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Author: Alex von Tunzelmann
Publisher: HarperCollins
ISBN: 0063081695
Category : History
Languages : en
Pages : 282
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Book Description
An Economist Best Book of the Year In this timely and lively look at the act of toppling monuments, the popular historian and author of Blood and Sand explores the vital question of how a society remembers—and confronts—the past. In 2020, history came tumbling down. From the US and the UK to Belgium, New Zealand, and Bangladesh, Black Lives Matter protesters defaced, and in some cases, hauled down statues of Confederate icons, slaveholders, and imperialists. General Robert E. Lee, head of the Confederate Army, was covered in graffiti in Richmond, Virginia. Edward Colston, a member of Parliament and slave trader, was knocked off his plinth in Bristol, England, and hurled into the harbor. Statues of Christopher Columbus were toppled in Minnesota, burned and thrown into a lake in Virginia, and beheaded in Massachusetts. Belgian King Leopold II was set on fire in Antwerp and doused in red paint in Ghent. Winston Churchill’s monument in London was daubed with the word “racist.” As these iconic effigies fell, the backlash was swift and intense. But as the past three hundred years have shown, history is not erased when statues are removed. If anything, Alex von Tunzelmann reminds us, it is made. Exploring the rise and fall of twelve famous, yet now controversial statues, she takes us on a fascinating global historical tour around North America, Western and Eastern Europe, Latin America and Asia, filled with larger than life characters and dramatic stories. Von Tunzelmann reveals that statues are not historical records but political statements and distinguishes between statuary—the representation of “virtuous” individuals, usually “Great Men”—and other forms of sculpture, public art, and memorialization. Nobody wants to get rid of all memorials. But Fallen Idols asks: have statues had their day?
Author: Alex von Tunzelmann
Publisher: HarperCollins
ISBN: 0063081695
Category : History
Languages : en
Pages : 282
Get Book
Book Description
An Economist Best Book of the Year In this timely and lively look at the act of toppling monuments, the popular historian and author of Blood and Sand explores the vital question of how a society remembers—and confronts—the past. In 2020, history came tumbling down. From the US and the UK to Belgium, New Zealand, and Bangladesh, Black Lives Matter protesters defaced, and in some cases, hauled down statues of Confederate icons, slaveholders, and imperialists. General Robert E. Lee, head of the Confederate Army, was covered in graffiti in Richmond, Virginia. Edward Colston, a member of Parliament and slave trader, was knocked off his plinth in Bristol, England, and hurled into the harbor. Statues of Christopher Columbus were toppled in Minnesota, burned and thrown into a lake in Virginia, and beheaded in Massachusetts. Belgian King Leopold II was set on fire in Antwerp and doused in red paint in Ghent. Winston Churchill’s monument in London was daubed with the word “racist.” As these iconic effigies fell, the backlash was swift and intense. But as the past three hundred years have shown, history is not erased when statues are removed. If anything, Alex von Tunzelmann reminds us, it is made. Exploring the rise and fall of twelve famous, yet now controversial statues, she takes us on a fascinating global historical tour around North America, Western and Eastern Europe, Latin America and Asia, filled with larger than life characters and dramatic stories. Von Tunzelmann reveals that statues are not historical records but political statements and distinguishes between statuary—the representation of “virtuous” individuals, usually “Great Men”—and other forms of sculpture, public art, and memorialization. Nobody wants to get rid of all memorials. But Fallen Idols asks: have statues had their day?
