Author: Hans Belting
Publisher: Princeton University Press
ISBN: 0691244596
Category : Art
Languages : en
Pages : 276
Book Description
A cultural history of the face in Western art, ranging from portraiture in painting and photography to film, theater, and mass media This fascinating book presents the first cultural history and anthropology of the face across centuries, continents, and media. Ranging from funerary masks and masks in drama to the figural work of contemporary artists including Cindy Sherman and Nam June Paik, renowned art historian Hans Belting emphasizes that while the face plays a critical role in human communication, it defies attempts at visual representation. Belting divides his book into three parts: faces as masks of the self, portraiture as a constantly evolving mask in Western culture, and the fate of the face in the age of mass media. Referencing a vast array of sources, Belting's insights draw on art history, philosophy, theories of visual culture, and cognitive science. He demonstrates that Western efforts to portray the face have repeatedly failed, even with the developments of new media such as photography and film, which promise ever-greater degrees of verisimilitude. In spite of sitting at the heart of human expression, the face resists possession, and creative endeavors to capture it inevitably result in masks—hollow signifiers of the humanity they're meant to embody. From creations by Van Eyck and August Sander to works by Francis Bacon, Ingmar Bergman, and Chuck Close, Face and Mask takes a remarkable look at how, through the centuries, the physical visage has inspired and evaded artistic interpretation.
Face and Mask
Author: Hans Belting
Publisher: Princeton University Press
ISBN: 0691244596
Category : Art
Languages : en
Pages : 276
Book Description
A cultural history of the face in Western art, ranging from portraiture in painting and photography to film, theater, and mass media This fascinating book presents the first cultural history and anthropology of the face across centuries, continents, and media. Ranging from funerary masks and masks in drama to the figural work of contemporary artists including Cindy Sherman and Nam June Paik, renowned art historian Hans Belting emphasizes that while the face plays a critical role in human communication, it defies attempts at visual representation. Belting divides his book into three parts: faces as masks of the self, portraiture as a constantly evolving mask in Western culture, and the fate of the face in the age of mass media. Referencing a vast array of sources, Belting's insights draw on art history, philosophy, theories of visual culture, and cognitive science. He demonstrates that Western efforts to portray the face have repeatedly failed, even with the developments of new media such as photography and film, which promise ever-greater degrees of verisimilitude. In spite of sitting at the heart of human expression, the face resists possession, and creative endeavors to capture it inevitably result in masks—hollow signifiers of the humanity they're meant to embody. From creations by Van Eyck and August Sander to works by Francis Bacon, Ingmar Bergman, and Chuck Close, Face and Mask takes a remarkable look at how, through the centuries, the physical visage has inspired and evaded artistic interpretation.
Publisher: Princeton University Press
ISBN: 0691244596
Category : Art
Languages : en
Pages : 276
Book Description
A cultural history of the face in Western art, ranging from portraiture in painting and photography to film, theater, and mass media This fascinating book presents the first cultural history and anthropology of the face across centuries, continents, and media. Ranging from funerary masks and masks in drama to the figural work of contemporary artists including Cindy Sherman and Nam June Paik, renowned art historian Hans Belting emphasizes that while the face plays a critical role in human communication, it defies attempts at visual representation. Belting divides his book into three parts: faces as masks of the self, portraiture as a constantly evolving mask in Western culture, and the fate of the face in the age of mass media. Referencing a vast array of sources, Belting's insights draw on art history, philosophy, theories of visual culture, and cognitive science. He demonstrates that Western efforts to portray the face have repeatedly failed, even with the developments of new media such as photography and film, which promise ever-greater degrees of verisimilitude. In spite of sitting at the heart of human expression, the face resists possession, and creative endeavors to capture it inevitably result in masks—hollow signifiers of the humanity they're meant to embody. From creations by Van Eyck and August Sander to works by Francis Bacon, Ingmar Bergman, and Chuck Close, Face and Mask takes a remarkable look at how, through the centuries, the physical visage has inspired and evaded artistic interpretation.
Masks
Author: John W. Nunley
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 356
Book Description
"John Emigh and Lesley K. Ferris explore the role of masks in theater, whose roots lie in ritual performance. Cara McCarty looks at the ways in which masks are featured in the medium of film as well. But these artistic examples are not the only masks found in industrial societies. McCarty also discusses the proliferation of masks for physical protection, in areas such as military combat, sports competitions, and space exploration."--BOOK JACKET.
