Oog in oog met de modellen van Rembrandts portret-etsen PDF Download
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Author: R.E.O. Ekkart
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
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Author: R.E.O. Ekkart
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
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Author: Eva Ornstein-van Slooten
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
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![Oog in Oog Met de Modellen Van Rembrandts Portret-etsenFace to Face with the Sitters for Rembrandt's Etched Portraits [Amsterdam, 1986] {2} PDF](https://books.google.com/books/content/images/frontcover/YnHIjgEACAAJ?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
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Author: Michael Zell
Publisher: Univ of California Press
ISBN: 0520227417
Category : Art
Languages : en
Pages : 287
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"This book embeds Rembrandt's art in the pluralistic religious context of seventeenth-century Amsterdam, arguing for the restoration of this historical dimension to contemporary discussions of the artists. By incorporating this perspective, Zell confirms and revises one of the most forceful myths attached to Rembrandt's art and life: his presumed attraction and sensitivity to the Jews of early modern Amsterdam."--BOOK JACKET.
Author: Hubertus von Sonnenburg
Publisher: Metropolitan Museum of Art
ISBN: 0870997548
Category : Art
Languages : en
Pages : 435
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Author: Victoria Sancho Lobis
Publisher: Yale University Press
ISBN: 0300218826
Category : Art
Languages : en
Pages : 109
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In the last decade of his life, Anthony van Dyck (1599-1641) undertook a printmaking project that changed the conventions of portraiture. In a series later named the Iconography, he portrayed artists alongside kings, courtiers, and diplomats--a radical departure from preexisting conventions. He also depicted his subjects in novel ways, focusing on their facial features often to the exclusion of symbolic costumes or props. In addition to illustrating approximately 60 works by Van Dyck and other artists from his era--particularly Rembrandt--this catalogue traces the artist's influence over hundreds of years. Showcasing both 17th century portraits in a variety of media and portrait prints by a wide range of artists spanning the 16th through the 20th centuries--including Albrecht Dürer, Hendrick Goltzius, Francisco de Goya, Edgar Degas, and Jim Dine--the book demonstrates the indelible mark that Van Dyck left on the genre.
Author: Charles M. Rosenberg
Publisher: Indiana University Press
ISBN: 0253025907
Category : Art
Languages : en
Pages : 496
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Book Description
A stunning catalogue of the seventy religious prints from the 2017 exhibition, featuring detailed background information on each piece. Rembrandt’s stunning religious prints stand as evidence of the Dutch master’s extraordinary skill as a technician and as a testament to his genius as a teller of tales. Here, several virtually unknown etchings, collected by the Feddersen family and now preserved for the ages at the University of Notre Dame, are made widely available in a lavishly illustrated volume. Building on the contributions of earlier Rembrandt scholars, noted art historian Charles M. Rosenberg illuminates each of the seventyreligious prints through detailed background information on the artist’s career as well as the historical, religious, and artistic impulses informing their creation. Readers will enjoy an impression of the earliest work, The Circumcision (1625-26); the famous Hundred Guilder Print; the enigmatic eighth state of Christ Presented to the People; one of a handful of examples of the very rare final posthumous state of The Three Crosses; and an impression and counterproof of The Triumph of Mordecai. From the joyous epiphany of the coming of the Messiah to the anguish of the betrayal of a father (Jacob) by his children, from choirs of angels waiting to receive the Virgin into heaven to the dog who defecates in the road by an ancient inn (The Good Samaritan), Rembrandt’s etchings offer a window into the nature of faith, aspiration, and human experience, ranging from the ecstatically divine to the worldly and mundane. Ultimately, these prints—modest, intimate, fragile objects—are great works of art which, like all masterpieces, reward us with fresh insights and discoveries at each new encounter. “Despite many reliable catalogues of Rembrandt etchings, very few have focused on the religious content of these prints. The outstanding range of the Feddersen Collection offers an excellent occasion for closer examination of Rembrandt’s development—as a printmaker but also as a spiritual devout Christian, especially evident from his thoughtful return to the same subjects across his career. Charles Rosenberg and his team at the Snite Museum deserve our thanks for fresh analysis of Rembrandt’s religious prints, combined with the latest scholarship on the artist and his etchings output. Rembrandt scholars but also all lovers of the artist will want to consult this important catalogue.” —Larry Silver, author (with Shelley Perlove) of Rembrandt’s Faith: Church and Temple in the Dutch Golden Age “Rembrandt’s etchings of religious themes capture the emotional heart of their subjects through a uniquely inventive approach to both technique and content. . . . The seventy prints gathered by Jack and Alfrieda Feddersen span the full range of Rembrandt’s production and offer an outstanding resource for appreciation and research. This catalogue tells the fascinating story of how the collection was formed and brings a fresh analysis to each print. Charles Rosenberg’s extensive catalogue entries will be useful reading for anyone interested in the history of European art and one of its most talented practitioners, Rembrandt van Rijn.” —Stephanie Dickey, Queen’s University
Author: Christian Tümpel
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 486
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Book Description
A book which is the result of more than 20 years of research and offers new interpretations of the art of Rembrandt van Rijn (1606-1669). It was designed to be a catalogue raisonne of works by the artist or works traditionally attributed to him. In a text that incorporates his own scholarship as well as the latest findings of the Rembrandt Research Project, the author explores the development of Rembrandt's art through the story of the artist's life. First, Tumpel frees the iconographic interpretation of Rembrandt's art of its traditional literary connections. Second, he demonstrates that Rembrandt was inspired by various 16th-century visual materials and was therefore less original than was assumed until now. The author also analyzes the stylistic traditions of Rembrandt's time and ultimately presents a series of convincing interpretations of Rembrandt's famous history pieces.
Author: Julia Lloyd Williams
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
This is the first book to focus on Rembrandt's portrayal of women. It reveals the women in Rembrandt's life, as well as his unique approach to depicting the female form in paintings, drawings and prints, all shown through 140 superb works drawn from the finest collections in the world.
