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Author: Peter G. Bietenholz
Publisher: BRILL
ISBN: 9789004100633
Category : History
Languages : en
Pages : 472
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Book Description
Examining a variety of texts ranging from the Ancient Near East to the nineteenth century, this book deals with the inevitable presence of both fact and fiction in historical thought and investigates when, where and to what degree they were distinguished.
Author: Peter G. Bietenholz
Publisher: BRILL
ISBN: 9789004100633
Category : History
Languages : en
Pages : 472
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Book Description
Examining a variety of texts ranging from the Ancient Near East to the nineteenth century, this book deals with the inevitable presence of both fact and fiction in historical thought and investigates when, where and to what degree they were distinguished.
Author: Patrice Pavis
Publisher: University of Toronto Press
ISBN: 9780802081636
Category : Performing Arts
Languages : en
Pages : 492
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Book Description
An encyclopedic dictionary of technical and theoretical terms, the book covers all aspects of a semiotic approach to the theatre, with cross-referenced alphabetical entries ranging from absurd to word scenery.
Author: David Bordwell
Publisher: Routledge
ISBN: 1136099166
Category : Performing Arts
Languages : en
Pages : 385
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Book Description
In this study, David Bordwell offers a comprehensive account of how movies use fundamental principles of narrative representation, unique features of the film medium, and diverse story-telling patterns to construct their fictional narratives.
Author: Merriam-Webster, Inc
Publisher: Merriam-Webster
ISBN: 9780877790426
Category : Literature
Languages : en
Pages : 1260
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Book Description
Describes authors, works, and literary terms from all eras and all parts of the world.
Author: Wolf Schmid
Publisher: Walter de Gruyter
ISBN: 3110226316
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
Índice abreviado: I. FEATURES OF NARRATIVE IN FICTION 1. Narrativity and eventfulness 2. Fictionality II. THE ENTITIES IN A NARRATIVE WORK 1. Model of communications levels 2. The abstract author 3. The abstract reader 4. The fictive narrator 5. The fictive reader III. POINT OF VIEW 1. Theories of point of view, perspective, and focalization 2. A model of narrative point of view IV. NARRATOR'S TEXT AND CHARACTERS' TEXT 1. The two components of the narrative text 2. Ornamental prose and shaz 3. The interference of narrator's text and characters' text V. NARRATIVE CONSTITUTION: HAPPENINGS-STORY-NARRATIVE- PESENTATION OF THE NARRATIVE 1. "Fabula" and "sujet" in Russian formalism 2. The overcoming of formalist reductionism 3. The four narrative tiers.
Author: Desiderius Erasmus
Publisher: University of Toronto Press
ISBN: 0802043976
Category : Christian literature, Latin (Medieval and modern)
Languages : en
Pages : 633
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Book Description
Author: Peter Brooks
Publisher: Harvard University Press
ISBN: 9780674748927
Category : Education
Languages : en
Pages : 388
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Book Description
A book which should appeal to both literary theorists and to readers of the novel, this study invites the reader to consider how the plot reflects the patterns of human destiny and seeks to impose a new meaning on life.
Author: Mieke Bal
Publisher: Taylor & Francis
ISBN: 9780415316613
Category : Criticism
Languages : en
Pages : 456
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Book Description
Author: Gilbert Tournoy
Publisher: Leuven University Press
ISBN: 9058676927
Category : Foreign Language Study
Languages : en
Pages : 429
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Book Description
As well as presenting articles on Neo-Latin topics, the annual journal Humanistica Lovaniensia is a major source for critical editions of Neo-Latin texts with translations and commentaries. Please visit www.lup.be for the full table of contents.
Author: Akane Kawakami
Publisher: Liverpool University Press
ISBN: 1781388377
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
A Self-Conscious Art is the first full-length study in English to attempt to deal with the formal complexities of Modiano’s work, by reading ‘against the grain’ of his self-professed ingenuousness. A detailed examination of his narratives shows the deeply postmodern nature of his writing. Parodying precursors such as Proust or the nouveau romanciers, his narratives are built around a profound lack of faith in the ability of writing to retrieve the past through memory, and this failure is acknowledged in the discreet playfulness that characterises his novels. This book is a timely introduction to the work of one of the most successful modern French novelists.