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 356
Book Description
"John Emigh and Lesley K. Ferris explore the role of masks in theater, whose roots lie in ritual performance. Cara McCarty looks at the ways in which masks are featured in the medium of film as well. But these artistic examples are not the only masks found in industrial societies. McCarty also discusses the proliferation of masks for physical protection, in areas such as military combat, sports competitions, and space exploration."--BOOK JACKET.
Masks and Masking
Author: Gary Edson
Publisher: McFarland
ISBN: 1476612331
Category : Art
Languages : en
Pages : 268
Book Description
For at least 20,000 years, masking has been a mark of cultural evolution and an indication of magical-religious sophistication in society. This book provides a comprehensive understanding of the mask as a powerful cultural phenomenon--a means by which human groupings attempted to communicate their dignity and sense of purpose, as well as establish a continuum between the natural and supernatural worlds. It addresses the distinctive environments within which masks flourished, and analyzes the mask as a manifestation of art, ethnology and anthropology.
Publisher: McFarland
ISBN: 1476612331
Category : Art
Languages : en
Pages : 268
Book Description
For at least 20,000 years, masking has been a mark of cultural evolution and an indication of magical-religious sophistication in society. This book provides a comprehensive understanding of the mask as a powerful cultural phenomenon--a means by which human groupings attempted to communicate their dignity and sense of purpose, as well as establish a continuum between the natural and supernatural worlds. It addresses the distinctive environments within which masks flourished, and analyzes the mask as a manifestation of art, ethnology and anthropology.
Masks in Horror Cinema
Author: Alexandra Heller-Nicholas
Publisher: University of Wales Press
ISBN: 1786834979
Category : Performing Arts
Languages : en
Pages : 285
Book Description
First critical exploration of the history and endurance of masks in horror cinema Written by an established , award-winning author with a strong reputation for research in both academia and horror fans Interdisciplinary study that incorporates not only horror studies and cinema studies, but also utilises performance studies, anthropology, Gothic studies, literary studies and folklore studies.
Publisher: University of Wales Press
ISBN: 1786834979
Category : Performing Arts
Languages : en
Pages : 285
Book Description
First critical exploration of the history and endurance of masks in horror cinema Written by an established , award-winning author with a strong reputation for research in both academia and horror fans Interdisciplinary study that incorporates not only horror studies and cinema studies, but also utilises performance studies, anthropology, Gothic studies, literary studies and folklore studies.
Faces and Masks: Memory of Fire, Volume 2
Author: Eduardo Galeano
Publisher: Bold Type Books
ISBN: 9781568584454
Category : History
Languages : en
Pages : 0
Book Description
The second volume of Eduardo Galeano's Memory of Fire trilogy, Faces and Masks is an astonishing Latin American-eye view of the New World in the making. Here is the tangled, cataclysmic history of our hemisphere from the 1700s up to the dawn of our present century, told through characters as resonant and compelling as Simon Bolívar, Toussaint L'Ouverture, and Billy the Kid. With its brilliant and imaginative blend of journalism, scholarship, and political passion, Faces and Masks is a panoramic interpretation of the Americas no work of history has previously imagined.
Publisher: Bold Type Books
ISBN: 9781568584454
Category : History
Languages : en
Pages : 0
Book Description
The second volume of Eduardo Galeano's Memory of Fire trilogy, Faces and Masks is an astonishing Latin American-eye view of the New World in the making. Here is the tangled, cataclysmic history of our hemisphere from the 1700s up to the dawn of our present century, told through characters as resonant and compelling as Simon Bolívar, Toussaint L'Ouverture, and Billy the Kid. With its brilliant and imaginative blend of journalism, scholarship, and political passion, Faces and Masks is a panoramic interpretation of the Americas no work of history has previously imagined.
