Author: Sheridan Libraries
Publisher: Conran Octopus
ISBN: 9780983808664
Category : Academic libraries
Languages : en
Pages : 0
Book Description
In addition to providing a checklist of 70 treasures from the Arthur and Janet Freeman Bibliotheca Fictiva Collection, this beautifully-illustrated volume includes five essays that explore the phenomenon of forgery as a creative literary form and provide an interesting and informative sense of the broader collection. With nearly 1,700 individual items, the Bibliotheca Fictiva Collection is the largest and most comprehensive collection of books and manuscripts of forgery in the world. Highlights include editions of Jesus' posthumous "Letter from Heaven," eyewitness accounts of the Fall of Troy, annotated books from Shakespeare's personal library, Alpine inscriptions recording Noah's settlement of Vienna after the Flood, and a first-hand account of the discovery of Homer's tomb. The collection was assembled over a 50-year period and acquired by the Sheridan Libraries of Johns Hopkins University in 2011. Exhibition: Johns Hopkins Krieger School of Arts, Baltimore, USA (05.10.2014 - 01.02.2015).
Fakes, Lies, and Forgeries
Author: Sheridan Libraries
Publisher: Conran Octopus
ISBN: 9780983808664
Category : Academic libraries
Languages : en
Pages : 0
Book Description
In addition to providing a checklist of 70 treasures from the Arthur and Janet Freeman Bibliotheca Fictiva Collection, this beautifully-illustrated volume includes five essays that explore the phenomenon of forgery as a creative literary form and provide an interesting and informative sense of the broader collection. With nearly 1,700 individual items, the Bibliotheca Fictiva Collection is the largest and most comprehensive collection of books and manuscripts of forgery in the world. Highlights include editions of Jesus' posthumous "Letter from Heaven," eyewitness accounts of the Fall of Troy, annotated books from Shakespeare's personal library, Alpine inscriptions recording Noah's settlement of Vienna after the Flood, and a first-hand account of the discovery of Homer's tomb. The collection was assembled over a 50-year period and acquired by the Sheridan Libraries of Johns Hopkins University in 2011. Exhibition: Johns Hopkins Krieger School of Arts, Baltimore, USA (05.10.2014 - 01.02.2015).
Publisher: Conran Octopus
ISBN: 9780983808664
Category : Academic libraries
Languages : en
Pages : 0
Book Description
In addition to providing a checklist of 70 treasures from the Arthur and Janet Freeman Bibliotheca Fictiva Collection, this beautifully-illustrated volume includes five essays that explore the phenomenon of forgery as a creative literary form and provide an interesting and informative sense of the broader collection. With nearly 1,700 individual items, the Bibliotheca Fictiva Collection is the largest and most comprehensive collection of books and manuscripts of forgery in the world. Highlights include editions of Jesus' posthumous "Letter from Heaven," eyewitness accounts of the Fall of Troy, annotated books from Shakespeare's personal library, Alpine inscriptions recording Noah's settlement of Vienna after the Flood, and a first-hand account of the discovery of Homer's tomb. The collection was assembled over a 50-year period and acquired by the Sheridan Libraries of Johns Hopkins University in 2011. Exhibition: Johns Hopkins Krieger School of Arts, Baltimore, USA (05.10.2014 - 01.02.2015).
Fake News Nation
Author: James W. Cortada
Publisher: Rowman & Littlefield
ISBN: 1538131110
Category : History
Languages : en
Pages : 317
Book Description
How rumors, lies, and misrepresentations shaped American history After the election of Donald Trump as president, people in the United States and across large swaths of Europe, Latin America, and Asia engaged in the most intensive discussion in modern times about falsehoods pronounced by public officials. Fake facts in their various forms have long been present in American life, particularly in its politics, public discourse, and business activities – going back to the time when the country was formed. This book explores the long tradition of fake facts, in their various guises, in American history. It is one of the first historical studies to place the long history of lies and misrepresentation squarely in the middle of American political, business, and science policy rhetoric. In Fake News Nation, James Cortada and William Aspray present a series of case studies that describe how lies and fake facts were used over the past two centuries in important instances in American history. Cortada and Aspray give readers a perspective on fake facts as they appear today and as they are likely to appear in the future.
