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Author: Sherril Dodds
Publisher: Oxford University Press
ISBN: 019762037X
Category : Choreography
Languages : en
Pages : 265
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Book Description
The face contributes a vital, yet often overlooked, component of dance performance. Facial Choreographies: Performing the Face in Popular Dance examines what the face does in dance and what it may mean. Author Sherril Dodds focuses on popular presentational dance, which permits the face to be one of excess and spectacle, as well as disclosure or deception. The concept of facial choreography resists the idea that the expressive countenance in dance is simply by chance, and instead conceives its movement as purposeful, creative, and communicative. The book centers on three facial case studies: global celebrity Michael Jackson, whose face has occupied a site of fervent controversy; Maddie Ziegler, child star of the reality television series Dance Moms and de facto face of pop star Sia; and a community of hip hop dancers who engage in fiercely contested dance battles. Chapters are organized according to action-expressions, actively working even in times of stillness: SMILE, LOOK, FROWN, CRY, SCREAM, and LAUGH. Across each case study, the book explores pedagogies of facial composition, the purpose of codified expressions, and how dancers re-choreograph their faces as a critical unworking of what a dancing visage might represent. Facial choreographies engender opportunity for startling creativity, the articulation of identity, a cathartic expression of emotions and attitudes, and the capacity to dismantle previously held assumptions. As the dancing face tauntingly slips between visual, sensory, and kinetic registers it ensures that nothing can be taken at face value.
Author: Sherril Dodds
Publisher: Oxford University Press
ISBN: 019762037X
Category : Choreography
Languages : en
Pages : 265
Get Book Here
Book Description
The face contributes a vital, yet often overlooked, component of dance performance. Facial Choreographies: Performing the Face in Popular Dance examines what the face does in dance and what it may mean. Author Sherril Dodds focuses on popular presentational dance, which permits the face to be one of excess and spectacle, as well as disclosure or deception. The concept of facial choreography resists the idea that the expressive countenance in dance is simply by chance, and instead conceives its movement as purposeful, creative, and communicative. The book centers on three facial case studies: global celebrity Michael Jackson, whose face has occupied a site of fervent controversy; Maddie Ziegler, child star of the reality television series Dance Moms and de facto face of pop star Sia; and a community of hip hop dancers who engage in fiercely contested dance battles. Chapters are organized according to action-expressions, actively working even in times of stillness: SMILE, LOOK, FROWN, CRY, SCREAM, and LAUGH. Across each case study, the book explores pedagogies of facial composition, the purpose of codified expressions, and how dancers re-choreograph their faces as a critical unworking of what a dancing visage might represent. Facial choreographies engender opportunity for startling creativity, the articulation of identity, a cathartic expression of emotions and attitudes, and the capacity to dismantle previously held assumptions. As the dancing face tauntingly slips between visual, sensory, and kinetic registers it ensures that nothing can be taken at face value.
Author: Sandra Cerny Minton
Publisher: Human Kinetics
ISBN: 9780736064767
Category : Performing Arts
Languages : en
Pages : 180
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Book Description
Minton shows how to solve common choreography problems, design and shape movements into a dance, and organise a dance concert. She addresses some of the National Dance Content Standards, and features movement exploration exercises.
Author: Gay Morris
Publisher: Oxford University Press
ISBN: 0190298995
Category : Performing Arts
Languages : en
Pages : 385
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Book Description
Wars in this century are radically different from the major conflicts of the 20th century--more amorphous, asymmetrical, globally connected, and unending. Choreographies of 21st Century Wars is the first book to analyze the interface between choreography and wars in this century, a pertinent inquiry since choreography has long been linked to war and military training. The book draws on recent political theory that posits shifts in the kinds of wars occurring since the First and Second World Wars and the Cold War, all of which were wars between major world powers. Given the dominance of today's more indeterminate, asymmetrical, less decisive wars, we ask if choreography, as an organizing structure and knowledge system, might not also need revision in order to reflect on, and intercede in, a globalized world of continuous warfare. In an introduction and sixteen chapters, authors from a number of disciplines investigate how choreography and war in this century impinge on each other. Choreographers write of how they have related to contemporary war in specific works, while other contributors investigate the interconnections between war and choreography through theatrical works, dances, military rituals and drills, the choreography of video war games and television shows. Issues investigated include torture and terror, the status of war refugees, concerns surrounding fighting and peacekeeping soldiers, national identity tied to military training, and more. The anthology is of interest to scholars in dance, performance, theater, and cultural studies, as well as the social sciences.
Author: Minton, Sandra Cerny
Publisher: Human Kinetics
ISBN: 1492540129
Category : Performing Arts
Languages : en
Pages : 201
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Book Description
Choreography has been thoroughly updated to help students develop their skills in each step of the choreographic experience, from finding an idea to staging the performance. The text comes with a new web resource that offers video clips and supplemental learning activities.
Author: Cristina F. Rosa
Publisher: Springer
ISBN: 1137462272
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
Brazilian Bodies, and their Choreographies of Identification retraces the presence of a particular way of swaying the body that, in Brazil, is commonly known as ginga . Cristina Rosa its presence across distinct and specific realms: samba-de-roda (samba-in-a-circle) dances, capoeira angola games, and the repertoire of Grupo Corpo.
