate. This volume is an indispensable methodological companion to the Philosophical Investigations, useful to both specialists and students alike.
Author: Stephen Mulhall
Publisher: Clarendon Press
ISBN: 0191583367
Category :
Languages : en
Pages : 466
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Book Description
What might it mean to think of philosophy as being in the condition of modernism -- in which its relation to its own past, and hence its sense of its own future, has become an undismissable problem? If philosophy's hitherto-defining conventions can neither be taken for granted nor rejected, they must be put in question -- which menans re-evealuating the relation between the form and content of philosophical writing, rethinking the demands that such writing must place on its readers, and reconceiving the nature of philosophy itself. Inheritance and Originality argues that the writings of Wittgenstein, Heidegger, and Kierkegaard are best understood as responsive (each in their own way) to such questions, and as driven in consequence to strikingly similar reconceptions of language, reason, and understanding, doubt and scepticism, morality, and the structure of selfhood. Through detailed re-readings of these authors' most influential texts, as attentive to their specificity as to their family resemblances, Stephen Mulhall reorients our sense of the philosophical work each text aims to accomplish, to engender a critical dialogue betweeen them from which the elements of a new conception of philosophy might emerge, and to uncover that conception's indebtedness to certain fundamental theological preoccupations.
Author: Diana Athill
Publisher: New York Review of Books
ISBN: 1681376121
Category : Fiction
Languages : en
Pages : 201
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Book Description
A candid novel of love, betrayal, and friendship about a young woman who breaks with her peers, moves to London, and begins a shocking affair. “When I was at school I used to think that everyone disliked me, and it wasn’t far from true” confesses Meg Bailey at the start of Don’t Look at Me Like That. Coming of age in the mid-1940s, Meg finds herself to be out of place wherever she finds herself: She is a nonbeliever in her father’s parsonage, an artistic dreamer at her stuffy boarding school, a provincial in the worldly circles frequented by her best friend Roxane and Dick, Roxane’s future husband. It is only when Meg, newly graduated from art school, moves into an untidy London rooming house alive with the sounds of crying children, sparring lovers, and even foreigners, that she begins to feel at home. But ties to the past are not so easily severed, and Meg must disentangle herself from her troubled intimacy with Roxane and Dick before she can begin to start “living in her own way.” Don’t Look at Me Like That is the only novel by the famed memoirist and editor Diana Athill, who died in 2019 at the age of one hundred and one. At once clear-eyed and compassionate, it is a story of making mistakes and making a life.
Author: T. E. Hulme
Publisher: Psychology Press
ISBN: 9780415969499
Category : Literary Collections
Languages : en
Pages : 284
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Book Description
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Beth M. Schwartz
Publisher: SAGE Publications
ISBN: 1544323719
Category : Psychology
Languages : en
Pages : 299
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Book Description
Winner of the 2022 Textbook Excellence Award from the Textbook & Academic Authors Association (TAA) This clear and concise book demystifies the process of writing in APA style and format. Fully updated with content from the Seventh Edition of the Publication Manual of the American Psychological Association, An EasyGuide to APA Style, Fourth Edition identifies common APA style and formatting mistakes, how to avoid them, and helps students become better writers and communicators of psychological science. Written in a conversational style to make the task of learning how to write more enjoyable, this guide helps students navigate the maze of rules in the APA Publication Manual and become proficient in learning the fine points of APA style. Providing detailed examples and complete sample student papers that conform to APA format, the authors illustrate not only how to write using APA style, but also what writing in APA style really looks like when papers are complete.
Author: Frances Guerin
Publisher: U of Minnesota Press
ISBN: 1452957258
Category : Art
Languages : en
Pages : 422
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Book Description
Changing how we look at and think about the color grey Why did many of the twentieth century’s best-known abstract painters often choose grey, frequently considered a noncolor and devoid of meaning? Frances Guerin argues that painters (including Jasper Johns, Cy Twombly, Agnes Martin, Brice Marden, Mark Rothko, and Gerhard Richter) select grey to respond to a key question of modernist art: What is painting? By analyzing an array of modernist paintings, Guerin demonstrates that grey has a unique history and a legitimate identity as a color. She traces its use by painters as far back as medieval and Renaissance art, through Romanticism, to nineteenth- and twentieth-century modernism to show how grey is the perfect color to address the questions asked by painting within art history and to articulate the relationship between painting and the historical world of industrial modernity. A work of exceptional erudition, breadth, and clarity, presenting an impressive range of canonical paintings across centuries as examples, The Truth Is Always Grey is a treatise on color that allows us to see something entirely new in familiar paintings and encourages our appreciation for the innovation and dynamism of the color grey.
Author: Keith Evan Green
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 316
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Book Description
Considers the architectural works and the friendship of Gio Ponti and Carlo Mollino, two Italian architects who practiced their craft in the mid-20th century. Part intellectual history, part biography and part architectural analysis, this book studies the life of architecture created by these two architects.