Publisher: Rowman & Littlefield
ISBN: 1538131110
Category : History
Languages : en
Pages : 317
Book Description
How rumors, lies, and misrepresentations shaped American history After the election of Donald Trump as president, people in the United States and across large swaths of Europe, Latin America, and Asia engaged in the most intensive discussion in modern times about falsehoods pronounced by public officials. Fake facts in their various forms have long been present in American life, particularly in its politics, public discourse, and business activities – going back to the time when the country was formed. This book explores the long tradition of fake facts, in their various guises, in American history. It is one of the first historical studies to place the long history of lies and misrepresentation squarely in the middle of American political, business, and science policy rhetoric. In Fake News Nation, James Cortada and William Aspray present a series of case studies that describe how lies and fake facts were used over the past two centuries in important instances in American history. Cortada and Aspray give readers a perspective on fake facts as they appear today and as they are likely to appear in the future.
Fake News, Propaganda, and Plain Old Lies
Author: Donald A. Barclay
Publisher: Rowman & Littlefield
ISBN: 1538108909
Category : Language Arts & Disciplines
Languages : en
Pages : 245
Book Description
Are you overwhelmed at the amount, contradictions, and craziness of all the information coming at you in this age of social media and twenty-four-hour news cycles? Fake News, Propaganda, and Plain Old Lies will show you how to identify deceptive information as well as how to seek out the most trustworthy information in order to inform decision making in your personal, academic, professional, and civic lives. • Learn how to identify the alarm bells that signal untrustworthy information. • Understand how to tell when statistics can be trusted and when they are being used to deceive. • Inoculate yourself against the logical fallacies that can mislead even the brightest among us. Donald A. Barclay, a career librarian who has spent decades teaching university students to become information literate scholars and citizens, takes an objective, non-partisan approach to the complex and nuanced topic of sorting deceptive information from trustworthy information.
Publisher: Rowman & Littlefield
ISBN: 1538108909
Category : Language Arts & Disciplines
Languages : en
Pages : 245
Book Description
Are you overwhelmed at the amount, contradictions, and craziness of all the information coming at you in this age of social media and twenty-four-hour news cycles? Fake News, Propaganda, and Plain Old Lies will show you how to identify deceptive information as well as how to seek out the most trustworthy information in order to inform decision making in your personal, academic, professional, and civic lives. • Learn how to identify the alarm bells that signal untrustworthy information. • Understand how to tell when statistics can be trusted and when they are being used to deceive. • Inoculate yourself against the logical fallacies that can mislead even the brightest among us. Donald A. Barclay, a career librarian who has spent decades teaching university students to become information literate scholars and citizens, takes an objective, non-partisan approach to the complex and nuanced topic of sorting deceptive information from trustworthy information.
Bibliotheca Fictiva
Author: Arthur Freeman
Publisher:
ISBN: 9780956301284
Category : Literary forgeries and mystifications
Languages : en
Pages : 423
Book Description
An inventory of books and manuscripts relating to literary forgery. Spanning some twenty-four centuries, the book seeks also to define and describe the controversial genre it represents. Individual entries offer specific commentary on the forgers and their work, their exposers and their dupes. A broad prefatory overview surveys the entire field in its topical, historical, and national diversity. 0.
Publisher:
ISBN: 9780956301284
Category : Literary forgeries and mystifications
Languages : en
Pages : 423
Book Description
An inventory of books and manuscripts relating to literary forgery. Spanning some twenty-four centuries, the book seeks also to define and describe the controversial genre it represents. Individual entries offer specific commentary on the forgers and their work, their exposers and their dupes. A broad prefatory overview surveys the entire field in its topical, historical, and national diversity. 0.