Author: Anna Leon
Publisher: transcript Verlag
ISBN: 3839461057
Category : Performing Arts
Languages : en
Pages : 355
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Book Description
From objects to sounds, choreography is expanding beyond dance and human bodies in motion. This book offers one of the rare systematic investigations of expanded choreography as it develops in contemporaneity, and is the first to consider expanded choreography from a trans-historical perspective. Through case studies on different periods of European dance history - ranging from Renaissance dance to William Forsythe's choreographic objects and from Baroque court ballets to digital choreographies - it traces a journey of choreography as a practice transcending its sole association with dancing, moving, human bodies.
Author: HowExpert
Publisher: HowExpert
ISBN: 1648917755
Category : Performing Arts
Languages : en
Pages : 75
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Book Description
If you want to learn how to dance, improve your choreography skills, and become a better performer, then check out HowExpert Guide to Dance and Choreography. This book goes into detail about where to start as a beginner dancer, what you need to know going into dance, and step-by-step guides to help you become a better dancer. For those also interested in choreography, this book shares some tips on how to choreograph for dance and create a great performance. It focuses on the importance of every little step when it comes to dancing, and we discuss the order you should follow as both a dancer and a choreographer. There are examples given as well as first-hand experiences that will provide the reader with a deeper understanding as these 101 tips are explained. Any dancer or choreographer can benefit from the tips given within this book. The readers will walk away from this with a better knowledge of dance, the elements that go into a performance, and a better understanding of the time and commitment that comes with being a dancer or choreographer. In addition, the readers will have an idea as to whether they want to start on the path of learning to dance or choreograph and why. Check out HowExpert Guide to Dance and Choreography to learn how to dance, improve your choreography skills, and become a better performer starting today! About the Expert Sydney Marie Skipper is a dancer and choreography for hip hop dance and musical theatre. Sydney has been a dancer for 15 years and received training from the Millennium Dance Complex in California. Growing up, she competed at dance competitions; she danced in numerous performances such as Lip Sync Battle on Telemundo and music videos for artists Emilio Roman and Macy Kate. In addition, she worked alongside choreographers who work within the dance industry. Sydney has choreographed anything from quinceaneras, hip hop team performances, children’s theatre, and musical theatre at Grand Canyon University. Therefore, she wrote this beginner book for new dancers and choreographers. HowExpert publishes quick ‘how to’ guides by everyday experts.
Author: Jo Butterworth
Publisher: Routledge
ISBN: 1136447490
Category : Performing Arts
Languages : en
Pages : 477
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Book Description
This innovative text provides a range of articles covering choreographic enquiry, investigation into the creative process, and traditional understandings of dance making. Contemporary Choreography features contributions by practitioners and researchers from Europe, America, Africa, Australasia and the Asia-Pacific region, investigating the field in six broad domains: • Conceptual and philosophic concerns • Educational settings • Communities • Changing aesthetics • Intercultural choreography • Choreography’s relationships with other disciplines By capturing the essence and progress of choreography in the twenty-first century this reader supports and encourages rigorous thinking and research for future generations of dance practitioners and scholars.
Author: Luigi Anolli
Publisher: IOS Press
ISBN: 9781586035099
Category : Computers
Languages : en
Pages : 308
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Book Description
The idea of complexity states that most things tend to organize themselves into recurring patterns, even when these patterns are not immediately visible to an external observer. The general name for the scientific field concerned with the behaviour over time of a dynamic system is complexity theory. The dynamic systems - systems capable of changing over time - are the focus of this approach, and its concern is with the predictability of their behaviour. The systems of interest to the complexity theory, under certain conditions, perform in regular, predictable ways; under other conditions they exhibit behaviour in which regularity and predictability is lost. The concepts of stable and unstable behaviour are part of the traditional repertoire of physical science. What is novel is the concept of something in between - chaotic behaviour. For chaos here we refer to systems which display behaviour that, though it has certain regularities, defies prediction. How does the order emerge from the chaos? How can we predict the behaviour of a chaotic system?Over the last 30 years and more, trying to identify the hidden patterns behind chaotic behaviour became the focus of attention in a number of scientific disciplines. These range as widely as astronomy, chemistry, evolutionary biology, geology and psychology.
Author: Pam Musil
Publisher: Springer Nature
ISBN: 3030828662
Category : Performing Arts
Languages : en
Pages : 282
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Book Description
This book critically examines matters of age and aging in relation to dance. As a novel collection of diverse authors’ voices, this edited book traverses the human lifespan from early childhood to death as it negotiates a breadth of dance experiences and contexts. The conversations ignited within each chapter invite readers to interrogate current disciplinary attitudes and dominant assumptions and serve as catalysts for changing and evolving long entrenched views among dancers regarding matters of age and aging. The text is organized in three sections, each representing a specific context within which dance exists. Section titles include educational contexts, social and cultural contexts, and artistic contexts. Within these broad categories, each contributor’s milieu of lived experiences illuminate age-related factors and their many intersections. While several contributing authors address and problematize the phenomenon of aging in mid-life and beyond, other authors tackle important issues that impact young dancers and dance professionals.