Author: Graham Greene
Publisher: Penguin
ISBN: 9780140185331
Category : Fiction
Languages : en
Pages : 164
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Book Description
The Third Man is Greene's brilliant recreation of post-war Vienna, a city of desolate poverty occupied by four powers. Rollo Martins, a second-rate novelist, arrives penniless in Vienna to visit his old friend and hero Harry Lime. Harry is dead, but the circumstances surrounding his death are highly suspicious, and his reputation, at the very least, dubious. Graham Greene said of The Third Man that he "wanted to entertain [people], to frighten them a little, to make them laugh" and the result is both a compelling narrative and a haunting thriller. The Fallen Idol is the chilling story of a small boy caught up in the games that adults play. Left in the care of the butler, Baines, and his wife, Philip realizes too late the danger of lies and deceit. But the truth is even deadlier. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: Percival Constantine
Publisher: Percival Constantine
ISBN:
Category : Fiction
Languages : en
Pages : 219
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Book Description
SOMETIMES SUICIDE IS JUST A FACADE When a disgraced former pop star plummets to her death from her Osaka apartment, all signs paint a picture of a troubled young woman who took her own life. But once her parents hire Kyoko Nakamura to learn the truth, the private detective discovers not everything is as it seems. Kyoko’s investigation will lead her into a world of drugs and prostitution, face to face with dangerous criminals, and through the seedy underbelly of Japan’s music industry. With all odds against her, can Kyoko redeem herself for a past failure by finding justice for a fallen idol? From Percival Constantine comes a thrilling new mystery series, set in one of the world's most intriguing locales! “In FALLEN IDOL, the harsh shadows cast by the twisty neon of Osaka hide bad intent but it’s where the answers lie, and for resourceful PI Kyoko Nakamura there’s no turning away.” – Gary Phillips, author of Batman: The Killing Joke novelization
Author: Beth Miller
Publisher: Univ of California Press
ISBN: 0520378881
Category : Literary Collections
Languages : en
Pages : 385
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Book Description
The topics covered by this pioneering collection of essays range from peninsular Spanish to Latin American literature, from the eleventh to the twentieth centuries, and from the subject of women as portrayed in Hispanic literature to the literature of Hispanic women writers. Some pieces present polemical feminist arguments, other are more traditional. All the contributors use their subject to take new stands on old controversies, ask new questions, and reevaluate important aspects of Hispanic literature. While there is ample evidence in these essays of the dual archetype in Hispanic literature of women as icon and woman as fallen idol, the collection reaches beyond these stereotypes to more complex sociological and theoretical concerns. Although such research has ben abundantly pursued by scholars of English and American literature, it has been notably absent from Hispanic studies. This anthology is a comprehensive introduction to its subject and a stimulus to further work in the area. Contributors: Fernando Alegría Electa Arenal Julianne Burton Alan Deyermond Rosalie Gimeno Harriet Goldberg Estelle Irizarry Kathleen Kish Luis Leal Linda Gould Levine Melveena McKendrick Francine Masiello Beth Miller Elizabeth Ordóñez Rachel Phillips Marcia L. Welles This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983.
Author: Elizabeth Allen
Publisher: Stanford University Press
ISBN: 9780804768030
Category : Literary Criticism
Languages : en
Pages : 318
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Book Description
A Fallen Idol Is Still a God elucidates the historical distinctiveness and significance of the seminal nineteenth-century Russian poet, playwright, and novelist Mikhail Iurevich Lermontov (1814-1841). It does so by demonstrating that Lermontov's works illustrate the condition of living in an epoch of transition. Lermontov's particular epoch was that of post-Romanticism, a time when the twilight of Romanticism was dimming but the dawn of Realism had yet to appear. Through close and comparative readings, the book explores the singular metaphysical, psychological, ethical, and aesthetic ambiguities and ambivalences that mark Lermontov's works, and tellingly reflect the transition out of Romanticism and the nature of post-Romanticism. Overall, the book reveals that, although confined to his transitional epoch, Lermontov did not succumb to it; instead, he probed its character and evoked its historical import. And the book concludes that Lermontov's works have resonance for our transitional era in the early twenty-first century as well.