Splendide Mendax
Author: Edmund P. Cueva
Publisher: Barkhuis
ISBN: 9492444224
Category : History
Languages : en
Pages : 380
Book Description
Scholars for centuries have regarded fakes and forgeries chiefly as an opportunity for exposing and denouncing deceit, rather than appreciating the creative activity necessary for such textual imposture. But should we not be more curious about what is spurious? Many of these long-neglected texts merit serious reappraisal, when considered as artifacts with a value beyond mere authenticity. We do not have to be fooled by a forgery to find it fascinating, when even the intention to deceive can remind us how easy it is to form beliefs about texts. The greater difficulty is that once beliefs have been formed by one text, it is impossible to approach the next without preconceptions potentially disastrous for scholarship. The exposure of fraud and the pursuit of truth may still be valid scholarly goals, but they implicitly demand that we confront the status of any text as a focal point for matters of belief and conviction. Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes and forgeries. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship when the forger is regarded as "splendide mendax" - splendidly untruthful.
Publisher: Barkhuis
ISBN: 9492444224
Category : History
Languages : en
Pages : 380
Book Description
Scholars for centuries have regarded fakes and forgeries chiefly as an opportunity for exposing and denouncing deceit, rather than appreciating the creative activity necessary for such textual imposture. But should we not be more curious about what is spurious? Many of these long-neglected texts merit serious reappraisal, when considered as artifacts with a value beyond mere authenticity. We do not have to be fooled by a forgery to find it fascinating, when even the intention to deceive can remind us how easy it is to form beliefs about texts. The greater difficulty is that once beliefs have been formed by one text, it is impossible to approach the next without preconceptions potentially disastrous for scholarship. The exposure of fraud and the pursuit of truth may still be valid scholarly goals, but they implicitly demand that we confront the status of any text as a focal point for matters of belief and conviction. Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes and forgeries. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship when the forger is regarded as "splendide mendax" - splendidly untruthful.
Hoax: A History of Deception
Author: Ian Tattersall
Publisher: Black Dog & Leventhal
ISBN: 0316503703
Category : True Crime
Languages : en
Pages : 487
Book Description
An entertaining collection of the most audacious and underhanded deceptions in the history of mankind, from sacred relics to financial schemes to fake art, music, and identities. World history is littered with tall tales and those who have fallen for them. Ian Tattersall, a curator emeritus at the American Museum of Natural History, has teamed up with Peter Néaumont to tell this anti-history of the world, in which Michelangelo fakes a masterpiece; Arctic explorers seek an entrance into a hollow Earth; a Shakespeare tragedy is "rediscovered"; a financial scheme inspires Charles Ponzi; a spirit photographer snaps Abraham Lincoln's ghost; people can survive ingesting only air and sunshine; Edgar Allen Poe is the forefather of fake news; and the first human was not only British but played cricket. Told chronologically, HOAX begins with the first documented announcement of the end of the world in 2800 BC and winds its way through controversial tales such as the Loch Ness Monster and the Shroud of Turin, past proven fakes such as the Thomas Jefferson's ancient wine and the Davenport Tablets built by a lost race, and explores bald-faced lies in the worlds of art, science, literature, journalism, and finance.
Publisher: Black Dog & Leventhal
ISBN: 0316503703
Category : True Crime
Languages : en
Pages : 487
Book Description
An entertaining collection of the most audacious and underhanded deceptions in the history of mankind, from sacred relics to financial schemes to fake art, music, and identities. World history is littered with tall tales and those who have fallen for them. Ian Tattersall, a curator emeritus at the American Museum of Natural History, has teamed up with Peter Néaumont to tell this anti-history of the world, in which Michelangelo fakes a masterpiece; Arctic explorers seek an entrance into a hollow Earth; a Shakespeare tragedy is "rediscovered"; a financial scheme inspires Charles Ponzi; a spirit photographer snaps Abraham Lincoln's ghost; people can survive ingesting only air and sunshine; Edgar Allen Poe is the forefather of fake news; and the first human was not only British but played cricket. Told chronologically, HOAX begins with the first documented announcement of the end of the world in 2800 BC and winds its way through controversial tales such as the Loch Ness Monster and the Shroud of Turin, past proven fakes such as the Thomas Jefferson's ancient wine and the Davenport Tablets built by a lost race, and explores bald-faced lies in the worlds of art, science, literature, journalism, and finance.