Smiley Eyes, Smiley Faces
Author: Dawn McNiff
Publisher: Ladybird
ISBN: 9780241517826
Category : Board books
Languages : en
Pages : 0
Book Description
Have fun with face masks in this lift-the-flap, out-and-about adventure! Toddlers today are growing up in a world where adults wear face masks outside the house. Everyone is wearing them, from the bus driver to the shop assistant! In Smiley Eyes, Smiley Faces, their can take an interactive journey through the town, meeting different adults along the way. Toddlers can then lift the mask-shaped flaps to reveal the smiley faces underneath the bright, colourful masks. They can even lift their own mask at the end of the day with the surprise mirrored finale! Zoe Waring's bright artwork and charming characters encourage interaction and play as small children engage with the new world around us. (Please refer to the WHO guidelines for advice on children and the wearing of face masks.) This novelty Ladybird title: Introduces the world Boosts motor skills Recommended for children aged 2+
Publisher: Ladybird
ISBN: 9780241517826
Category : Board books
Languages : en
Pages : 0
Book Description
Have fun with face masks in this lift-the-flap, out-and-about adventure! Toddlers today are growing up in a world where adults wear face masks outside the house. Everyone is wearing them, from the bus driver to the shop assistant! In Smiley Eyes, Smiley Faces, their can take an interactive journey through the town, meeting different adults along the way. Toddlers can then lift the mask-shaped flaps to reveal the smiley faces underneath the bright, colourful masks. They can even lift their own mask at the end of the day with the surprise mirrored finale! Zoe Waring's bright artwork and charming characters encourage interaction and play as small children engage with the new world around us. (Please refer to the WHO guidelines for advice on children and the wearing of face masks.) This novelty Ladybird title: Introduces the world Boosts motor skills Recommended for children aged 2+
A World of Faces
Author: Edward Malin
Publisher: Portland, Or. : Timber Press
ISBN:
Category : Art
Languages : en
Pages : 184
Book Description
The techniques of mask making and the role of the artist and his masks in the society.
Publisher: Portland, Or. : Timber Press
ISBN:
Category : Art
Languages : en
Pages : 184
Book Description
The techniques of mask making and the role of the artist and his masks in the society.
The Memory of Fire Trilogy
Author: Eduardo Galeano
Publisher: Open Road Media
ISBN: 1480481432
Category : History
Languages : en
Pages : 1348
Book Description
All three books in the American Book Award–winning Memory of Fire Trilogy available in a single volume for the first time. Eduardo Galeano’s Memory of Fire Trilogy defies categorization—or perhaps creates its own. It is a passionate, razor-sharp, lyrical history of North and South America, from the birth of the continent’s indigenous peoples through the end of the twentieth century. The three volumes form a haunting and dizzying whole that resurrects the lives of Indians, conquistadors, slaves, revolutionaries, poets, and more. The first book, Genesis, pays homage to the many origin stories of the tribes of the Americas, and paints a verdant portrait of life in the New World through the age of the conquistadors. The second book, Faces and Masks, spans the two centuries between the years 1700 and 1900, in which colonial powers plundered their newfound territories, ultimately giving way to a rising tide of dictators. And in the final installment, Century of the Wind, Galeano brings his story into the twentieth century, in which a fractured continent enters the modern age as popular revolts blaze from North to South. This celebrated series is a landmark of contemporary Latin American writing, and a brilliant document of culture.
Publisher: Open Road Media
ISBN: 1480481432
Category : History
Languages : en
Pages : 1348
Book Description
All three books in the American Book Award–winning Memory of Fire Trilogy available in a single volume for the first time. Eduardo Galeano’s Memory of Fire Trilogy defies categorization—or perhaps creates its own. It is a passionate, razor-sharp, lyrical history of North and South America, from the birth of the continent’s indigenous peoples through the end of the twentieth century. The three volumes form a haunting and dizzying whole that resurrects the lives of Indians, conquistadors, slaves, revolutionaries, poets, and more. The first book, Genesis, pays homage to the many origin stories of the tribes of the Americas, and paints a verdant portrait of life in the New World through the age of the conquistadors. The second book, Faces and Masks, spans the two centuries between the years 1700 and 1900, in which colonial powers plundered their newfound territories, ultimately giving way to a rising tide of dictators. And in the final installment, Century of the Wind, Galeano brings his story into the twentieth century, in which a fractured continent enters the modern age as popular revolts blaze from North to South. This celebrated series is a landmark of contemporary Latin American writing, and a brilliant document of culture.
