Face-to-Face in Shakespearean Drama PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Face-to-Face in Shakespearean Drama PDF full book. Access full book title Face-to-Face in Shakespearean Drama by Matthew James Smith. Download full books in PDF and EPUB format.
Author: Matthew James Smith
Publisher: Edinburgh University Press
ISBN: 147443570X
Category : Acting
Languages : en
Pages : 304
Get Book Here
Book Description
This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare.
Author: Matthew James Smith
Publisher: Edinburgh University Press
ISBN: 147443570X
Category : Acting
Languages : en
Pages : 304
Get Book Here
Book Description
This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare.
Author: Darryl Chalk
Publisher: Springer
ISBN: 3030144283
Category : Literary Criticism
Languages : en
Pages : 291
Get Book Here
Book Description
This collection of essays considers what constituted contagion in the minds of early moderns in the absence of modern germ theory. In a wide range of essays focused on early modern drama and the culture of theater, contributors explore how ideas of contagion not only inform representations of the senses (such as smell and touch) and emotions (such as disgust, pity, and shame) but also shape how people understood belief, narrative, and political agency. Epidemic thinking was not limited to medical inquiry or the narrow study of a particular disease. Shakespeare, Thomas Middleton, Ben Jonson, Thomas Dekker and other early modern writers understood that someone might be infected or transformed by the presence of others, through various kinds of exchange, or if exposed to certain ideas, practices, or environmental conditions. The discourse and concept of contagion provides a lens for understanding early modern theatrical performance, dramatic plots, and theater-going itself.
Author: Julián Jiménez Heffernan
Publisher: BRILL
ISBN: 9004526633
Category : Drama
Languages : en
Pages : 637
Get Book Here
Book Description
The times when abstaining from cakes and ale was seen as a sign of critical virtue are over. Phenomenal Shakespeare is at your back lawn with a picnic-basket jammed with intersubjectivity, embodiment, immediacy, representation. If you feel like passing, read this book.
Author: Mrs. Mary Ellen Ferris Gettemy
Publisher:
ISBN:
Category :
Languages : en
Pages : 384
Get Book Here
Book Description
Author: Lowell Gallagher
Publisher: University of Toronto Press
ISBN: 1487507437
Category : Drama
Languages : en
Pages : 253
Get Book Here
Book Description
This collection assembles essays on key words that link performance and philosophy in the works of Shakespeare.
Author: T. G. Bishop
Publisher: Cambridge University Press
ISBN: 0521550866
Category : Drama
Languages : en
Pages : 238
Get Book Here
Book Description
Playwrights throughout history have used the emotion of wonder to explore the relation between feeling and knowing in the theatre. In Shakespeare and the Theatre of Wonder, T. G. Bishop argues that wonder provides a turbulent space, rich at once in emotion and self-consciousness, where the nature and value of knowing is brought into question. Bishop compares the treatment of wonder in classical philosophy and drama, and goes on to examine English cycle-plays, charting wonder's ambivalent relation to dogma and sacrament in the medieval religious theatre. Through extended readings of three of Shakespeare's plays - The Comedy of Errors, Pericles and The Winter's Tale - Bishop argues that Shakespeare uses wonder as a key component of his dialectic between affirmation and critique. Wonder is shown as vital to the characteristic self-consciousness of Shakespeare's plays as acts of narrative enquiry and renovation.
Author: Vivian Salmon
Publisher: John Benjamins Publishing
ISBN: 9027278865
Category : Language Arts & Disciplines
Languages : en
Pages : 547
Get Book Here
Book Description
In recent years the language of Shakespearean drama has been described in a number of publications intended mainly for the undergraduate student or general reader, but the studies in academic journals to which they refer are not always easily accessible even though they are of great interest to the general reader and essential for the specialist. The purpose of this collection is therefore to bring together some of the most valuable of these studies which, in discussing various aspects of the language of the early 17th century as exemplified in Shakespearean drama, provide the reader with deeper insights into the meaning of Shakespearean text, often by reference to the social, literary and linguistic context of the time.
Author: W. B. Worthen
Publisher: Cambridge University Press
ISBN: 1108571433
Category : Literary Criticism
Languages : en
Pages : 281
Get Book Here
Book Description
This urgent and provocative study explores contemporary Shakespeare performance to bring a sense of theatre as technology into view. Rather than merely using technologies, the theatre's distinctively intermedial character is essential to its complex technicity; the changing function of gesture and costume, of written documents in the making of performance, of light and sound, and of the interplay of live and recorded acting complicate the sense of theatre as a medium. In a series of probing discussions, Worthen interrogates the interaction of live and mediated acting onstage, the impact of written media from the handwritten scroll to the small-screen app in acting as a technē, the work of Original Practices as an interactive modern theatre technology, the economies of theatrical immersion, and the consequences of an emerging algorithmic theatre, providing a richly theoretical reading of the stakes of theatre as an always-emerging technology.
Author: Matthew J. Smith
Publisher: Bloomsbury Publishing
ISBN: 1350193933
Category : Literary Criticism
Languages : en
Pages : 313
Get Book Here
Book Description
This book challenges the status quo of studies in literature and religion by returning to “experience” as a bridge between theory and practice. Essays focus on keywords of religious experience and demonstrate their applications in drama, fiction, and poetry. Each chapter explores the broad significance of its keyword as a category of psychological and social behavior and tracks its unique articulation by individual authors, including Conrad, Beecher Stowe and Melville. Together, the chapters construct a critical foundation for studying literature not only from the perspectives of theology and historicism but from the ways that literary experience reflects, reinforces, and sometimes challenges religious experience.
Author: Edward Evans
Publisher: Taylor & Francis
ISBN: 104012822X
Category : Literary Criticism
Languages : en
Pages : 172
Get Book Here
Book Description
Clear mirrors and The Geneva Bible, revolutionary innovations of the Elizabethan age, inspired Shakespeare’s drive towards a new purpose for drama. Shakespeare reversed the conventional mirror metaphor for drama, implying drama cannot reflect the substance of human nature, and developed a method of characterization, through metadrama, self-awareness and soliloquy, to project St. Paul’s idea of conscience onto the Elizabethan stage. This revolutionary method of characterization, aesthetic existence beyond performance, has long been sensed but remains frustratingly uncategorized. Shakespeare’s Mirrors charts the invention of a drama that staged the unstageable: St. Paul’s metaphysical conception of human nature glimpsed through a looking glass darkly.