Forged
Author: Jonathon Keats
Publisher: Oxford University Press
ISBN: 0199928355
Category : Art
Languages : en
Pages : 206
Book Description
According to Vasari, the young Michelangelo often borrowed drawings of past masters, which he copied, returning his imitations to the owners and keeping originals. Half a millennium later, Andy Warhol made a game of "forging" the Mona Lisa, questioning the entire concept of originality. Forged explores art forgery from ancient times to the present. In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andrea del Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han van Meegeren who duped the avaricious Hermann Göring, to the frustrated British artist Eric Hebborn, who began forging to expose the ignorance of experts, art forgers have challenged "legitimate" art in their own time, breaching accepted practices and upsetting the status quo. They have also provocatively confronted many of the present-day cultural anxieties that are major themes in the arts. Keats uncovers what forgeries—and our reactions to them—reveal about changing conceptions of creativity, identity, authorship, integrity, authenticity, success, and how we assign value to works of art. The book concludes by looking at how artists today have appropriated many aspects of forgery through such practices as street-art stenciling and share-and-share-alike licensing, and how these open-source "copyleft" strategies have the potential to make legitimate art meaningful again. Forgery has been much discussed—and decried—as a crime. Forged is the first book to assess great forgeries as high art in their own right.
Publisher: Oxford University Press
ISBN: 0199928355
Category : Art
Languages : en
Pages : 206
Book Description
According to Vasari, the young Michelangelo often borrowed drawings of past masters, which he copied, returning his imitations to the owners and keeping originals. Half a millennium later, Andy Warhol made a game of "forging" the Mona Lisa, questioning the entire concept of originality. Forged explores art forgery from ancient times to the present. In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andrea del Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han van Meegeren who duped the avaricious Hermann Göring, to the frustrated British artist Eric Hebborn, who began forging to expose the ignorance of experts, art forgers have challenged "legitimate" art in their own time, breaching accepted practices and upsetting the status quo. They have also provocatively confronted many of the present-day cultural anxieties that are major themes in the arts. Keats uncovers what forgeries—and our reactions to them—reveal about changing conceptions of creativity, identity, authorship, integrity, authenticity, success, and how we assign value to works of art. The book concludes by looking at how artists today have appropriated many aspects of forgery through such practices as street-art stenciling and share-and-share-alike licensing, and how these open-source "copyleft" strategies have the potential to make legitimate art meaningful again. Forgery has been much discussed—and decried—as a crime. Forged is the first book to assess great forgeries as high art in their own right.
Education in an Age of Lies and Fake News
Author: Janis T. Ozolins
Publisher:
ISBN: 9780367611019
Category : Education
Languages : en
Pages : 0
Book Description
Education in an Age of Lies and Fake News: Regaining a Love of Truth makes an argument for the importance of truth. It explores how we can retrieve the concept of truth and how moral education can be deployed in order to re-establish a commitment to truth.
Publisher:
ISBN: 9780367611019
Category : Education
Languages : en
Pages : 0
Book Description
Education in an Age of Lies and Fake News: Regaining a Love of Truth makes an argument for the importance of truth. It explores how we can retrieve the concept of truth and how moral education can be deployed in order to re-establish a commitment to truth.