Red Skin, White Masks
Author: Glen Sean Coulthard
Publisher: U of Minnesota Press
ISBN: 1452942439
Category : Social Science
Languages : en
Pages : 289
Book Description
WINNER OF: Frantz Fanon Outstanding Book from the Caribbean Philosophical Association Canadian Political Science Association’s C.B. MacPherson Prize Studies in Political Economy Book Prize Over the past forty years, recognition has become the dominant mode of negotiation and decolonization between the nation-state and Indigenous nations in North America. The term “recognition” shapes debates over Indigenous cultural distinctiveness, Indigenous rights to land and self-government, and Indigenous peoples’ right to benefit from the development of their lands and resources. In a work of critically engaged political theory, Glen Sean Coulthard challenges recognition as a method of organizing difference and identity in liberal politics, questioning the assumption that contemporary difference and past histories of destructive colonialism between the state and Indigenous peoples can be reconciled through a process of acknowledgment. Beyond this, Coulthard examines an alternative politics—one that seeks to revalue, reconstruct, and redeploy Indigenous cultural practices based on self-recognition rather than on seeking appreciation from the very agents of colonialism. Coulthard demonstrates how a “place-based” modification of Karl Marx’s theory of “primitive accumulation” throws light on Indigenous–state relations in settler-colonial contexts and how Frantz Fanon’s critique of colonial recognition shows that this relationship reproduces itself over time. This framework strengthens his exploration of the ways that the politics of recognition has come to serve the interests of settler-colonial power. In addressing the core tenets of Indigenous resistance movements, like Red Power and Idle No More, Coulthard offers fresh insights into the politics of active decolonization.
Publisher: U of Minnesota Press
ISBN: 1452942439
Category : Social Science
Languages : en
Pages : 289
Book Description
WINNER OF: Frantz Fanon Outstanding Book from the Caribbean Philosophical Association Canadian Political Science Association’s C.B. MacPherson Prize Studies in Political Economy Book Prize Over the past forty years, recognition has become the dominant mode of negotiation and decolonization between the nation-state and Indigenous nations in North America. The term “recognition” shapes debates over Indigenous cultural distinctiveness, Indigenous rights to land and self-government, and Indigenous peoples’ right to benefit from the development of their lands and resources. In a work of critically engaged political theory, Glen Sean Coulthard challenges recognition as a method of organizing difference and identity in liberal politics, questioning the assumption that contemporary difference and past histories of destructive colonialism between the state and Indigenous peoples can be reconciled through a process of acknowledgment. Beyond this, Coulthard examines an alternative politics—one that seeks to revalue, reconstruct, and redeploy Indigenous cultural practices based on self-recognition rather than on seeking appreciation from the very agents of colonialism. Coulthard demonstrates how a “place-based” modification of Karl Marx’s theory of “primitive accumulation” throws light on Indigenous–state relations in settler-colonial contexts and how Frantz Fanon’s critique of colonial recognition shows that this relationship reproduces itself over time. This framework strengthens his exploration of the ways that the politics of recognition has come to serve the interests of settler-colonial power. In addressing the core tenets of Indigenous resistance movements, like Red Power and Idle No More, Coulthard offers fresh insights into the politics of active decolonization.
Masks
Author: E. C. Blake
Publisher: Penguin
ISBN: 0756407591
Category : Fiction
Languages : en
Pages : 386
Book Description
Explores "a world in which cataclysmic events have left the Autarchy of Aygrima--the one land blessed with magical resources--cut off from its former trading partners across the waters, not knowing if any of those distant peoples still live. Yet under the rule of the Autarch, Aygrima survives. And thanks to the creation of the Masks and the vigilance of the Autarch's Watchers, no one can threaten the security of the empire"--Dust jacket flap.
Publisher: Penguin
ISBN: 0756407591
Category : Fiction
Languages : en
Pages : 386
Book Description
Explores "a world in which cataclysmic events have left the Autarchy of Aygrima--the one land blessed with magical resources--cut off from its former trading partners across the waters, not knowing if any of those distant peoples still live. Yet under the rule of the Autarch, Aygrima survives. And thanks to the creation of the Masks and the vigilance of the Autarch's Watchers, no one can threaten the security of the empire"--Dust jacket flap.