Author: Margaret Way
Publisher: Harlequin Books
ISBN: 9780373027002
Category :
Languages : en
Pages : 191
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Book Description
Author: F. Anstey
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 364
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Book Description
Author: Peter William Evans
Publisher: Manchester University Press
ISBN: 1526141205
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
Carol Reed is one of the truly outstanding directors of British cinema, and one whose work is long overdue for reconsideration. This major study ranges over Reed’s entire career, combining observation of general trends and patterns with detailed analysis of twenty films, both acknowledged masterpieces and lesser-known works. Evans avoids a simplistic auteurist approach, placing the films in their autobiographical, socio-political and cultural contexts and relating these to the analysis of Reed’s art. The critical approach combines psychoanalysis, gender theory, and the analysis of form. Archival research is also relied on to clarify Reed’s relations with his creative team, financial backers and others. Films examined include Bank Holiday, A Girl Must Live, Odd Man Out, The Fallen Idol, The Third Man, Night Train to Munich, The Way Ahead, Outcast of the Islands, Trapeze and Oliver!.
Author: Peter Marinello
Publisher:
ISBN: 9780755315581
Category : Soccer players
Languages : en
Pages : 0
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Book Description
"Douglas Adams possessed one of the twentieth century's great imaginations. He was clever, funny, prescient, child-like and - to the dismay of some contemporaries - a polymath who combined intellect with a sense of wonder. The Hitchhiker's Guide to the Galaxy was both intimate and cosmic, bleak and funny, frivolous yet philosophical. In 1978 it sneaked out on BBC radio, but news of it cascaded through the public by word of mouth. Soon it reappeared in many incarnations, including a towel. Douglas Adams's books went on to sell 17 million copies. He created his own world which cast a sideways light on the one we inhabit; it never looked the same again." "He was a big man who gave the big things in life their proper due. Adams wrote sublimely, but he found the process agonising and developed a talent for displacement almost as inventive as his prose. His childhood was unusual, his enthusiasms overwhelming, his gift for friendship immense and his private life intense. He achieved success early and soon found himself in demand as a thinker in the realms of science and the arts. Building bridges between them was one of his missions." "Nick Webb's friendship with Douglas Adams began with the first novel, and grew through a shared interest in science. His definitive portrait has been drawn up with the help of family and mutual friends, many of whom have spoken with frankness of people who for years have also known the author. The result is a privileged vantage point from which to share a revealing and affectionate view of an astonishing man."--BOOK JACKET.
Author: Leonard Schulman
Publisher: AuthorHouse
ISBN: 1468525808
Category :
Languages : en
Pages : 244
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Book Description
Fallen Idols is a memoir that begins in the radical sixties in Greenwich Village. The author, the young Leonard Schulman, is living on West Fourth street, just two blocks away from the young emigre from Duluth, Minn.. Bob Dylan.... The author of this charming and engaging memoir, already knows of the young genius, Mr. Dylan, having been exposed to early Dylan by his first love at Brooklyn College. The songs and life of Dylan are to affect our hero in curious ways. In the course of this book he comes to know two photographers--David Gahr and Barry Feinstein--who were close to Mr. Dylan. They tell him stories unheard of before the the great bard. Schulman comes to know other important people too--mostly through his work at Time magazine. How a Brooklyn street kid, got the job and his work at the magazine (for nearly 30 years) is a big part of the book. In the course of his life he meets many people whom he comes to see as 'fallen idols." One of the most important is James Wilde, Time magazine's most intrepid war correspondent. Mr. Wilde becomes a friend and mentor. In the nineties he travels to work for Wilde in Time's Nairobi office as a stringer. Here many adventures occur (worthy of a movie). There are other fallen idols. Too numerous to enumerate. But let me mention at least one--Vittorio Fiorucci--the monstre sacre and great Montreal artist. The creator of Juste Pour Rire's little green man. The book follows in the great literary tradition of Kerouac and Cormac McCarthy as he (Schulman) traverses--over a lifetime--wide areas of the globe--seeking and finding moments of joy and passion and nirvana. It is a journey that will excite you with the tears of things, as he seeks to find, along with all of us--permanence and love. (Another of his fallen idols is Norman Mailer and. . . oh, you'll just have to read the book.) But reader beware, Mr. Schulman's book is not for the faint of heart. So be careful. . . this book may knock you out. Like Hamlet advised "t'were as if a mirror were held up to nature." Human nature, that is. And it ain't always pretty.