Fakes and Forgeries of Written Artefacts from Ancient Mesopotamia to Modern China
Author: Cécile Michel
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110714418
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
Fakes and forgeries are objects of fascination. This volume contains a series of thirteen articles devoted to fakes and forgeries of written artefacts from the beginnings of writing in Mesopotamia to modern China. The studies emphasise the subtle distinctions conveyed by an established vocabulary relating to the reproduction of ancient artefacts and production of artefacts claiming to be ancient: from copies, replicas and imitations to fakes and forgeries. Fakes are often a response to a demand from the public or scholarly milieu, or even both. The motives behind their production may be economic, political, religious or personal – aspiring to fame or simply playing a joke. Fakes may be revealed by combining the study of their contents, codicological, epigraphic and palaeographic analyses, and scientific investigations. However, certain famous unsolved cases still continue to defy technology today, no matter how advanced it is. Nowadays, one can find fakes in museums and private collections alike; they abound on the antique market, mixed with real artefacts that have often been looted. The scientific community’s attitude to such objects calls for ethical reflection.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110714418
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
Fakes and forgeries are objects of fascination. This volume contains a series of thirteen articles devoted to fakes and forgeries of written artefacts from the beginnings of writing in Mesopotamia to modern China. The studies emphasise the subtle distinctions conveyed by an established vocabulary relating to the reproduction of ancient artefacts and production of artefacts claiming to be ancient: from copies, replicas and imitations to fakes and forgeries. Fakes are often a response to a demand from the public or scholarly milieu, or even both. The motives behind their production may be economic, political, religious or personal – aspiring to fame or simply playing a joke. Fakes may be revealed by combining the study of their contents, codicological, epigraphic and palaeographic analyses, and scientific investigations. However, certain famous unsolved cases still continue to defy technology today, no matter how advanced it is. Nowadays, one can find fakes in museums and private collections alike; they abound on the antique market, mixed with real artefacts that have often been looted. The scientific community’s attitude to such objects calls for ethical reflection.
Literary Forgery in Early Modern Europe, 1450–1800
Author: Walter Stevens
Publisher: JHU Press
ISBN: 1421426889
Category : History
Languages : en
Pages : 437
Book Description
“The essays gathered in this volume demonstrate that studying early modern European literary forgeries is a fascinating cultural adventure” (Lina Bolzoni author of The Gallery of Memory). This comprehensive study of literary and historiographical forgery goes well beyond questions of authorship. It spotlights the imaginative vitality of forgery and its sinister impact on genuine scholarship. This volume demonstrates that early modern forgery was a literary tradition in its own right, with distinctive connections to politics, Greek and Roman classics, religion, philosophy, and modern literature. The early modern explosion in forgery of all kinds—particularly in the fields of literary and archaeological falsification—demonstrates a dramatic shift in attitudes toward historical evidence and in the relation of texts to contemporary society. The authors capture the impact of this evolution within many cultural transformations, including the rise of print, changing tastes and fortunes of the literary marketplace, and the Protestant and Catholic Reformations. The thirteen essays draw on Johns Hopkins University’s Bibliotheca Fictiva, the world’s premier research collection dedicated exclusively to the subject of literary forgery. It consists of several thousand rare books and unique manuscript materials from the early modern period and beyond. Contributors: Frederic Clark, James Coleman, Richard Cooper, Arthur Freeman, Anthony Grafton, A. Katie Harris, Earle A. Havens, Jack Lynch, Shana D. O’Connell, Ingrid Rowland, Walter Stephens, Elly Truitt, Kate Tunstall
Publisher: JHU Press
ISBN: 1421426889
Category : History
Languages : en
Pages : 437
Book Description
“The essays gathered in this volume demonstrate that studying early modern European literary forgeries is a fascinating cultural adventure” (Lina Bolzoni author of The Gallery of Memory). This comprehensive study of literary and historiographical forgery goes well beyond questions of authorship. It spotlights the imaginative vitality of forgery and its sinister impact on genuine scholarship. This volume demonstrates that early modern forgery was a literary tradition in its own right, with distinctive connections to politics, Greek and Roman classics, religion, philosophy, and modern literature. The early modern explosion in forgery of all kinds—particularly in the fields of literary and archaeological falsification—demonstrates a dramatic shift in attitudes toward historical evidence and in the relation of texts to contemporary society. The authors capture the impact of this evolution within many cultural transformations, including the rise of print, changing tastes and fortunes of the literary marketplace, and the Protestant and Catholic Reformations. The thirteen essays draw on Johns Hopkins University’s Bibliotheca Fictiva, the world’s premier research collection dedicated exclusively to the subject of literary forgery. It consists of several thousand rare books and unique manuscript materials from the early modern period and beyond. Contributors: Frederic Clark, James Coleman, Richard Cooper, Arthur Freeman, Anthony Grafton, A. Katie Harris, Earle A. Havens, Jack Lynch, Shana D. O’Connell, Ingrid Rowland, Walter Stephens, Elly Truitt, Kate Tunstall